Sentences with phrase «for women in their forties»

Not exact matches

Her company, Forty Weeks LLC (www.fortyweeks.com), in Potomac, Maryland, specializes in products for pregnant women and new mothers; so Bromberg, 36, routinely sends personalized notes and samples to famous moms - to - be.

In fact, for nearly forty years the traditional elements in the Church of England have delayed progress on unity and the ordination of women and other matterIn fact, for nearly forty years the traditional elements in the Church of England have delayed progress on unity and the ordination of women and other matterin the Church of England have delayed progress on unity and the ordination of women and other matters.

After birth, women are moved into the after - care program where they are monitored and supported in community with other women for more than forty days.

The translator, David Rosenberg, goes out further along the same limb by revealing her age: she was a woman in her early forties, old enough to be experienced in the ways of the world and the whims of a wayward deity, but not too old to have lost her appetite for life.

The average age in the UK for a first birth [note first birth not first conception, the distinction is significant] is now twenty - nine years of age and will shortly be over thirty as more and more women postpone motherhood until their thirties and forties.

While it has become common and a lot safer for women in their late thirties and forties to conceive, it is harder and carries more risk.

There is a real irony in Diaz hosting Abrazo Boricuaparticularly with his expressed desire to «protect» his community.I guess that desire doesn't extend to the women of his community (excuse the pun) because the Grand Poobah of the parade this year is a wife beater — who SERVED TIME IN PRISON for the crime.His enablers at the Puerto Rican Day Riot committee attribute his violence to a youthful error — ignoring the fact that he was in his FORTIES at the time.Check out which politicians march and which do not and ask yourself if they'd ignore a violent anti — semite or racist or homophobe being so honored.Once more women in that parade are relegated to the position of tarted up and half naked — even the pre teens — but not worthy of respect.So much for Diaz» «protection»in Diaz hosting Abrazo Boricuaparticularly with his expressed desire to «protect» his community.I guess that desire doesn't extend to the women of his community (excuse the pun) because the Grand Poobah of the parade this year is a wife beater — who SERVED TIME IN PRISON for the crime.His enablers at the Puerto Rican Day Riot committee attribute his violence to a youthful error — ignoring the fact that he was in his FORTIES at the time.Check out which politicians march and which do not and ask yourself if they'd ignore a violent anti — semite or racist or homophobe being so honored.Once more women in that parade are relegated to the position of tarted up and half naked — even the pre teens — but not worthy of respect.So much for Diaz» «protection»IN PRISON for the crime.His enablers at the Puerto Rican Day Riot committee attribute his violence to a youthful error — ignoring the fact that he was in his FORTIES at the time.Check out which politicians march and which do not and ask yourself if they'd ignore a violent anti — semite or racist or homophobe being so honored.Once more women in that parade are relegated to the position of tarted up and half naked — even the pre teens — but not worthy of respect.So much for Diaz» «protection»in his FORTIES at the time.Check out which politicians march and which do not and ask yourself if they'd ignore a violent anti — semite or racist or homophobe being so honored.Once more women in that parade are relegated to the position of tarted up and half naked — even the pre teens — but not worthy of respect.So much for Diaz» «protection»in that parade are relegated to the position of tarted up and half naked — even the pre teens — but not worthy of respect.So much for Diaz» «protection».

It is hard for us today to recognise just how difficult it was for a woman to succeed in any career or profession even forty years ago.

«It is simply not good enough that forty years after the Equal Pay Act women still don't earn equal pay for equal work, and despite doing better at school and university more women end up in lower skilled and lower paid jobs than men,» Labour's shadow minister for women and equalities, Gloria De Piero said.

Forty - nine per cent of Mumsnet users said they would vote for a party with greater female representation and 63 % said they thought having more women in top political jobs meant they would have a greater understanding of their concerns.

For example, embryologist Jacques Cohen, scientific director at the Institute for Reproductive Medicine and Science of Saint Barnabas in Livingston, New Jersey, has developed a procedure called cytoplasmic transfer that shows promise for assisting women approaching their early forties who either can't get pregnant through in vitro fertilization or have embryos of such poor quality they don't surviFor example, embryologist Jacques Cohen, scientific director at the Institute for Reproductive Medicine and Science of Saint Barnabas in Livingston, New Jersey, has developed a procedure called cytoplasmic transfer that shows promise for assisting women approaching their early forties who either can't get pregnant through in vitro fertilization or have embryos of such poor quality they don't survifor Reproductive Medicine and Science of Saint Barnabas in Livingston, New Jersey, has developed a procedure called cytoplasmic transfer that shows promise for assisting women approaching their early forties who either can't get pregnant through in vitro fertilization or have embryos of such poor quality they don't survifor assisting women approaching their early forties who either can't get pregnant through in vitro fertilization or have embryos of such poor quality they don't survive.

In a study of forty overweight women between 20 and 35 years of age that were randomly divided into 2 groups who consumed meal replacements containing either white rice or mixture of brown rice and black rice, it was concluded that replacing meals with mixed rice was superior to white rice for weight control, and improved antioxidant enzyme activity, and as such, should be recommended for diet therapy in obese womeIn a study of forty overweight women between 20 and 35 years of age that were randomly divided into 2 groups who consumed meal replacements containing either white rice or mixture of brown rice and black rice, it was concluded that replacing meals with mixed rice was superior to white rice for weight control, and improved antioxidant enzyme activity, and as such, should be recommended for diet therapy in obese womein obese women.

In the first of these epidemiologists followed some ninety thousand women health workers aged 34 - 59 for 25 years; in the other they followed forty thousand male counterparts aged 40 - 75 for twenty yearIn the first of these epidemiologists followed some ninety thousand women health workers aged 34 - 59 for 25 years; in the other they followed forty thousand male counterparts aged 40 - 75 for twenty yearin the other they followed forty thousand male counterparts aged 40 - 75 for twenty years.

This Italian physician has studied the hormone for decades, and along the way, found that daily low - dose melatonin supplementation can help improve estrogen levels, and reduce luteinizing hormone and follicle - stimulating hormone levels in women under forty 40, extending fertility.

It is an honor to have Fashion Beyond Forty included in this list of quality blogs for women, and men over fForty included in this list of quality blogs for women, and men over fortyforty.

Women in their forties tend to shop for products that lift and amplify their natural beauty, and appreciate products that can offer both low - maintenance use and quality results in the way of color, coverage, and anti-aging benefits.

Middle aged women of about thirty five to forty years of age are vigorously hunting for their young dates at parties, clubs and even online and Cougar dating website has been developed in past few years.

It is a good dating for rich women and men to find love, you can think that if you are alone in the forty age.

Cougar Date Link is a much more realistic dating community for any woman in her thirties, forties or fifties seeking a May - December romance for the long - term or something more casual in the short - term like a summer fling.

This is especially true for men and women who are looking to date in their forties.

In 20th Century Women, Annette Bening redefines what it is to be an actress over forty — okay 58 — while gunning for an Oscar as Santa Barbara single mum Dorothea.

Thelma Adams: In 20th Century Women, Annette Bening redefines what it is to be an actress over forty — okay 58 — while gunning for an Oscar as Santa Barbara single mum Dorothea.

He had lived in an apartment with books touching the ceilings, and rugs thick enough to hide dice; then in a room and a half with dirt floors; on forest floors, under unconcerned stars; under the floorboards of a Christian who, half a world and three - quarters of a century away, would have a tree planted to commemorate his righteousness; in a hole for so many days his knees would never wholly unbend; among Gypsies and partisans and half - decent Poles; in transit, refugee, and displaced persons camps; on a boat with a bottle with a boat that an insomniac agnostic had miraculously constructed inside it; on the other side of an ocean he would never wholly cross; above half a dozen grocery stores he killed himself fixing up and selling for small profits; beside a woman who rechecked the locks until she broke them, and died of old age at forty - two...

Chelle returns to recuperate from severe injuries, after months of service, still a young woman but not necessarily the same person - while Skip is in his forties and a wealthy businessman, but eager for her return.

So the other week I was happily vintage treasure hunting about these beaches... I must say that there may have been some broomstick twitching in this old cottage to get me out hunting... I had been doing too much and not getting out for any me - time... broomstick tends to twitch when I let that happen... so I took a few hours out, got myself in the Beach Mobile (I would like to say that this is a vintage white vehicle from the past, however it is a typical car of a forty - is - the - new - thirty woman of this time with three children to cart around to various activities), grabbed a coffee, a basket and my wipes (op - shops are the grubbiest of abodes) and went to work.

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

One does not expect the contemporary community in the cutout block in «The Bearden Project,» by Hank Willis Thomas, for this is Harlem forty years ago, but here Bearden leaves out his prophets and conjure women in favor of a liquor store and a barber shop without a quartet.

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Coloin MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 ColoIn collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

2012 LA Raw: Abject Expressionism in Los Angeles, 1945 - 1980: From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH Breaking in Two: Provocative Visions of Motherhood, Santa Monica Art Center, Santa Monica, CA Against the Grain: Wood in Contemporary Art, Craft and Design, Museum of Arts and Design, New York, NY; Mint Museum of Art, Charlotte, NC; Museum of Art in Fort Lauderdale, FL Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Regarding Warhol: Fifty Artists, Fifty Years, The Metropolitan Museum of Art New York, NY From Nothing to SOMEthing: Assemblage, Collage and Sculpture, Tobey C. Moss Gallery, Los Angeles, CA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Full Spectrum: Prints from the Brandywine Workshop, Philadelphia Museum of Art, Philadelphia, PA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center at the University of Maryland, College Park, MD African American Visions: Selections from the Samella Lewis Collection, Ruth Chandler Williamson Gallery, Scripps College, Claremont, CA Baila Con Duende: Group Art Exhibition, Watts Towers Art Center, Watts, CA We the People, Robert Rauschenberg Project Space, New York, NY The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Philadelphia, PA INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

The exhibition marks the fourth exhibition curated by Jason Andrew and organized by Norte Maar for 1285 Avenue of the Americas Gallery (previous exhibitions include: Jack Tworkov: A Retrospective; To be a Lady: Forty - Five Women in the Arts; between a place and candy: new work in pattern, repetition, and motif).

She has shown in major solo and group exhibitions around the world for over forty years, and was a co-founder of A.I.R. (Artists In Residence) Gallery in New York City in 1972, the very first collective of women artists in the U.in major solo and group exhibitions around the world for over forty years, and was a co-founder of A.I.R. (Artists In Residence) Gallery in New York City in 1972, the very first collective of women artists in the U.In Residence) Gallery in New York City in 1972, the very first collective of women artists in the U.in New York City in 1972, the very first collective of women artists in the U.in 1972, the very first collective of women artists in the U.in the U.S.

As for individual artists, I see a lot of strength in a generation of women painters in their forties or fifties who are working in abstraction or at the boundary of abstraction and figuration.

While the statistics reveal that women artists in London are still outnumbered by their better - paid male counterparts, there is at least an improvement on the situation for women artists forty years ago.

That's an important shift,» she said, and then dispatched us all to the preview: eighty - five galleries, thirty - four countries, over five hundred artists («half of them women,» she said, «which is indicative of the art world here and in the region»), and some forty to forty - five million dollars in art for sale.

She plans to use the majority of her time printing editions, in varying sizes, of images from her series Drawn to Water, which focuses on a group of women who have been in the same swimming club on Staten Island for over forty years.

Using national data on white ever - married women under forty - five, differentials in marital instability are examined for several of the wife's characteristics at first marriage and for the couple's combined age, education and religion.