Sentences with phrase «for writers of all kinds»

The Author Marketing Institute (AMI) mission is to advance the practice of author marketing for writers of any kind, in any genre, in any part of the world.
Here are three new books brimming with insights and instructions for writers of all kinds.
Our takeaway is that having a day job or relying on a spouse's income is pretty typical for writers of all kinds.
Jim is also the founder the Author Marketing Institute, an organization dedicated to advancing the practice of author marketing for writers of any kind, in any genre, in any part of the world.

Not exact matches

With this in mind, you may need to take some time to find a freelancer who can deliver on the kind of content you're looking for; most writers will also require a little bit of time to learn about you and your business.
In a piece titled: «Dumb Money: Exposing Silicon Valley's Stupidest Investments,» a writer for New York magazine snarked»... what kind of genius decided to throw $ 1.2 million at NaturallyCurly, the «leading social network and community for people with wavy, curly and kinky hair?»»
To be sure, there are those (such as the three hundred plus self - described «lesbian, gay, bisexual, transgender and allied activists, scholars, educators, writers, artists, lawyers, journalists, and community organizers,» including such notables as Gloria Steinem, Barbara Ehrenreich, and Kenji Yoshino), who have already signed on (quite literally) to the proposition that there are no reasons of principle (or valid reasons of any kind) for conceiving marriage or the equivalent as a two - person relationship, as opposed to a relationship of three or more individuals (triads, quadrads, etc.) in a polyamorous sexual partnership.
Moreover, for a certain kind of writer on the left, ideas must bear a revolutionary panache, and there is a frisson of defiance in taking one's stance with, say, the Druids of old (reinvented and sanitized, to be sure, without, for instance, the burning of human sacrifices).
As a writer — or any kind of minister or artist perhaps — it's hard not to turn one's life into content or impose narrative for every moment.
But for the reader the volume lacks a sense of flow or unity because with each essay one has to determine not only how the Jewish writers are thinking of Christians and how the Christian writer is understanding Jews but what kind of Jew and what kind of Christian are being brought together in this particular chapter.
For by «mental» prayer traditional writers have intended to denote the kind of conscious relationship with God that does not require the use of words, spoken or formed.
Yet there ought to be a clear distinction in our thinking between a critique of the effects of this genre, with its deceptive promises of liberation, and a more empathic inquiry into the writers and especially the readers of this literature, those searching for some kind of encouragement and relief that they have failed to find elsewhere.
He was a parish minister for thirteen years in Detroit; he taught for a third of a century at Union Theological Seminary in New York; he was a constant «circuit rider» preacher to colleges and universities; he was kept busy most of his life with political activities; he made himself available to all kinds of people; and he was a prolific writer.
The younger writers are so self - conscious, so steeped in a certain kind of liberal education, that their characters can't condone even their own sexual impulses; they are, in short, too cool for sex.
[8] In looking back and examining such documents, one does so not out of some kind of antiquarian curiosity, but because the issues and themes with which the writers and theologians of the early church wrestled with are of enduring significance even for the self - understanding of the church today.
In looking back and examining such documents, one does so not out of some kind of antiquarian curiosity, but because the issues and themes with which the writers and theologians of the early church wrestled with are of enduring significance even for the self - understanding of the church today.
Another writer takes me for a kind of monster who delights in causing spiritual distress.
A few more recent writers had interpreted hell in a less terrible fashion; they had even turned it into a kind of purgatory in which the anguish was a necessary means of purification — for such thinkers hell was not everlasting or eternal (whichever you choose) but temporary; in the end God would win all men to himself.
Even the earlier gospel writers like Mark live in a kind of tension between what Jesus was in the days of his flesh and what he was for the church.
Gooch's portrait of this major American writer, with its entertaining wealth of «Flannery» anecdotes from people who knew her in various capacities» family, neighbors, literary associates, spiritual advisors, admirers» depicts the kind of character for whom the phrase «an interesting person in her own right» was coined.
Other writers have attempted to explain the capacity of narrative to summarize the complexities of self - understanding: «Narrative history of a certain kind,» says Alasdair MacIntyre, «turns out to be the basic and essential genre for the characterization of human actions.
Midgets is okay by me too... but the writer is being such a ultra-sensitive little pri * k that it is kind of hypocritical for him to use that politically incorrect terminology.
All you guys make up a great blog community but don't criticize the writers or editors here, seemingly innocuous comments get under their skin on a site they created to encourage that kind of dialog for our enjoyment and expression and for their profit.
It's really time consuming to break down the plays like that, and you kind of need one writer to commit to that for it to work.
This makes it hard for headline writers, says Mr Easton, and politicians, who, unfortunately, usually need some kind of narrative to sell us when they adopt a particular policy or strategy.
Perhaps unfairly so, for as photographer Stephen Green - Armytage shows in this weird and wonderful book, the pigeon is not only a creature of grace and beauty but also, to quote the writer T. H. White, «a kind of Quaker..., a dutiful child, a constant lover, and a wise parent.»
In a companion article, Science Careers staff writer Michael Price considers strategies and tactics for working with a particular kind of community stakeholder, patient advocacy groups.
(This writer recommends faux leather in order to be kind to animals, so for all of the following «leather» pants I really mean «faux.»)
The questionnaire is designed to let the profile writer get to know you really well, including your preferences for the kind of people you would like to date.
So agents hired writers to type the kind of letters that would keep men «on the hook and paying» for as long as possible.
Most profiles on free online dating services say a little bit about the person without telling the reader of what kind of person the writer is and what the search is really for.
After swapping online dating disasters with friends for hours, writer and poet Erin Bealmear decided she didn't want to be the kind of woman who spends all her...
Writer / director Christopher McQuarrie takes the kind of whip smart inventiveness he provided for The Usual Suspects and ramps it up to the eleven that is necessary for a big time summer tentpole; then directs it with a lovely balance between extreme and subtle.
The world of Wakanda, a fictional African nation that is the world's most technologically advanced but also quite possibly the world's most secretive, is a bright, gleaming utopia for its citizens, who live in a society where easy access to the metal vibranium means the kind of post-scarcity society that science fiction writers have been dreaming about for decades.
Government agents loll around the beach, exchanging the kind of banter for which television writers would, in a just world, be sent to some quiet place to reflect on their idiocy.
Shockingly, the kind of cringe - inducing material upon which Mr. Mazer has built a career as a writer for Sacha Baron Cohen («Bruno,» «Borat,» «Da Ali G Show») doesn't work when rendered by types who could have been cast in «Notting Hill» (someone even makes a Hugh Grant joke).
A new poster and trailer have arrived online for writer - director Adam Egypt Mortimer's upcoming supernatural slasher Some Kind of Hate, which we've got for you right here...
A new poster and trailer have arrived online for writer - director Adam Egypt Mortimer's upcoming supernatural slasher Some Kind of Hate, which we've got for you right here... Some Kind of Hate tells the story of a troubled teen who's subjected to severe bullying.
The first writer to come on the project of adapting a six - hour British miniseries into a 127 - minute film was Carnahan, whose 2007 film The Kingdom has the kind of narrative drive and political awareness that was useful for this film.
The first look at a heavily anticipated blockbuster now inspires article - length analysis, with eagle - eyed writers going through them line by line, shot by shot, sometimes frame by frame, searching for pertinent plot details with the kind of intensity of attention once reserved for the Zapruder film.
As of 2018, he is known as the writer / producer behind the completely excellent «I, Tonya,» an extremely funny, oddly nonjudgmental and kind of ingenious movie about Tonya Harding — not just the scandal for which she is known, but about Tonya herself, from her hardscrabble start to, well, whatever she is doing now.
For centuries male filmmakers, writers, painters, artists of all kinds have often cited women as the inspiration for their brilliant masterpiecFor centuries male filmmakers, writers, painters, artists of all kinds have often cited women as the inspiration for their brilliant masterpiecfor their brilliant masterpieces.
Writer - director Jared Hess mined a certain kind of wood - paneled, mouth - breathing weirdness for his 2004 breakout Napoleon Dynamite.
It's like an anniversary clips show for a long - in - the - tooth sitcom, filmed with the same sort of production values as a backyard porno and scripted (by an uncredited writer) with almost exactly the same kind of ear.
If Stealing Beauty is shot with a painterliness by Darius Khondji and possessed of scattered nuggets of actual wisdom, not just the kind you get from leaning on coming - of - age clichés (I'm especially fond of dying writer Jeremy Irons's frantic search for what he considers one of his finest pieces of work («I would think that since I can't find it,» he qualifies)-RRB-, it's also rife with shallow performances (Tyler's is particularly impenetrable, pardon the pun — the camera loves her, but she doesn't love it back), perfunctory soundtrack cues (the use of Nina Simone is as uninspired here as the use of Edith Piaf is at the end of The Dreamers), and fizzling payoffs.
Yet credit co - writer / director Will Gluck («Easy A») for obviously trying to evoke the kind of snappy, screwball, romantic comedy that was once embodied by droll pros like Spencer Tracy and Katharine Hepburn.
By the time he becomes a fiction writer late in the picture, it's implied that his jealous scenarios with Ramona and earlier girlfriends function as a kind of substitute for writing — or perhaps vice versa.
I wouldn't expect any less from the director of «Final Destination 5» and the writer of «Step Up All In,» but it's hard not to feel bad for the actors involved, especially Richard Armitage, because he deserves better than this kind of SyFy summer schlock.
The following quote from Ryan Coogler, writer and director of Black Panther — a superhero blockbuster — on working with Rachel Morrison, supports the notion that there is no reason for the dearth of women cinematographers behind the camera when shooting action — or any other kind of scene.
«If you went to the 1950s version of this movie Michael Shannon would be the star and the creature carrying the woman at the end of the movie would be a scene of horror, and here is an image of love, so the complexities are kind of flipped,» del Toro says, letting loose a minor spoiler for a film that has PR teams urging critics and writers not to divulge major secrets.
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