Sentences with phrase «for women in cinema»

It will be interesting to see what 2014 does for women in cinema.

Like #MeToo, it helps support equality for women in cinema.

Not exact matches

The 32 - year - old crown prince has made waves in Saudi Arabia for the economic and cultural reforms he has promoted since being named heir to the throne, the most notable reforms ranging from the much - vaunted «Vision 2030» to diversify the economy away from oil, to lifting a ban on cinemas and women driving in Saudi Arabia.

I'm 5 - 9 MEDUIM build honest loving caring free no tie love kissing cuddling touching teasing I need company for companionship go out stay in cinema dinner drinks enjoy woman company missing from long time I'm Sindhi..

Riva and Trintignant are veterans of European cinema — she was in «Hiroshima, mon amour» and «Three Colors: Blue»; he was in «Z» and «A Man and a Woman» — and their natural, unaffected performances are so realistically endearing that we're liable to overlook how difficult they are for an actor to achieve.

In a tradition going back almost to the birth of cinema, the Hong Kong film industry in particular has always had a major subgenre devoted to female action heroes, and now, thanks to various streaming services, there's a good cross-section of films featuring sword - wielding or gun - toting, kick - ass women available for American fans» viewing pleasurIn a tradition going back almost to the birth of cinema, the Hong Kong film industry in particular has always had a major subgenre devoted to female action heroes, and now, thanks to various streaming services, there's a good cross-section of films featuring sword - wielding or gun - toting, kick - ass women available for American fans» viewing pleasurin particular has always had a major subgenre devoted to female action heroes, and now, thanks to various streaming services, there's a good cross-section of films featuring sword - wielding or gun - toting, kick - ass women available for American fans» viewing pleasure.

With Colossal set to arrives in cinemas next month, a new poster has debuted for Nacho Vigalondo's monster comedy featuring Anne Hathaway as Gloria, an ordinary woman who finds herself sharing a strange connection with a monster on the opposite side of the world; check it out here... SEE ALSO: Watch the trailer for Colossal here After Gloria -LSB-...]

The ongoing renaissance in South Korean cinema is too stylistically diverse to constitute a movement, but its major filmmakers — Park Chanwook (Oldboy), Lee Chang - dong (Secret Sunshine), Kim Ki - duk (3 - Iron), Hong Sang - soo (Woman Is the Future of Man)-- share a taste for complex narratives that challenge social taboos.

We are interested in not just those directors who are long venerated — although there is no lack of passionate support for figures such as Robert Bresson, judging from the entries so far — but, equally, the major figures (criminally little - known as they may be) in any sector or mode or geographical region of cinema: animation (Chuck Jones), independent (Todd Haynes), film - essay (Chris Marker), «new Asian cinema» (Edward Yang), experimental, «third cinema», B - films, underground, women's cinema...

She is currently working on books including 1000 Women in Horror, a book on art and intertextuality in giallo cinema, and co-editing a collection about the film work of Elaine May for Edinburgh University Press's ReFocus series.

For that matter, if academy voters took international cinema seriously, they might have spared a thought for Beya, a Congolese woman who had never acted on - screen before giving her mesmerizing performance in «Félicité» (shortlisted as Senegal's entry for the foreign - language film OscaFor that matter, if academy voters took international cinema seriously, they might have spared a thought for Beya, a Congolese woman who had never acted on - screen before giving her mesmerizing performance in «Félicité» (shortlisted as Senegal's entry for the foreign - language film Oscafor Beya, a Congolese woman who had never acted on - screen before giving her mesmerizing performance in «Félicité» (shortlisted as Senegal's entry for the foreign - language film Oscafor the foreign - language film Oscar).

Unluckily for lovers of cinema, Kevin's retirement - age partner Oakes (Anthony Hopkins) decides along with a couple of other spooks indistinguishable from each other (even though one of them is a woman) that in order not to jeopardize the purchase of an atomic bomb from Stormare, they will train Jake to act like Kevin.

The Last Dog's debut of # 252,000 from 279 cinemas (and # 276,000 including previews) compares unfavourably with the opening salvo for Vega's own Women of Mafia back in early March (# 552,000 and # 571,000 including previews).

WOMEN IN CINEMA: There hasn't been a banner year for female directors since 2010 when Kathryn Bigelow received the Oscar for Best Directing for her pessimistic war film The Hurt Locker (2009), making her the first Oscar - winning female director.

With the defiance expected in the greatest of social causes, Polish female filmmakers have insisted for years that they do not make women's cinema...

In this interview she speaks about women's roles in cinema and the importance of not playing the victim or becoming reedits of roles written for meIn this interview she speaks about women's roles in cinema and the importance of not playing the victim or becoming reedits of roles written for mein cinema and the importance of not playing the victim or becoming reedits of roles written for men.

The film, which was released in UK cinemas last week after debuting at the 2016 Cannes Film Festival, centers on a reluctant woman who must spend time with her estranged father when he comes for a surprise visit.

«Wadjda» Given that it was made by a female director in an environment as hostile to both women and film as Saudi Arabia (where women can't drive, and cinemas have been closed for decades), it's genuinely staggering that «Wadjda» — which made its U.S. debut at Tribeca on its way to a full release from Sony Pictures Classics — turned out as brilliantly as it did.

One of the great fallacies in popular art is that «great» men and women make great subjects for cinema.

No quote is more appropriate to women in cinema than the one said during the trailer for Be Natural, the upcoming documentary detailing the...

My favourite 20: 1 of the films is the only film I saw twice at the cinema this year; 6 are directed by women; 2 are directed by the same director; 2 are animated; 1 is a documentary; Adam Driver, Jeff Bridges, Michael Shannon, Samuel L Jackson, and Joel Edgerton all appear in 2 of the films each; and 7 of the films I saw for the first time at the 2016 Sydney film festival.

Meanwhile, Sebastian Lelio's «A Fantastic Woman» is a female - oriented narrative that marks a significant breakthrough for transgender representation at the Oscars — and represents last year's surge in LGBTQ - themed cinema.

I'll be visiting several countries from five continents from the comfort of a cosy cinema screen in London — to South Africa for John Trengove's drama set amongst, and starring members of, the Eastern Cape's Xhosa tribe, The Wound; to Afghanistan for radio journalist Sonia Kronlund's profile of the country's most popular movie personality, Salim Shaheen, in The Prince of Nothingwood, and to Chile for A Fantastic Woman, Sebastián Lelio's critically - praised movie about a bereaved transgender wWoman, Sebastián Lelio's critically - praised movie about a bereaved transgender womanwoman.

Film Heritage Award: «One Way or Another: Black Women's Cinema 1970 - 1991,» BAMcinématek; Dan Talbot for his pioneering work as an exhibitor and distributor in bringing worldwide cinema to the United States

Wonder Woman (Patty Jenkins, 2017), because it's the most powerful popular feminist statement in mainstream cinema thus far, inspiring countless young women and girls to dare to succeed; because Patty Jenkins more than deserved it after languishing in the wilderness of episodic television after her masterful film Monster (2003), when any male director would have gone on to direct four of five features on the strength of that one film; because it's about damned time that a female comic book feature got made; because Jenkins still had to fight to get a fair payday to direct WW 2 — enduring months of fight - to - the - death negotiations to get a directorial fee comparable to that of Zack Snyder or J.J. Abrams for the sequel; and finally because she's better than either of those two directors, who are overrated hacks with little or no vision at all.

Shot in an unfussy, unobtrusive cinema vérite style, it's both a deep look at an extraordinary, almost saintly person, and the milieu that she operates in, building up a heartbreaking portrait of the women she tries to help, from her own drug - addicted sister - in - law to Temeka, who's been working the streets for three years despite being only 15.

For Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp KaisFor Tuesday Evenings, Hubbard / Birchler discuss Grand Paris Texas, the 2008 video piece commissioned by the Modern and described by Jeffrey Kastner for Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaisfor Artforum as interweaving «the physical and social space of a dead cinema, a forgotten song and the inhabitants of a small town,» in relation to their most recent works, Flora and Bust, featured in the Swiss Pavilion of the 57th Venice Biennale for the exhibition Women of Venice, curated by Philipp Kaisfor the exhibition Women of Venice, curated by Philipp Kaiser.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Natual Porto Art Show, City of Porto, Casa da Música, PT Dieu Donné Annual Benefit, Dieu Donné Gallery, New York, US Just Love Me, Mudam Luxembourg, Luxembourg, LU TANK Art Attack Launch: Artists Support Women for Women International, DKNY, London, UK The Crude and the Rare, 41 Cooper Gallery, The Cooper Union, New York, US Contemporary Magic: A Tarot Deck Art Project, The National Arts Club, New York, US Platform 2010 / Projected Image, Artsonje Center, Seoul, KR NY Art Book Fair, Electronic Arts Intermix, MOMA P.S. 1, Long Island City, New York, US Broken Off, screening Estoril Film Festival, various cinemas in Estoril, PT 12 films and videos by Lawrence Weiner, screening Time / Store, e-flux, New York, US Der erste Impuls Skizzen Zeichnungen 1958 - 2010, Brigitte March International Contemporary Art, Stuttgart, DE Yes Or Yes, Yes Or Yes 2, curated by Lisa Holzer and Chiara Minchio, Nice and Fit, Berlin, DE Deutsche Angst, audio Painting and Sculpture, Lehmann Maupin, New York, US Je crois aux miracles, Collection Lambert en Avignon, Avignon, FR The Winter Show, i8 Gallery, Reykjavik, IS Display: Objects, Buildings and Space, Palácio Quintela, Lisbon, PT Collection: MOCA's First Thirty Years, Museum of Contemporary Art, Los Angeles, California, US Contemplating the Void: Interventions in the Guggenheim Museum, Solomon R. Guggenheim Museum, New York, US