Sentences with phrase «for young curators»

As a young curator she was part of the project Zagon of Gallery Škuc and in programme of the Centre and Gallery P74 Incubator for young curators.

* Joseph del Pesco (MA Curatorial Practice 2005) was selected for the Young Curators Residency Programme in 2006.

In addition she has been awarded with Inéditos 2017, a prize for emerging curators in Spain; and the Botín Foundation grant for young Curators in 2014/2015.

Since its inception, the course has provided an open platform for collaborative education and expansion of curatorial practice as well as an opportunity for young curators to build an international network.

In addition, as the program provides a unique opportunity to work closely with the biennale's co-artistic directors, visiting curators and participating artists, it is quickly turning into a gathering hub for young curators from all over the world.

This course is designed for young curators to receive in - depth training.

Ekaterina Shcherbakova was nominated for Young Curators Prize (2014) by The Garage Museum of Contemporary Art (Moscow).

She also taught on an influential course for young curators at the Royal College of Art.

Sheridan was nominated for the Young Curators Invitational, Fondation d'entreprise Ricard, Paris (2009); served as one of the commissioning curators for the annual Scotiabank Nuit Blanche exhibition in Toronto (2010); was a visiting curator at the Banff Centre for the Arts, Banff, Alberta (2011); and participated as a juror for the Philadelphia Exhibitions Initiative (2012).

The breakthrough success of Lawrence van Hagen's What's Up, held in London earlier this year, underlined for its young curator the need for more global surveys of emerging and established contemporary artists.

FOR ANY YOUNG CURATOR, putting together one's first group exhibition is a complicated task.

Not exact matches

As one of the only remaining open calls in New York City, In Practice serves as an incubator for young artists and curators, providing them with invaluable institutional resources and public exposure that often launches their careers.

Catalogue Carlos Rolón: Outside / In will be accompanied by a catalogue that features essays by NOMA's Curator of Modern and Contemporary Art Katie A. Pfohl, the Perez Art Museum's Curator of Contemporary Art Maria Elena Ortiz, and the Museo de Arte de Ponce's Associate Curator of European Art, Pablo Pérez d'Ors, an interview of Carlos Rolón by NOMA's Andrew W. Mellon Foundation Fellow for Modern and Contemporary Art Allison Young, as well as short essays by artist Theaster Gates and NOMA Curatorial Fellow Lucia Momoh.

Gabi Ngcobo already shares connections with the Berlin Biennale: In 2008 she participated in the second edition of the Young Curators Workshop Eyes Wide Open on occasion of the 5th Berlin Biennale, and in 2014 the Center for Historical Reenactments presented its project Digging Our Own Graves 101 as part of the 8th Berlin Biennale.

The fact that curators were recruited from all six departments (many quite young, with fresh energy and ideas) negates the horse - into - camel disdain for decision by committee, and makes a strong case going forward for the merits of interdisciplinary show - making.

APPOINTMENT Kevin Young a poet and professor of English and creative writing and a curator of rare books and archives at Emory University, is named director of the Schomburg Center for Research in Black Culture.

Washington Project for the Arts presents Jennifer Farrell, Ryan Holladay, Sarah Kennel, and Brian Young for a curators talk.

Thursday, February 12 WPA at Artisphere — 6:30 p.m. to 8 p.m. Washington Project for the Arts presents Jennifer Farrell, Ryan Holladay, Sarah Kennel, and Brian Young for a curators talk.

GUTS (yellow / gold)(all works 2007), for example, her contribution to «Late Liberties» at John Connelly Presents, is a vivid and uncompromising canvas that confronted viewers with a seemingly metaphorical treatment of the titular word, ensuring that they would be hard - pressed to disagree with curator Augusto Arbizo's claim that «for a young artist to be making work at this moment in what could be called an abstract or nonrepre - sentational manner... is... a highly personal and political act.»

Organized by New Museum associate director Massimiliano Gioni (the youngest Biennale curator in a century), the highly anticipated show has been inspired by outsider artist Marino Auriti's never - realized plan for a museum that would house all human knowledge.

This summer The Venice Biennale will showcase an emerging generation of young British artists who, according to the Biennale's curator, Massimiliano Gioni — noting an «exciting time for art in London over the past year» — are «dealing with media culture in an innovative and unusual way».

And my second exhibition — we have a series for young artists that young curators do called Projects — was a show that had Luc Tuymans, Elizabeth Peyton, and John Currin in it.

She is one of the curators involved in Collective Fictions, a project selected for Nouvelles Vagues - Young Curators» season at the Palais de Tokyo, Paris (FR), in Jucurators involved in Collective Fictions, a project selected for Nouvelles Vagues - Young Curators» season at the Palais de Tokyo, Paris (FR), in JuCurators» season at the Palais de Tokyo, Paris (FR), in June 2013.

Danny Lyon will join curators of the photography department at de Young museum in San Francisco on September 28th for an evening of conversation.

In a generational shift, the Whitney has chosen two young curators for this always anticipated exhibition: Christopher Y. Lew, 36, and Mia Locks, 34.

Basel says it had 82,000 in attendance over 5 show show days, which included «influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Musée d'art contemporain de Montréal; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.»

Frank has also organized numerous theme and survey shows, including «Driven to Abstraction: Southern California and the Non-Objective World, 1950 - 1980,» for the Riverside Art Museum; «Artists» Books U.S.A.», «Mapped Art: Charts, Routes, Regions» and «Line and Image: The Northern Sensibility in Recent European Drawing», all for Independent Curators Inc.; «Fluxus Film and Video» for the Museo Reina Sofia in Madrid; «Young Fluxus» for Artists» Space in New York; «To the Astonishing Horizon» for Los Angeles Visual Arts; «Southern Abstraction» for the Raleigh (NC) City Gallery of Contemporary Art; «The Theater of the Object, 1958 ‑ 1972» for New York's Alternative Museum; «Visual Poetry» for the Otis / Parsons Art Institute in Los Angeles; «Multiple World» for the Atlanta College of Art; and, most notably, «19 Artists — Emergent Americans,» the 1981 Exxon National Exhibition mounted at the Guggenheim Museum.

Focus has seen increasingly ambitious presentations over the years and is a destination for curators and collectors looking for the most interesting young galleries and emerging artists from around the world.

Focus section: Emerging Talents Bringing together 34 galleries from Cairo to Berlin, Focus features galleries aged 12 years or younger and is advised for the first time by Ruba Katrib (SculptureCenter, New York) in collaboration with returning curator Fabian Schoeneich (Portikus, Frankfurt).

Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.

It's focus is to provide visibility to young art, particularly for lesser known visual artists to showcase their work to an international audience which includes artists, galleries, museums, curators and others interested in art.

Duchamp & Sons (formerly known as the Young Curators) hosted an event for the Louis Vuitton Young Arts Project in July 2010 to give people from other parts of London a taste of east London.

Featuring young Austrian artists with solo presentations, ZONE1 offers a series of innovative projects selected by the curator Marlies Wirth from the MAK — Austrian Museum for Applied Arts / Contemporary Art in Vienna.

A young Austrian gallery, Galerie Lisa Kandlhofer has been a vibrant meeting place for artists, curators and collectors.

It was a magical experience for a young, aspiring curator.

For part 2 of The Young Masters Art Prize Exhibition at Gallery 27 Cork Street, W1, the curator will present the shortlisted artists alongside three established Guest artists; Yinka Shonibare, MBE, Ali Assaf and Lluís Barba.

She has organized numerous events to benefit the arts community, including: panels on Women in the Arts in Miami, London & Paris, 2014 & 2015; a panel on the «Legacy of Gordon Parks» at artMRKT San Francisco with Julian Cox (Founding Curator of Photography for the Fine Arts Museum of San Francisco and former Chief Curator at the de Young Museum); Art Gallery Week (10 Days: 36 Galleries) in San Francisco and Oakland 2012; frequent art walks in San Francisco and Chelsea 2010 - 2012.

In an exclusive interview with D / railed's editor - in - chief Deianira Tolema, Kohn Gallery's Josh Friedman discusses the challenges of staging an exhibition today, including the challenges, pitfalls, and what young curators should avoid when preparing for exhibitions.

Awarded the 5th annual Middlebrook Prize for Young Canadian Curators, Yasmin Nurming - Por's exhibition My curiosities are not your curios examines the idea of collections and their institutional and colonial histories through the work of contemporary artists for whom the act of collecting is both a creative and critical practice.

European curators Gunnar B. Kvaran, Daniel Birnbaum and Hans Ulrich Obrist have chosen young artists with a new vision for this exhibition.

The decision by Celant, ably assisted in this mammoth task by five young curators, to recreate these earlier historic exhibitions implies neutrality: the curators working in the Fascist period selected these artworks, and audiences of today can judge for themselves.

maria cristina didero is an independent curator (for FENDI, atelier biagetti, nendo at design museum holon, michael young at grand hornu, fondazione bisazza director, miart curator...) and freelance journalist (domus, AD, vogue, flesh art design, apartamento, PIN UP, sleek, neo 2, Flair, l'officiel italy + her own column on icon design and selections).

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

Previously, she was Assistant Curator for Collections at the Solomon R. Guggenheim Museum (2010 — 16), where she served on the museum's Young Collectors Council acquisition committee devoted to acquiring and supporting the work of emerging artists.

Emerging Artist Fellows are selected annually through an open application process and reviewed by a committee comprised of past EAF recipients; established artists who have shown a commitment to mentoring and advocating for younger artists; as well as writers, gallerists, and curators who have special knowledge of contemporary art.

¬ † Across the five show days, the fair attracted an attendance of over 82,000, including influential collectors, directors, curators, trustees and patrons of leading international museums and institutions such as: Albright - Knox Art Gallery, New York; The Andy Warhol Museum, Pittsburgh; Baltimore Museum of Art; Brooklyn Museum, New York; Contemporary Arts Museum Houston; de Young Museum, San Francisco; Detroit Institute of Arts; Fridericianum, Kassel; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Mus √ © e d'art contemporain de Montr √ © al; Museo de Arte de Lima; Museo de Arte Latinoamericano de Buenos Aires; Museum of Contemporary Art Chicago; Museum of Contemporary Art Cleveland; Museum of Contemporary Art Toronto Canada; Museum of Fine Arts, Boston; Nasher Sculpture Center, Dallas; New Museum, New York; Philadelphia Museum of Art; Serpentine Galleries, London; Solomon R. Guggenheim Museum, New York; Tate, London; The Museum of Modern Art, New York; Ullens Center for Contemporary Art, Beijing and Whitney Museum of American Art, New York.

The Public Program of the Stedelijk Museum functions as a hybrid platform within the museum — a stage for both young and emerging artists, curators, critics, and scholars to present their latest work and research.

With «Imagine Brazil» the curators wants to showcase a diverse picture of what is happening in Brazilian contemporary art. 14 young artists are selected for what they perceive as important representatives of the emerging art scene in Brazil, but also in terms of their international significance.

The young London - based Italian curator Attilia Fattori Franchini has been exploring the information age's effects on artistic practice for a while now.

Starting point for this exhibition is what this means for a younger generation of artists and curators.