Sentences with phrase «for viewers of any age»

While it's not a perfect film by any means — a lack of catchy musical numbers and a questionable shift of focus in the film's latter half knock Megamind down a few pegs — the lively cast and interesting flip on the superhero concept make it a fun time at the movies for viewers of all ages.

«Hotel Transylvania 2» doesn't break any great, new ground and it's pretty thin in terms of plot, but it's a lot of fun for viewers of every age.

This meditative, nostalgic film is an obvious personal endeavor of Mike Mills, and its beautiful, honest specificity makes it captivatingly accessible for viewers of all ages.

While dated in a number of ways, it endures as top - notch entertainment for viewers of all ages to enjoy together or apart and holds up as,

Though it's perfectly acceptable for viewers of all ages, it's so different from today's «family» movies that youngsters in 2015 may have difficulty adjusting to its gentle rhythms.

Magical, stunning and utterly mesmerising, the tale of Pixar's first female lead set against a sumptuous Scottish backdrop provides plenty of laughter, tears and morals while being a thrilling and exciting yarn for viewers of all ages.

One can easily understand why this story swiftly became Coast Guard legend... but its dim wall - of - grey visuals and narrative longueurs make much of the two hours a challenge to the attention span for viewers of any age.

This meditative, nostalgic film is an obvious personal endeavor of Mike Mills (Beginners), and its beautiful, honest specificity makes it captivatingly accessible for viewers of all ages.

With seven galleries, there is always a choice of exhibitions to offer a rich selection of visual food for thought and pleasure for viewers of all ages.

Not exact matches

Smith often compares his company to CNN, and in many ways Vice has become the equivalent for many younger viewers who no longer watch traditional television, especially when it uses stale old formats like panels of aging white men debating politics.

Men in the age group 18 - 49 were the smallest adult group of viewers, representing only 8.8 percent of the audience for «Oral Roberts.»

It has been noted already that religious television viewing increases significantly with age and that older viewers demonstrate an increased interest in serious content on television, especially news and public - affairs programming, as compensation for losses of more social sources of information and engagement.

Steinberg found that late - adolescent participants demonstrated a significantly increased preference for smaller, immediate rewards when they believed that they were being watched by an unknown viewer of the same age and gender.

During the webinar, our expert panel of researchers will discuss: • Strategies and technologies for successful cancer biomarker discovery through robust detection and analysis of miRNAs in biofluids • Research into analytic and biological variables that impact miRNA measurements in serum and plasma from the clinical pathologist's point of view • The novel application of miRNAs in serum as biomarkers of aging and chronic disease • The answers to questions submitted by the live, online viewers.

Warning, this section is for viewers of 18 years of age, or older.

A talented and attractive actress who has managed to wrangle a remarkable number of affecting roles despite her youthful age, Elisabeth Moss may be best known to television viewers as the President's daughter on the acclaimed series The West Wing, though thoughtful characterizations in such features as Girl, Interrupted and Imaginary Crimes have been a testament to an actress not afraid to court more challenging and emotionally demanding roles unusual for an actress of her age.Born to music manager and a mother who specialized in the blues harp in 1983, Moss spent her childhood in Los Angeles and was inspired to pursue acting at an early age by screen idol Bette Davis.

But without it, Mystery Girls might be just another ABC Family - com for viewers who have aged out of Disney Channel and silly situations with sentimental topping for studio audience uproar.

While older audiences will go for it, even viewers who haven't acquired the wisdom of age can learn something.

The perfect holiday gift for romantic comedy fans of all ages, Home Again on Blu - rayTM, DVD and Digital features a bonus commentary with the director and the producer of the film, taking viewers even deeper into the heartfelt story.

While the movie is not an outstanding piece of cinema, the talented cast have fun with the silly transformation plot and ensure quite a good time for viewers of most ages, in the tradition of the Disney films of its era.

For the most part, the three collaborators keep up a steady stream of reminiscence and genuine reaction to their aging baby, but an icon in the upper left of the screen allows the viewer to skip over the brief gaps (typically only a few seconds long) to the next segment (for whatever reason, a few brief portions of the commentary are audio onlFor the most part, the three collaborators keep up a steady stream of reminiscence and genuine reaction to their aging baby, but an icon in the upper left of the screen allows the viewer to skip over the brief gaps (typically only a few seconds long) to the next segment (for whatever reason, a few brief portions of the commentary are audio onlfor whatever reason, a few brief portions of the commentary are audio only).

Stealing Beauty is a gentle romantic drama / coming - of - age tale that provides comfortable rest stops along the way for the travel weary viewer.

Digitally remastered for optimal picture and sound, this astounding story is sure to thrill viewers of all ages again with its timeless message of trust, courage, and the overwhelming power of friendship.

He doesn't have to; he's Steven Spielberg, the one filmmaker viewers of every age and nation give a pass to for the wealth of exciting wonderment he has given over the years.

Not only does the teenager learn a thing or two about the wisdom of experience, he also presents a good role model for similarly aged viewers.

And there's a sequence near the end that feels like the seed of a far richer, stranger sequel: a sendup of the corny «inspirational» TV movies that viewers of a certain age will remember all too well, in which a character overcomes a handicap after years of feeling sorry for himself.

Altogether, Blockers is a raunch comedy for a new age, with plenty of hilarity and emotion to win over viewers of all ages (or, at least, all ages able to catch the R - rated comedy).

Bottom line: «Bears» is an accomplished bit of filmmaking that would have been an unqualified success were it not for narration that periodically insults the intelligence of viewers over the age of eight.

With a pure heart and a hefty helping of ingenuity, the young boy tackles the evil forces that threaten his home and takes viewers along for a rollicking retelling of the age - old tale of King Arthur.

Breaking out of the stylistic confines of his last couple of films, Scorsese hit the ground running with a go - for - broke epic that ran for three breathlessly - paced hours, was horrifying and hilarious in equal measure (an extended sequence involving some old quaaludes, luncheon meat, a looming legal catastrophe and an old «Popeye» cartoon was a set - piece for the ages), was jam - packed with great performances across the board and which offered viewers the pleasure of seeing a top director working at the peak of his powers.

From a technical standpoint, the film was one for the ages (this was one of those increasingly rare movies that cried out to be seen on the biggest screen possible and was even one of the few to make intelligent use of 3D technology) but what was even more surprising was how effective it was from a dramatic standpoint as well, thanks in no small part to the career - best work from Bullock and the deft use of Clooney's glib star quality to help orient viewers for what might have otherwise been an off - putting experience).

«The Wolf of Wall Street» If the mark of a truly significant artist is their ability to continually provoke and outrage viewers in their later years instead of falling into a complacent rut, then Scorsese once again proved himself to be a provocateur for the ages with this jaw - dropping, eye - popping depiction of the true story of a crafty little weasel (Leonardo Di Caprio in what now stands as the performance of his career) who created a billion dollar empire out of selling crappy penny stocks and subsequently rode it into the ground in a blaze of greed, hubris and more cocaine than «Scarface» and «Boogie Nights» combined.

Beautifully though, the film's approach to anthropology is cultural immersion, offering an enthralling experience for the viewer in the (fictional) country of Wakanda, previously visited in «Avengers: Age of Ultron.»

MONDELLO: The plot's not going to tax anyone over the age of 12, but Spielberg crams the screen with visuals eye - popping enough to make viewers not care - grimy and dystopian for the real world, bright and cyber-sparkly for an OASIS that's just unreal enough to ring a little hollow.

In this age of revivals, with «Fuller House,» «Will & Grace» and «Twin Peaks: The Return» coming back to finish business some viewers might not have considered unfinished, no series cries more for a second swing than «Roseanne,» returning to ABC after 21 years.

The result is neither moving nor charming — not to mention particularly funny to viewers over the age of ten — and the lackluster work of the B - level star cast (which also includes Arquette-less Courteney Cox and Andie MacDowell) makes one further yearn for the days of animated features starring bonafide voice actors.

The eclectic list of titles below includes some of my favorite examples of how poetry can interact with artwork in surprising, beautiful ways, creating a unique experience for readers and viewers of all ages, including grown - ups.

The DVD edition of POKÉMON THE MOVIE: DIANCIE AND THE COCOON OF DESTRUCTION is rated «TV - Y7,» for viewers ages 7 and older, and will carry an MSRP of $ 19.97 U.S. / $ 24.98 CAof POKÉMON THE MOVIE: DIANCIE AND THE COCOON OF DESTRUCTION is rated «TV - Y7,» for viewers ages 7 and older, and will carry an MSRP of $ 19.97 U.S. / $ 24.98 CAOF DESTRUCTION is rated «TV - Y7,» for viewers ages 7 and older, and will carry an MSRP of $ 19.97 U.S. / $ 24.98 CAof $ 19.97 U.S. / $ 24.98 CAN.

An estimated 933,000 viewers tuned in, making it the most watched show in it's 12:30 AM timeslot for men between the ages of 18 - 24 on cable television.

So although American viewers will reflexively relate the streaming brushstrokes in her paintings to New York School painting, or to the work of an American closer to her in age, such as David Reed, she may feel just as much affinity for European practitioners of improvisational painting such as Pierre Soulages, Howard Hodgkin or even Gerhard Richter.

Death is a subject of art for the ages, but this work brings with it such delicacy of feeling — as the viewer becomes seduced by the anthropomorphism — counterbalanced by the shocking ending, that one does not begrudge the return to such a theme.

There is a sense of lifetimes in his paintings that continue from childhood to old age, for he makes sure the viewer knows that the girl is adolescent and that the woman holding flowers is elderly, yet we can't help but wonder who the «The Chaperone» is.

At just 42 years of age, the multi-disciplinary artist has meticulously undermined the certainty of the photographic image, turning the viewer's perspective to the systems of power, in for example, An American Index of the Hidden and Unfamiliar (2007)-- an inventory of what lies hidden and out - of - view within the borders of the United States.

Over the stairwell is a work that combines the familiar gold - leafed cardboard boxes with numerous suspended metal implements: various rusted tools for which the agricultural purpose is long forgotten sit alongside objects that even the most metropolitan of 21st century viewers can identify as the savage animal traps of a less enlightened age.

While each artist plays upon the past, Summer Breaks is meant to re-define classicism and bring forward contemporary work for viewers of a digital age, one free of convention.

There were some present who worked for PBS, others who produced news and other content for local affiliates, and a university professor who was there to comment on the way the behavior of college - aged viewers were changing.

• Greet customers and check ticket stubs and electronic tickets • Provide information on location of aisles, cinema policies and protocols • Accompany customers to their seats and instruct them on ticket keeping policies • Instruct customers on what to do during emergency situations and inform them of the locations of exits • Provide information regarding type of shows and age appropriateness of children • Assist food and beverage vendors in finding customers» seats so that they can deliver their orders • Intervene in fights and brawls and attempt to normalize things to minimize problems for other viewers • Assist in changing movie displays in cinema windows and halls • Provide support to ticketing assistant during rush hours