Sentences with phrase «for women behind the camera»

For women behind the camera, things have gotten worse overall, despite some strides, including «Jackie» composer Mica Levi becoming the first woman to be nominated for original score.

KTEP 88.5 FM's ON FILM host Charles Horak discusses The Alliance of Women Film Journalists» annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must - see undervalued 2016 films by and about women.

Hong Chau: Trying to be hopeful about this, [it] will also help in getting more inclusivity for women behind the camera, and in positions in production.

That's better than the numbers for women behind the camera in film, as previously reported on this blog from the Sundance Institute and Women in Film Los Angeles» Female Filmmakers Initiative.

Whether or not awards season plays along in a few months» time, however, there's no denying it's been a banner year for women behind the camera — both in terms of quantity (for starters, Cannes had more female - helmed -LSB-...]

Not exact matches

«What we've seen through technological changes, the shift from film to video opened up a lot of opportunities for women to move behind the camera,» she said.

And this is significant because that's the goal, to see more women behind the camera, creating and advocating for content and stories that aren't just about men.

Oscars 2018: The Post and Meryl Streep are Latest Additions to Record Year for Women Behind and in Front of the Camera

ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWomen Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

«That such a tender film about the human condition is nominated for an Academy Award — my first film in nearly two decades, and in a year where so many exceptional women are being honored for their work behind - the - camera — humbles me.

Our mandate is to recognize, support and raise consciousness about women working in the film industry — in front of and behind the cameras, and writing about film and the film industry — through coverage on our Web site at www.awfj.org, the presentation of awards for outstanding achievements, and through outreach programs.

As for Rees, she made sure Mudbound was full of women behind the camera, with Rachel Morrison (Dope, Fruitvale Station) handling cinematography, Mako Kamitsuna (Pariah) editing, Tamar - Kali (Bessie) composing music and Angie Wells (black - ish) leading the makeup department, among others.

The following quote from Ryan Coogler, writer and director of Black Panther — a superhero blockbuster — on working with Rachel Morrison, supports the notion that there is no reason for the dearth of women cinematographers behind the camera when shooting action — or any other kind of scene.

When women are behind the camera, it's auspicious for other women working on the production also.

The evening, presented by Max Mara and Lancôme, honored all the women, in front of and behind the camera, who have been nominated for an Academy Award this year.

Hot off of his screen adaptation of CORIOLANUS, Ralph Fiennes has stepped behind the camera once again for THE INVISIBLE WOMAN, based on a...

The long - rumored project will also mark another sea change for the company, as it's co-directed by Anna Boden, alongside her filmmaking partner Ryan Fleck, making it the first MCU film to have a woman behind the camera.

It seems Warner Bros.» desire to hire female talent behind the camera for its Wonder Woman movie doesn't extend to the screenplay.

The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting work by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting annual EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies, and EDA Awards at selected film festivals throughout the women in the movies, and EDA Awards at selected film festivals throughout the year.

«Women don't get priority in front of or behind the camera because ultimately, at least at MGM, we're looking for the best person for the job.»

CBS held its first - ever «Eye Speak» summit in L.A. yesterday, which gathered powerful women both in front of and behind the camera at CBS Studios productions for an in - depth discussion about how to empower, inspire and provide opportunities for women in the television industry.

ABOUT THE ALLIANCE OF WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

While we mourn the passing of fiery actress Maureen O'Hara, we look to the need for more women in front of the camera, behind the camera and in the boardroom.

Left to its own devices, the industry hasn't managed to implement meaningful and sustained change for women and people of color — not to mention other underrepresented groups — both in front of and behind the camera.

The uphill struggle for women in Hollywood — onscreen and behind the camera — has been the subject of numerous studies, including several in recent weeks.

The depressing statistics don't take away from the great work those women are doing behind the camera, nor does it subtract from the excellent performances in front of the camera by current Emmy nominees like Viola Davis of How to Get Away with Murder, Taraji P. Henson of Empire, Elisabeth Moss of Mad Men, Amy Poehler of Parks and Recreation, Jessica Lange of American Horror Story or any of the other women who are up for awards tonight.

While women have usually had a harder time finding fame behind the camera — never a problem for their male counterparts — Gerwig has now become justly celebrated.

Mirrored on the successful work by LGBT advocates and the PGA's producer mark, this recognition for positive progress will be a visible identifier for companies that have prioritized equal gender hiring practice and have financed or supported business opportunities for women in front of and behind the camera.

YAMATO: It was certainly a huge year for women in the greater culture, and we saw notable work behind the camera from directors like Greta Gerwig («Lady Bird»), Niki Caro («The Zookeeper's Wife»), Amma Assante («A United Kingdom»), Sofia Coppola («The Beguiled»), Angelina Jolie («First They Killed My Father»), Ana Lily Amirpour («The Bad Batch»), and Julia Ducournau («Raw»).

ABOUT THE AWFJ and EDA AWARDS The Alliance of Women Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the moWomen Film Journalists, Inc. (AWFJ), a not - for - profit corporation, is an international association of leading professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to supporting film work by and about women — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen — both in front of and behind the cameras — through intra — group promotional activities, outreach programs and by presenting the annual AWFJ EDA Awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mowomen in the movies.

Two female - centric features took center stage for day 3 of MVFF, further bolstering the festival's women - in - film initiative with female talent both in front of and behind the camera.

(It is satisfying, too, that in a show partly directed by Michelle MacLaren and other women directors, Candy is essentially making the case for diversity behind the camera.)

In School of Beauty, School of Culture, Kerry James Marshall inserts the flash of his camera in the mirror behind the woman posing for the picture, to similar effect.