Sentences with phrase «for women artists of color»

An influential figure in the art world for over 40 years, Pindell has remained committed to expanding opportunities for women artists of color.

Granted, there's still a long way to go for equal representation, particularly for women artists of color.

Not exact matches

As part of a larger series, artist Mel Elliott created this coloring book as a way to celebrate womanhood and appreciate women for their strengths — can't argue with that goal!

At that time I felt like there weren't a lot of makeup options for darker skin tones available, and the makeup artists at the department store counters seemed to think that loading up the darkest shades of shadow, blush, and lipstick was the only way to go --(this is before YouTube changed the world of makeup for women of color)-- that's when I decided to take matters in to my own hands and I became sort of obsessed with playing with makeup.

Ava DuVernay's adaptation of Madeleine L'Engle's kid - lit fantasy classic not only marks a step forward for diversity — with the film, DuVernay becomes the first woman of color to direct a $ 100 million blockbuster — but for DuVernay as an artist.

The Screenwriters Intensive is for first - time fiction feature writers or writer / directors who come from underrepresented communities, including women, artists of color, LGBTQ artists, and artists with disabilities.

As a response to the current social and political climate in the United States, the Strange Fire Collective is looking for work made by women, people of color, and LGBTQ artists that engages with issues of social justice and critically questions the dominant social hierarchy for our upcoming exhibition Call and Response: Art as Resistance.

Except for a smear of blue by Norman Lewis, Michael Rosenfeld avoids color, but with a striking mix of black and white artists, both men and women, from the 1930s to today.

Alfred Lombard was a famous French artist widely known for his paintings where he often depicted nude women in brilliant arrangements of colors.

Join us for a discussion on Thompson's work and influences, as well as the changing landscape of abstraction as a field that is becoming more inclusive to women and artists of color.

Cross is a passionate advocate for diversity in the arts, founding WoCA Projects, a nonprofit arts organization that curates exhibitions and community arts programs that champion women artists of color.

Aimed to empower and dedicated to other women of color that share similar experiences, the gallery serves as a save place for artists to share their thoughts and examine how images can drive their process of healing.

NMWA writes an article for Hyperallergic about the challenges in collecting data about women artists of color.

The exhibition's final three sections — the Dionysian Pavilion, devoted to women artists and artists addressing women and female sexuality, and the Pavilions of Color and of Time and Infinity — are far too broad and nebulous to be helpful frames for any of the (often great) works therein.

As if in reply to Buren, Fraser argues that artists, through their critiques of the limitations and biases of institutions, have been the driving force behind the museum's expanded purview, its progress (however insufficient) toward showing more women artists, artists of color, and gay artists, for example, and toward supporting works in all mediums.

Highlights from this include his piece Spiderman (2015), in which the artist takes on the persona of a trans woman for a raunchy, politicized standup routine, and his signature large - scale abstract compositions, which he forms by layering paper and paint before sanding them down to reveal previously - obscured layers of color.

I don't believe that, maybe I should, I've been looking for work because it was done by artists of color or women.

What about the advertising and comic - strip palette of Pop Art, digital artists for whom Photoshop's Color Picker translates so easily into hexadecimal, the drab of camouflage in political art, or many a woman artist's grids of tapestry and tile?

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arcolor, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they arColor, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

While it may be easy to paint the «creative differences» between Vergne and Molesworth as one of the director favoring blue - chip white male artists, and the curator wanting to create a more inclusive platform for women and artists of color, what can be said about the urged retirement of the long - term senior curator of color, who had been doing that work all along?»

In 1969, he became a founding member of the Black Emergency Cultural Coalition (BECC), which formed coalitions with other artists» groups, protested the exclusion of women and men of color from institutional and historical canons, and advocated for greater representation of black artists, curators, and intellectuals within major museums.

Other select projects include: Artistic Producer for the 4th annual Chicago Home Theater Festival, a 10 - day festival of artistic exchange within neighborhoods that have experienced systemic disinvestment featuring narratives by and about artists of color, women and femmes, migrants and immigrants, LGBTQ artists, and artists with disabilities (2016), and Project Coordinator for Our Miss Brooks: A Centennial Celebration, a national a year - long multidisciplinary celebration on the occasion of the 100th birthday of Pulitzer Prize winning poet Gwendolyn Brooks (2017).

Andrews taught for nearly three decades at Queens College of the City University of New York and co-founded the Black Emergency Cultural Coalition in 1969 to fight for inclusion of artists of color and women artists in establishment galleries and museum collections.

Although less than 25 percent of the lots are by women artists, some significant works by women are for sale: «Roots,» a poignant color screen print by Catlett that the gallery says has not been seen at auction in 20 years (shown above); «March on Washington,» 1964 (oil on canvas), a beautifully rendered painting by Alma Thomas (1891 - 1978); Faith Ringgold's 1974 «Night: Window of the Wedding 8,» touted as the first of her fabric paintings to be offered at auction (shown below); and «Still Life with Grapefruit,» 1928, described on the frame backing as Lois Mailou Jones's first painting, completed a year after she graduated from the School of the Museum of Fine Arts in Boston.

GGOT develops plays, performances, street theatre actions and residency programs that dramatize women»s history and address the lack of opportunities for women and artists of color in the performing arts.

The first was the establishment of the Black Women Artists for Black Lives Matter (BWA for BLM), a collective of over one hundred women of color spearheaded by Simone Leigh, which «focuses on the interdependence of care and action... in order to highlight and renounce pervasive conditions of racism.&rWomen Artists for Black Lives Matter (BWA for BLM), a collective of over one hundred women of color spearheaded by Simone Leigh, which «focuses on the interdependence of care and action... in order to highlight and renounce pervasive conditions of racism.&rwomen of color spearheaded by Simone Leigh, which «focuses on the interdependence of care and action... in order to highlight and renounce pervasive conditions of racism.»

And, subtlely, the eyes manufactured for use in Hindu temples arranged by Indian artist Anita Dube «River Disease (Version 2),» a wall piece that could be a depiction of a river, but also looks like a hand or a claw connected in odd fashion with the eyes in Laurie Simmons» «How We See / Edie (Green),» a large color photograph of a woman with eyes painted on her eyelids.

Today there's more space for women to express themselves openly in art, and for artists of color, too.

The artist is best known for her luscious portraits of black women posed amongst luxurious floral patterns and printed fabrics, all rendered in vividly colored rhinestones and paint on panel.

In Conversation I and Conversation II, Mr. Phillips superimposes patterns from artist Albert Oehlen's series Computer Paintings and bands of color over photographs of nude women that he had photographed in racecars for a project in Playboy magazine.

Women Students and Artists for Black Art Liberation, founded by Faith Ringgold and her daughters Michele Wallace and Barbara Wallace, protested the lack of women and people of color in the Whitney Museum's influential Annual Exhibition in Women Students and Artists for Black Art Liberation, founded by Faith Ringgold and her daughters Michele Wallace and Barbara Wallace, protested the lack of women and people of color in the Whitney Museum's influential Annual Exhibition in women and people of color in the Whitney Museum's influential Annual Exhibition in 1970.

Things have improved for women and artists of color over the last thirty years, but let's face it, the celebrity - obsessed art market and the galleries and museums that fuel it, really SUCK!

The activism of artists like Faith Ringgold, for example, pushed institutional structures like the Whitney Biennial to include women and people of color.

Molesworth's departure comes at a weighty time for museums, which are increasingly scrutinized for democratic representation of artists, particularly women and people of color, said Nizan Shaked, a professor of contemporary art history, museum and curatorial studies at Cal State Long Beach.

While there's always room to grow (we'd love to see more women of color hosting retrospectives around the U.S., for example), we're glad the year of markedly macho artists like Jeff Koons, Paul McCarthy and James Turrell is over.

I think it's a really interesting time to be a woman artist and a woman of color, and what they did was a first step — just for them to point their fingers at the situation is a revolutionary step.

Lee asked various writers and critics to re-author a page, coincident with the year of their birth, of «Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords» (1st edition, 1990), the popular art world survey, allowing for a queering of perspective on the art world to include women and artists of color.

A large color photo graph of the artist lying at the edge of an algae - covered swamp with red flowers sprinkled about joins the current craze among photographers, especially women, for girl - in - the - landscape melodrama.

Spring into color for an evening featuring original artwork by the Fuse Factory Artists of the Farmington Valley Arts Center along with a beautiful collection of stylish women's clothing.

The original show, from a 21st century perspective, can look like a dinosaur, most pointedly for its complete lack of women and artists of color.