Sentences with phrase «forced contemporary work»

Not exact matches

The result, across King's body of work, is a vision of contemporary America as a spiritual realm that is out of joint and up for grabs, thick with competing forces and watched over by an Almighty whose goals are inscrutable, whose demands are peremptory, and whose methods are sometimes cruel....

no one ordered the man to build a strike force around walcott and giroud or to put a quid on suarez «s asking price or to bring in nogo and park (or perez for that matter) or to sell gnabry and play iwobi regularly or to have ramsey playing in every position bar goalkeeper or to take 7 years to work out how to get the best from Ox or to believe merteshaker was alright for the epl when he was way past his international sell by date or to forego a world class DM for 5 years and then plonk down 30 odd mill on an average swiss international or try out a series of makeshift right backs and hope bellerin would maintain his earlier form and fitness... stan n`chips and co are certainly a shocking example of contemporary football ownership but on the pitch its all down to wenger and his delusions

The completion of the work of the task force coincides with contemporary federal initiatives that have placed a priority on supporting science based approaches through encouraging and, in some cases, mandating the use of evidence - based programs.

how artists create new ways of working and living in response to their historical and socio - economic conditions, often foretelling and epitomizing societal shifts and providing insight on influential forces in contemporary life that relate to us all.»

Furthermore, she is the driving force behind her family's Contemporary Art collection which includes work by major artists such as: Jean - Michel Basquiat, Nick Cave, Alfredo Jaar, Deborah Kass, Wangechi Mutu, Julian Opie, Tal R, Dana Schutz, Mickalene Thomas and Kara Walker.

Hopefully, they can build their own understanding of the forces at work in contemporary art.

For decades he has been an uncooperative force in the art world; a self - styled dandy in the postmodern age; a fervent champion of unfashionable painterly traditions, whose work nonetheless speaks directly to contemporary anxieties.

It should come as no surprise, then, that he is one of the best - loved artists working today, the recipient of numerous international awards (including the Turner Prize) and the creative force behind some of the most popular public sculptures in contemporary art, including Marsyas in the Tate Modern Turbine Hall (2002) and Cloud Gate in Chicago's Millennium Park (2004).

After working in Europe as an art critic and independent curator during the 1980s and 1990s, Christov - Bakargiev was senior curator at P.S. 1 Contemporary Art Center from 1999 to 2001 (she was a primary force behind and co-curator of the inaugural «Greater New York» exhibition at P.S. 1 in 2000).

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

Denise Markonish is the curator at MASS MoCA where her exhibitions include: Jim Shaw; Entertaining Doubts, Lee Boroson: Plastic Fantastic, Teresita Fernandez: As Above So Below, Mark Dion: The Octagon Room, Tom Philips and Johnny Carrera: Life's Work; Oh, Canada the largest survey of contemporary Canadian art (accompanied by a 400 - page catalogue co-published with MIT Press); Sanford Biggers: The Cartographer's Conundrum, Michael Oatman: all utopias fell; Stephen Vitiello: All Those Vanished Engines, Nari Ward: Sub Mirage Lignum (catalogue); Petah Coyne: Everything That Rises Must Converge (catalogue: Yale University Press), Inigo Manglano - Ovalle: Gravity is a force to be reckoned with (catalogue: D.A.P); These Days: Elegies for Modern Times and Badlands: New Horizons in Landscape (catalogue: MIT Press.

Second Sight will include a range of works by contemporary artists that point to ways of knowing beyond visual observation and consider the invisible societal, political, and cultural forces that govern our own frameworks of experience.

Since the 1960s, she has been a dominant force, both in contemporary art and in the recognition of women in the arts — along with her colleague in Los Angeles in the late 1970s Miriam Schapiro, whose work has been reviewed here.

«Deborah Kassʼs work brings the important message of contemporary art to a venue that is not typically associated with public art projects of such prestige,» said Art Production Fund Co-Founders Doreen Remen and Yvonne Force Villareal.

Like contemporaries such as Jackson Pollock, Lipton was strongly influenced by Carl Jung's work on the unconscious mind and the regenerative forces of nature.

Pursue excellence in collecting and programming, present works of art across cultures and time, and be a driving force in contemporary art.

The desire to create forms via chance and natural phenomena is reflected in the works in Alyson Shotz: Force of Nature at Halsey Institute of Contemporary Art in Charleston, South Carolina.

It is the only exhibition in California that regularly takes the pulse of new art created in the state and presents work that is at the forefront of a constantly evolving art scene recognized around the world as a defining force in the field of contemporary art.

The work, which first premiered at the 2015 Venice Biennale and will have its first New York presentation at the New Museum, focuses on the ocean as an environmental, cultural, and historical force, connecting literature and poetry, the history of slavery, and contemporary issues of migration and climate change.

Nine regional institutions in Germany join forces to exhibit works by outstanding international contemporary photographers and video artists from the Rhine - Main region in Making History, which examines the ways that media images stage reality.

Thanks to our new expanded home, the show also marks the first time in our history that ICA Miami will have the space to bring together historical and recent works to address key forces in contemporary artistic practice, and contemporary life and society,» said Alex Gartenfeld, Deputy Director and Chief Curator.

Robert Rauschenberg was the defining force in contemporary art for nearly sixty years, creating a wealth of art: painting, photography, sculpture, performance, and printmaking — working more varied than other artists of his time.

Bringing together Old Masters and contemporary artists whose work spans more than 350 years, Creating the Countryside provokes reflection on the artistic, social and political forces that have played an important role in forming successive generations» perceptions of this «green and pleasant land».

Robert Rauschenberg Robert Rauschenberg was the defining force in contemporary art for nearly sixty years, creating a wealth of art: painting, photography, sculpture, performance, and printmaking — working more varied than other artists of his time.

Like painterly contemporaries such as Jackson Pollock, Lipton was very much influenced by Carl Jung's work on the unconscious mind and the regenerative forces of nature.

Philadelphia Museum of Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.

«Turner Contemporary, since it opened nearly six years ago, has been such a force for good in Margate — bringing over two million visitors to the town, as well as working with community groups and school children, and putting iconic pieces of art on our doorstep.»

The contemporary world foists an endless saturation of images and information upon us but Feldman's works force the viewer to grapple in real - time with the image she presents.

Together with the accompanying catalogue, which will place Genzken's work in an art historical context as well as trace her influence on an international array of sculptors working today, the exhibition secures Genzken's legacy as a transgenerational force in international contemporary art.

As a curator and museum professional of long standing working in the field of contemporary art globally, and currently directing arguable the most important museum of contemporary art in Portugal, I am committed to the museum as a place, an idea and a force of intellectual and cultural empowerment for individuals and communities.

For 50 years, the work of Vija Celmins (pronounced VEE - ya SELL - muns) has been a quietly powerful force in contemporary art.

The Cisneros Fontanals Art Foundation (CIFO) and the Museum of Fine Arts, Boston (MFA) join forces on the exhibition Permission To Be Global / Prácticas Globales: Latin American Art from the Ella Fontanals - Cisneros Collection, featuring contemporary works by artists from across Latin America.

As Catherine Wagley discussed in this month's earlier Looking at Los Angeles post, summertime tends to be dominated by endless group exhibitions whose curators often force connections between works through an overdetermined idea or curatorial thesis, or else leave the viewer adrift in a sea of contemporary plurality.

A row over a work by her on the cover of a rock album in 2009 typified the way she makes painting a force on the contemporary scene, able to shock and trouble a world far beyond art galleries.

Their exhibited works will explore the disruptive power of storytelling in relation to historical and contemporary waves of forced migration.

It also addresses his position as a painter working within an international discourse, at a time when contemporary practice in his chosen media was coming under attack from both conservative forces and from the champions of more experimental art forms, giving rise to widespread predictions of «the death of painting».

After more than 30 years of working steadily and developing his craft, Lee has emerged as a vital force in the contemporary art world.

Together with the accompanying catalogue, which places Genzken's work in an art historical context and traces her influence on an international array of artists working today, the exhibition secures Genzken's legacy as a transgenerational force in international contemporary art.

In any case, Owens is ambitious, and her work reveals a sophisticated awareness of the forces at play in the contemporary art world.

Reinvigorating Sir John Soane's patronage of contemporary British artists and delving into the emotionally charged forces of light at work in the Museum, acclaimed multi-media artist Michael Petry will be exhibiting at Sir John Soane's Museum later this year and returning early in 2011 with a second exhibition of site - specific work developed in response to the museum, its unique ambience, its collections and its archives.

These works, elaborating on the dynamic potential of bronze first radically proposed by Rodin, have been celebrated across the world from the moment of their debut and emit a bounding life - force unparalleled in contemporary sculpture.

Reinvigorating Sir John Soane's patronage of contemporary British artists and delving into the emotionally charged forces of light at work in the Museum, acclaimed multi-media artist Michael Petry will be exhibiting at Sir John Soane's Museum later this year and returning early in 2011 with a second exhibition of site - specific work developed in response to -LSB-...]

Selected Solo Exhibitions: 2006 Gallery Oda, Istanbul Selected Group Exhibitions March 2018 Euroexpo Art Fair, Italy March 2018 Aysel Gözübüyük Art House, ARTANKARA Art Fair, Ankara November 2017 Aysel Gözübüyük Art House, Tuyap, Istanbul October 2017 art shopping, Köln - Germany August 2017 Bozcaada Art Gallery, Bozcaada July 2017 Atatürk Culture Art and Convention Center, Eskişehir March 2017 «Artsy», Nişart Gallery Bebek, Istanbul February 2017 UPSD Art Gallery, Istanbul November 2016 Galerie Du Colombier St. Honoré, Parice - France January 2016 La Capitale Galerie, Paris - France October 2015 Niş Art Maçka, Istanbul March 2015 Outsider Art Exhibition, Londan February - March 2015 Studio 83, Londra Parallax Art Fair December 2014 - January 2015 Gallery Kent, Istanbul October 2014 «unforgettable», art bridge 9 July 2014 Bozcaada Art Gallery, Çanakkale April 2014 Alte Feuerwahre, Köln - Germany March 2014 «Art - I Istanbul», Cemal Reşit Rey Convention Center, Istanbul February 2014 «Love is Everywhere», Festival Love 360, Istanbul December 2013 - January 2014 ART212, Istanbul May 2013 Candid Arts Exhibition, London 2013 Address İstanbul 2013 Marjinart Gallery Istanbul 2012 Almelek Gallery, Istanbul 2012 Interkulturelle Woche Köln / Art Bridge 7 3 - 5 August 2012 Parallax Art Fair, New York 2012 Artboshorus, İstanbul 2012 Art Bridge 6, Köln - Lindenthal Art Gallery 1 October2011 Arte Fiere di Emio Reggio / Marjinart Gallery / Italy 11 January2011 Niş Art Gallery, Istanbul 2011 Istanbul Summer Exhibition 2011 Artbosphorus 2011, Atölye83 2011 İzmir Bienal, Marjinart 2011 Arezzo Modern and Contemporary Art Fair, ARTEXPO, Italy 2011 «Violence Against Women», UPSD 2011 KSD, Istanbul 2010 Contemporary İstanbul 2010, Atölye 83 2010 20th Art Fair,Atelier - Galerie NY TN, Frauenmuseum, Bonn, Germany 2010 «Treffpunkt - meeting point» Galerie NY TN, Koln, Germany 2010 Bozcaada Art Gallery, Istanbul 2010 Art Bosphorus Contemporary Art Fair, Atölye 83, Istanbul 2009 TUYAP, Atölye 83 2009 «Art Bridge», Gallery NY TN, Köln - Germany 2009 KSD Exhibition, Bodrum 2009 Marjinart, Istanbul 2008 Bodrum Municipality Art Gallery 2008 Art - İst 2008, Atölye 83, Tüyap November 2007 Das Fachwerk Kunstler in Bad Salzufken E.V., Germany October 2007 Association of International Plastic Arts, Tuyap - Istanbul March 2007 «86 Women 86 Art Works», Çekirdek Art Workshop, Istanbul March 2007 Islington Art Fair, London October 2006 Islington Art Fair, London October 2006 Naval Forces, Military Museum, Harbiye - Istanbul March 2006 «69 Women 69 Works», Çekirdek Art Workshop, Istanbul October 2005 Isva, Ankara Art Biannual October 2005 Naval Museum, Çekirdek Sanat March 2005 Gallery Artist Çukurcuma, Istanbul 2005 Aladoğan Art Gallery, Istanbul 2000 Atölye 83, Istanbul

The global merger of the real and virtual has forced an increasingly blurred line between the two, and the prevalent, dubious honesty of the contemporary gaze is challenged in Salonen's work.

Reinvigorating Sir John Soane's patronage of contemporary British artists and delving into the emotionally charged forces of light at work in the Museum

Force of Nature brings together a host of historical and contemporary work, using the evolution of Ruskin's ideas as a means of looking at artists» different approaches to portraying the landscape.

Whether he is placing multimillion - dollar bids at auction for publishing magnate S.I. Newhouse or record industry mogul David Geffen; brokering a $ 40 - million deal to buy 50 Abstract Expressionist and Pop art works given to Richard Weisman by his parents, the late Los Angeles collectors Frederick and Marcia Weisman; joining forces in a joint gallery operation with Leo Castelli, the dean of New York contemporary art dealers; staging museum - quality historical exhibitions; luring hot artists such as Salle, Philip Taaffe and Chris Burden to his stable or simply hiring staff, Gagosian is in the news.

Like his contemporaries Yves Klein and Willem de Kooning, he embraced spontaneity as a force in his work.

Emerging from divergent contemporary trajectories across the globe, their work explores notions of destruction, construction and transformation, as forces of cyclical renewal to define the connections to, or away from, their own cultural past.

Stitch features a diverse group of international contemporary artists who share a love for creating haptic and often austere works that force us to slow down and contemplate.