Sentences with phrase «for wooden objects»

Dendrochronology is the formal term for tree - ring dating, the science that uses the growth rings of trees as a detailed record of climatic change in a region, as well as a way to approximate the date of construction for wooden objects of many types.

It's a great choice for wooden objects because it makes a bond that is not only quicker but stronger, too.

Not exact matches

A clock, for example, has an integrity as a time piece, a piece of furniture, and a wooden object, among others.

Wooden blocks and stacking toys are perfect for babies who have achieved sitting up, and you can find a variety of household objects that are wonderful for creative play at this stage.

What everyday objects could you use to distract your child in a funny way — for example making a wooden spoon talk etc..

One set of colorful wooden nesting bowls from Little Spruce Organics: This beautiful, durable set of wooden nesting bowls is made with safe, water - based dyes and is perfect for babies and toddlers who are just learning how to place objects inside of one another and stack.

Mimicking the scenario described in the intro, Goray asked a volunteer to handle a child's vest and wooden toy for 1 minute before these objects were rubbed against the front of a lab coat, which represented pyjamas.

For these exercises, you can use a sturdy object like a wooden stick.

Weapons will brake gradually, for example wooden objects will finally crack and iron will bend which will reduce their effectiveness.

Gather a variety of objects (we use shoes, wooden mannequins, bottles, spray cans etc) and have them out on the table ready for each student.

School grounds should be inspected for potential hazards such as: • Verandah poles outside doorways, in thoroughfares or in situations where students are unlikely to see them, especially while running; • Steps and changes in level which are poorly proportioned, difficult to see or lack handrails; • Fencing, gates and railings which students climb and which have structural problems, sharp protrusions, splinters or other hazards; • Trip hazards at ground level — protruding drainage pit covers, irregular paving, cracks or tree roots in thoroughfares, broken off post or other remnants of old structures; • Loose gravely surfaces on slopes and where students run; • Slippery patches which may stay damp in winter; • Rocks which students can fall onto or throw around; • Embankments which students can slip down or which have protruding sharp objects; • Blind corners in busy areas; taps and hoses which are positioned where students play or walk; window glass at low levels through which students could fall; • Holes, cracks or exposed irrigation fixtures in ovals; • Trees or shrubs with poisonous parts, sharp spikes or thorns or branches at eye level; • Splinters and deteriorating timbers in seats, retaining edges and other wooden constructions; • sSeds or other areas with hazardous chemicals or machinery to which students have access; rubbish skips which students can climb into or around, or which place students at risk when trucks enter the school; • Areas within the site used for car parking when students are present; and, • Sporting equipment such as goal posts or basketball rings which have structural or other design or maintenance problems.

The bow and arrow is obviously useful for attacking enemies from a distance, and the grappling hook is able to attach to wooden objects, allowing the thief to swing to places that perhaps the other characters aren't able to reach.

Originally commissioned for the Art History of Games symposium last February, the app features cello music from Rasputina's Zoe Keating and presents users with a wooden box, which is filled with selection of small objects they can interact with.

Willie Cole is best known for assembling and transforming ordinary domestic and used objects such as irons, ironing boards, high - heeled shoes, hair dryers, bicycle parts, wooden matches, lawn jockeys, and other discarded appliances and hardware, into imaginative and powerful works of art and installations.

Among the objects on show are the wooden trenchers she carved for her children, designed for scoops of mashed potato and slops of rice pudding.

The works on display are not just art objects but drafts and records of daily labor, from Peter Schuyff's dozens of carefully carved wooden pencils to the late author David Foster Wallace's notes for The Pale King (written in pink Cuddly Cuties kitten journals) to the beautiful, abstract gestures recorded across Louise Fishman's canvases.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Following the performance, the projected film, the resultant wooden plank object - sculpture, and text will all remain (precisely in the place they were left) as an movement - inscribed installation for the duration of the exhibition.

These collaged elements — along with images of pillows and a detail from a Baroque relief — are sealed within a clear Plexiglas casing that acts as a support for the surprising array of three - dimensional objects suspended from the work's surface, ranging from tin cans and a spent tube of paint to assorted empty plastic tubes and salvaged wooden chair rungs.

Shahin Afrassiabi was once best known for exhibiting groups of objects — wooden planks, lino and wallpaper samples — that suggested DIY in process.

In this exhibition, Young brings together the hand - made wooden objects for which he is best known, along with jewelry making, printmaking and a sculptural sound installation made during his residency.

The show also offers his experiments with three - dimensional printing, seen in his Circus of Pure Feeling for Malevich, 4 Square Circus, 16 parts (2009), which consists of four wooden tables with a variety of small, rapid - prototyped objects.

The paintings include found objects from her immediate surroundings — a watch, a wooden hand, a window squeegee — appropriating items from her studio for their formal qualities as well as their contextual reference.

Other works include Workspace (2016), a wooden, scale model of an artist's studio (look for mini, dollhouse - like objects such as tools and artworks) and Origin Unknown (2016), a concrete sculpture which is made of hammer - like forms and which the gallery's Stella Reinhold - Rudas noted is influenced by African naive art and the communist regime of the artist's childhood.

It consists of seven large, linked wooden outlines, each forked like the object for which the whole series is named.

The different wooden objects are all sticks; no need for screws, glue or other fasteners to hold them up.

This technique is suitable for wooden, metal, stone, terracotta, and even matte plastic garden pots, urns, and other objects.

For an interesting display, collect objects on a simple theme — in this case wooden and ceramic spoons — and show them off to best effect in exhibit boxes such as these.