Sentences with phrase «for younger generations of artists»

These concepts continue to have relevance for younger generations of artists working all over the world.

By this ethereal selection of works, the curator Eva Fabbris explores the space between public and private, design and art, and includes painting, sculpture and photography with prototypes for everyday objects, furnishings and wallpapers, confirming Marc Camille Chaimowicz's role as increasingly influential for younger generations of artists.

On the occasion of Frank Stella: A Retrospective, this roundtable discussion with artists Walead Beshty, Keltie Ferris, Jordan Kantor, and Sarah Morris explores key aspects of Stella's heterogeneous approach to painting and its significance for younger generations of artists working today.

The group exhibition Speak, running concurrently at the Serpentine Sackler Gallery, proposes Latham as an «open toolbox» for younger generations of artists whose diverse practices share affinities with Latham's ideas and world view, revealing how they continue to resonate today.

All four artists have been and continue to be important for a younger generation of artists working today.

The opportunity to witness these artists and the experimental, participatory nature of the program were highly influential for a younger generation of artists — among them, Ana Mendieta.

Starting point for this exhibition is what this means for a younger generation of artists and curators.

I think she's a seminal figure for a younger generation of artists — especially British ones — that work in the field of performance art; paradoxically, her work has had almost no exposure in London over the last few years.

Her work in Athens has focused on emerging artists and creating collaborative exhibition opportunities for the younger generation of artists in town.

These exhibitions are certainly a big improvement on recent years when Latin American art was largely overlooked apart from a few names appearing in group exhibitions and will hopefully leave the way open for a young generation of artists such as Oscar Murillo and Christian Rosa.

Parafin presents the British painter Justin Mortimer, widely regarded as one of the leading figurative painters working today, and an emblematic figure for a younger generation of artists.

Not exact matches

N. Bird Runningwater (Cheyenne / Mescalero Apache), Director of Sundance Institute's Native American and Indigenous Program said, «Through the Full Circle Fellowship we build on our longstanding mentorship and support for three generations of Native filmmakers by focusing on the emerging fourth generation and ensuring these young artists have the tools and resources to share their stories.

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

Kempinski Hotels is celebrating 120 years of delivering rich and meaningful experiences to its guests, with the launch of Stage for Young Artists supporting the next generation of musicians.

It has been an exciting year for contemporary art, with a young generation of artists pushing the boundaries both in terms of materials and subject matters.

Although known for his early championing of the Abstract Expressionists, he befriended a younger generation of artists that reacted against the rhetoric of gestural abstraction, the leading style of Tenth Street.

Hero to a generation of younger artists, Joan Jonas is a pioneer of performance and video who has pushed the boundaries of art for the last five

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

Smith, who is director of the museum, has commissioned «My Generation: Young Chinese Artists,» a special exhibition that would assemble a large group of emerging Chinese artists in a U.S. museum for the firsArtists,» a special exhibition that would assemble a large group of emerging Chinese artists in a U.S. museum for the firsartists in a U.S. museum for the first time.

It was in 1982, a time when a new generation of American artists, and a generation concerned with painting — which had not been the case with young artists for years — was coming to the fore.

Presented in conjunction with Blues For Smoke, this weekend - long festival showcases an emerging generation of younger artists working in the rap, hip - hop, and soul genres.

While he is best known for his art, Guston is also well respected for his academic career, where he had an opportunity to teach and personally influence generations of young artists.

Saatchi's taste for fast art — rapidly clocked, swiftly absorbed, abruptly administering whatever one - two punch it has — is ideal for the hyper - quick generation, for the time - starved traveller, for a quick check of the briefly new at home and abroad, especially if you are sizing up the market as a young artist yourself.

This summer The Venice Biennale will showcase an emerging generation of young British artists who, according to the Biennale's curator, Massimiliano Gioni — noting an «exciting time for art in London over the past year» — are «dealing with media culture in an innovative and unusual way».

For more than a decade the designation «post-black» has come to signify the work of a younger generation of African American artists.

«I feel like a lackey of the contemporary art establishment forced to repeatedly apologise to my board for failing to beat the Chisenhale Gallery in showcasing an entire younger generation of post-Internet artists who jokily yet unnervingly use a cut - and - paste, horizontally - dispersed aesthetic in a dilettante fashion.»

Throughout his career, he has sustained his use of found materials and chance - based processes, transforming the conventions of painting and opening the door for a new generation of young artists.

In the context of the exhibition ``... and yet one more world,» presented by Kunsthaus Hamburg, the oeuvre of the seminal German Conceptual artist Hanne Darboven (1941 — 2009) serves as a starting point for an exploration of its present - day impact and relevance from the perspective of a younger generation of international artists.

«Without a doubt, what's driving the high prices in recent years — as with many renaissance markets for certain artists — is the inspiration she's providing to a younger generation,» says Francis Outred, the head of postwar and contemporary art for Christie's Europe.

The luminous abstracted landscapes of Nicholas de Stael drew Hoyland to the south of France; but it was seeing the Jackson Pollock memorial show at the Whitechapel in 1958 followed by the Tate's survey of Abstract Expressionism in 1959 that blew the lid off conservative caution for him and a generation of young English artists.

The unsettling works have been a source of inspiration for her fellow artists and those of younger generations, and have been notably photographed by Robert Mapplethorpe and Richard Avedon.

Tracey Emin RA's «My Bed» (1998), one of the seminal works of the Young British Artist generation, goes up for sale at Christie's on Tuesday 1 July.

We've had a lot of younger artists through and people do know him, they have been students of Gilliam, but it's also important for the younger generations to see these works especially as abstract painting has entered the center of the conversation again.

Given his spotlight - stealing video piece Re'Search Wait»S at the New Museum's 2009 inaugural «Younger Than Jesus» Triennial and his widespread critical acceptance as one of the most important artists of his generation, Ryan Trecartin seems to be a prudent choice for co-curating this year's Triennial «Surround Audience» alongside the Museum's in - house curator Lauren Cornell.

EW: There will always be good artists of a younger generation, as Vicky Usle who was in my Anniversary Show «Silver Lining» recently, or Willa Schwabsky, the very young daughter of critic Barry Schwabsky and artist Carol Szymanski, whom I showed for many years.

As an important figure in the second generation of Southern California ceramicists to deny the boundaries of traditional crafts, Shire has led the way for a surge of interest in ceramics among younger contemporary artists.

Cool, empowering, and sometimes confrontational, Hendricks» artistic privileging of a culturally complex black body has paved the way for today's younger generation of artists.»

Turning 90 this year, the American artist Alex Katz is considered as one of the most inspirational artists for the new and emerging younger generation of authors.

By the early 1960s, he had achieved great recognition which was unparalleled for most young artists and unprecedented for African - American artists of his generation.

The artist's work has also been exhibited posthumously in solo exhibitions that include a major 1997 installation of the Congregations curated by Klaus Kertess for the Parrish Art Museum in Southampton, New York; ROAD: Alfonso Ossorio's Response to Jackson Pollock's Death at the Pollock - Krasner House and Study Center in East Hampton in 2001 and, the following year, an exhibition of his ballet and costume designs at the Mississippi Museum of Art in Jackson, MS.. Since his death, Ossorio's work has also been featured in numerous group exhibitions worldwide, most notably Parallel Visions: Modern Artists and Outsider Art at the Los Angeles County Museum of Art, which traveled to the Museo Nacional Centro de Arte Reina Sofia in Madrid, Spain and the Kunsthalle Basel in Switzerland (1992); Shaping a Generation: The Art and Artists of Betty Parsons at the Heckscher Museum of Art in Huntington, NY (1999); Postmodern Transgressions: Artists Working Beyond the Frame at the Yale University Art Gallery in New Haven, CT (1999); Surrealism USA at the National Academy Museum in New York, which traveled to the Phoenix Art Museum (2005); Repartir à Zéro, 1945 - 1949 (Starting from Scratch) at the Musée des Beaux - Arts de Lyon in France (2008); Asian / American / Modern Art: Shifting Currents, 1900 - 1970 at the de Young Museum in San Francisco, CA (2008); and Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists at the Herbert F. Johnson Museum of Art of Cornell University in Ithaca, NY (2011).

In 1977, he was one of the young artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists selected by the critic Douglas Crimp for the exhibition «Pictures», at the Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media Artists» Space in New York, which launched the so - called «Pictures Generation», a group of artists whose work focused on mass media artists whose work focused on mass media images.

«Hong Kong Invisible» thus bolsters this new direction for the gallery, on the eve of its 20th anniversary this November — from pioneer specialist of Mainland avant - garde art to also being a springboard for a younger generation of Mainland, Hong Kong and international artists.

Language, broadly speaking, has long been a central concern for many black contemporary artists — Glenn Ligon, Pope.L, Lorna Simpson and Carrie Mae Weems come to mind — but this younger generation draws inspiration directly from literary sources: the poetry of Amiri Baraka, Tisa Bryant, Moten, Harryette Mullen, Claudia Rankine and others.

In the tradition of feminist trailblazers such as Judy Chicago and Marina Abramovic, the transatlantic collective functions as an experimental arts community, working to inspire intelligent conversation, creativity, and expression, while ushering in a renaissance for a new generation of young female artists.

Remembered for his Girl with a Bamboo Earring (2009) that reflects Johannes Vermeer's Girl with a Pearl Earring (1665) with the strong message, he managed to stand out among the artists of this young generation.

Painting, however, continues to have a large public and young artists setting out to be painters now need more than ever to see how artists of earlier generations successfully resisted the status quo and remained outside what evolved into an academic style, for this is what much of the conceptual, film and photographic work has become; merely another academy.

In the spirit of Latham's belief in art as a continuous practice, while the main gallery will show a selection of Latham's one - second drawings (he discovered spray painting in 1954), scarified book sculptures, installations, public art projects and filmed performances, the Sackler will be given over to a generation of younger artists whose work was made with an affinity for Latham's philosophy and practice.

The DIY scene in which they all came up together has influenced an entire younger generation of artists, graff writers and creatives of all kinds and will continue to do so for years to come.

The exhibition traces the impact of the work of 20th Century pioneers of textiles, fashion and handcrafted practice, such as Anni Albers, Louise Bourgeois, Sonia Delaunay, Eva Hesse and Hannah Ryggen, on younger generations of artists who incorporate similar materials and processes into their work, as well as bringing together 8 new works, created especially for the show.

Their achievements, along with those of several younger generations of British artists, may finally have laid to rest the notion that art is something for which the British have no innate talent.