Sentences with phrase «force around art»

The show is also the organizing force around art / tech exhibitions and programs that will take place throughout the city.

Not exact matches

I often share digital best practices at national and regional conferences such as AAPC, Art of Political Campaigning, CampaignTech, Campaigns & Marketing Summit, NTC, Netroots Nation, Organizing 2.0, the Reed Awards, and RootsCamp, webinars for Progressive Majority, Salsa Labs and others, and trainings in - person for small groups around the country including for Wellstone's Advanced Campaign Management School, Amalgamated Transit Union, Camp Wellstone, Center for Progressive Leadership, Clean Air Task Force, Democracy for America, HRC, New Leaders Council and New Organizing Institute.

MaryAnn Johanson: At almost 90, French film legend Agnes Varda remains an artistic inspiration, nay, a force of nature, as she travels around rural France with photographer and muralist JR, creating art as social commentary and community project engaging everyone they encounter.

A featured item is the Dynamic Forces Exclusive Variant Wrap Around Cover in color and pure line art black and white editions.

Gerry has been a force around Boston since the early 1980s, both as an artist and member of the School of the Museum of Fine Arts» painting faculty, and his work is deserving of widespread attention.

Unlimited Productions Art Night was founded by Unlimited Productions — a collective of young cultural entrepreneurs from all around Europe, who decided to join forces to share their passion for art and London with the publArt Night was founded by Unlimited Productions — a collective of young cultural entrepreneurs from all around Europe, who decided to join forces to share their passion for art and London with the publart and London with the public.

The Frist Art Museum presents Chaos and Awe: Painting for the 21st Century, a sweeping survey of paintings from around the world that invite contemplation of seemingly ungraspable forces shaping contemporary society, from the ideological to the technological.

It is the only exhibition in California that regularly takes the pulse of new art created in the state and presents work that is at the forefront of a constantly evolving art scene recognized around the world as a defining force in the field of contemporary art.

He was a struggling artist then, an Air Force veteran attending art school on the G.I. Bill, but there was greatness all around him.

As the wider world adjusted to new political forces and challenged the secretive culture of male power structures, the art world was asking its own questions around ownership, originality and patriarchy.

In the process, the forces of globalization and the internal discussions around «modernism / post-modernism» shaped the tensions connected to the production, mobilization, and institutionalization of art.

The exhibition is the first international project to explore the resonance of Mohandas Karamchand Gandhi's (1867 - 1948) ethics of non-violence, or satyagraha — literally «truth - force» or the outward, transformative power of inner peace — in the visual arts, throughout the centuries and around the world.

We do so by joining forces with local, national and international organizations and individuals, to create a community that inspires art lovers, artists, professionals and collectors all around the world.

A task force of over 30 arts leaders developed a 13 actionable strategies — taking into consideration data from a survey conducted across local arts organizations and input from 650 community members who attended town hall meetings organized by the Arts Commission around the issues of cultural inclusion and equity in the arts — that were incorporated into a report presented to the supervisarts leaders developed a 13 actionable strategies — taking into consideration data from a survey conducted across local arts organizations and input from 650 community members who attended town hall meetings organized by the Arts Commission around the issues of cultural inclusion and equity in the arts — that were incorporated into a report presented to the supervisarts organizations and input from 650 community members who attended town hall meetings organized by the Arts Commission around the issues of cultural inclusion and equity in the arts — that were incorporated into a report presented to the supervisArts Commission around the issues of cultural inclusion and equity in the arts — that were incorporated into a report presented to the supervisarts — that were incorporated into a report presented to the supervisors.

«From the Collection: 1960 - 1969,» a yearlong presentation, zeros in on the overfetishized 1960s, when art and politics were in turmoil and interacted with a new force, and tells its story with work by more than 200 artists from around 20 countries.

But it circles the subject relentlessly like a satellite around a planet, wobbling in and out of art's force field.

Taking place just days after the United States presidential elections, FIELD MEETING: Thinking Practice seeks to explore how art practitioners can maintain sovereignty over their own voice as world citizens and commentators amidst the pervasively hostile political climates and marginalising forces of conservatism around the globe, in addition to contending with art world prescriptions, cultural impositions and shifting market demands.

, LIAF, Lofoten International Art Festival, Norway Rematerialized New Galerie Paris / New York, New Galerie, Paris on Off moments, Grimmuseum, Berlin Le tamis et le sable 2/3: L'Intervalle, Instants Chavirés, Paris New Eyes for New Spaces, ISCP, New York Und everybody says yeah — on internet meme, The House of Electronic Arts, Basel 2012 The End (s) of the Library, Goethe - Institut New York Library, New York The Making of Americans: A marathon reading of Gertrude Stein's novel, Triple Canopy, New York Let us keep our own noon, curated by David Horvitz, West, Den Haag Rome Photo Festival, MACRO, Testaccio, Rome Fair Exchange, curated by Taeyoon Choi, Eyebeam, New York Canceled: alternative manifestations and productive failures, organised by Lauren van Haaften - Schic, Center for Book Arts, New York Frieze, with Triple Canopy, New York Group exhibition, Access Art, Vancouver Matter Out of Place, The Kitchen, New York Scenes of Selves, Occasions for Ruses, Surrey Art Gallery, Vancouver In search of..., curated by Lennard Dost and Daniel Dennis de Wit, Academie Minerva, Groningen the chief on top of the chief, MIRACLE & CONNELLY PRESENTS, Vancouver Force Fields, curated by Alexis Granwell and Jenny Jaskey, Tiger Strikes Asteroid, Philadelphia 2011 The Greater Cloud, curated by Petra Heck, Netherlands Media Art Institute, Amsterdam Worng, IMO, Copenhagen Intimate Bureaucracies: Art and the Mail, curated by Zanna Gilbert, Art Exchange, University of Essex, Essex Subject to Change, Fathom + Hatch, New York The Best of 2011, Soloway, Brooklyn, New York The Open Daybook, Los Angeles Contemporary Exhibitions, Los Angeles FINISHED, Showpaper 42nd St Gallery, New York, New York As Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Burn!

Pursuing a unique and idiosyncratic approach to writing fiction in his 1999 «Endland Stories» collection and subsequent publications, Etchells has also led the performance group Forced Entertainment, based in Sheffield since its inception in 1984, renowned for making and touring theatre performances, live art, video & durational performance throughout the UK, Europe and locations around the world, and widely considered to be one of the greatest British theatrical exports of the past 30 years.

With around 150 art biennials taking place around the world in 2012, the Biennial Foundation has joined forces with the Gwangju Biennale Foundation and IFA Institut für Auslandsbeziehungen to create the first World Biennial Forum in South Korea, commencing in October 2013 with a particular focus on Asia.

Not coincidentally this corresponds to the state - of - the - art of climate models around 1980 when the first comparisons of different forcings started to be done.

Sir Alan told the committee that Buckingham Palace and Windsor Castle face a repair bill of around # 50 million to remove asbestos from walls, attend to urgent rewiring and fix roof leaks as it was revealed that staff are currently forced to catch the rain in buckets to protect priceless works of art and antiques.