Sentences with phrase «forced out of the museum»

Via Oculus Rift, the viewer is forced out of the museum and onto a New York street, where the artist waits with a baseball bat.

Not exact matches

Well, in a discussion with 24 Frames, Russell tipped his hand a bit in saying he's interested in «a family that's a force to be reckoned with in the world of international art and antiquities... that deals with heads of state and heads of museums and metes out justice....

«This idea really that turns me on is that there's a family that's a force to be reckoned with in the world of international art and antiquities... [a family] that deals with heads of state and heads of museums and metes out justice, -LSB-...] We'll have the family dynamic, which we've done in a couple of movies now... And then you take that and put it on the bigger, more muscular stage of an international action picture, but also put all the character stuff in it.

From our elevated vantage point at the museum, our guide dryly pointed out that a school was supposed to have been built there, but the inconvenience of finding an invaluable archaeological site forced city planners to relocate the new school's location further up the road.

«In this year's «Made in L.A.,» Adam Linder's Kein Paradiso stood out as a tour de force,» Mika Yoshitake, an associate curator at the Hirshhorn Museum and Sculpture Garden and a member of the Mohn Award jury, said.

In 1933, the Nazis had forced With out of his position as director of the applied arts museum in Cologne, and by 1950 he had begun teaching at UCLA.

This juvenilia gave way to a game of agitprops, what this writer has called «I Hate My Mom and My Room» art, that played out in soon - to - be-abandoned galleries, and by force, museums.

Peter Freeman's potential sale (to an unnamed museum) of a remarkable 1966 Marcel Broodthaers canvas was one of only a few institutional purchases I heard tell of, though curators turned out in full force: The Whitney's Adam Weinberg was in early, and was still on his feet at 6PM when Philippe Vergne, the Walker staffer cocurating next year's Whitney Biennial, joined him; Jérôme Sans and Udo Kittelmann made early - afternoon rounds and then disappeared; and the New Museum's Lisa Phillips and Richard Flood («I'm going to C16 — I don't even know what's museum) of a remarkable 1966 Marcel Broodthaers canvas was one of only a few institutional purchases I heard tell of, though curators turned out in full force: The Whitney's Adam Weinberg was in early, and was still on his feet at 6PM when Philippe Vergne, the Walker staffer cocurating next year's Whitney Biennial, joined him; Jérôme Sans and Udo Kittelmann made early - afternoon rounds and then disappeared; and the New Museum's Lisa Phillips and Richard Flood («I'm going to C16 — I don't even know what's Museum's Lisa Phillips and Richard Flood («I'm going to C16 — I don't even know what's there.

Philadelphia Museum of Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.

Although the provisions of Chapter 9 municipal bankruptcy technically shield the city from being forced to sell any asset, a mixture of alarmism and rational fear of a populist campaign — to find revenue wherever possible to pay pensioners and other creditors — has led a wide array of observers to wonder how much money, exactly, could be squeezed out of the encyclopedic museum's vast holdings.

Rather, it's divided into three major areas: Downtown / SoMa, where SFMOMA, Yerba Buena Center for the Arts, Fraenkel Gallery, and other arts spaces have huddled together for years, but where rising rents have forced out many longtime galleries; the Dogpatch / Potrero area, where Minnesota Street Project joins Brian Gross Fine Art, Catharine Clark Gallery, Museum of Craft and Design, and other recent transplants; and the Richmond District's environs, where the de Young Museum and Legion of Honor have existed for many decades.

Ms. Parke's loom, with a bolt of chaotically colored fabric spilling out toward the floor, oddly resembles an industrial printer, the kind that the artist Wade Guyton, now the subject of a career survey at the Whitney Museum of American Art, uses to «paint» on the fine linen he forces through them.

Through his illustrative storytelling, Trenton Doyle Hancock has developed the Mounds and the Vegans, a distinct set of mythological characters that the museum describes as «two diametrically opposed universal forces that play out the archetypal battle between good and evil.»

, LIAF, Lofoten International Art Festival, Norway Rematerialized New Galerie Paris / New York, New Galerie, Paris on Off moments, Grimmuseum, Berlin Le tamis et le sable 2/3: L'Intervalle, Instants Chavirés, Paris New Eyes for New Spaces, ISCP, New York Und everybody says yeah — on internet meme, The House of Electronic Arts, Basel 2012 The End (s) of the Library, Goethe - Institut New York Library, New York The Making of Americans: A marathon reading of Gertrude Stein's novel, Triple Canopy, New York Let us keep our own noon, curated by David Horvitz, West, Den Haag Rome Photo Festival, MACRO, Testaccio, Rome Fair Exchange, curated by Taeyoon Choi, Eyebeam, New York Canceled: alternative manifestations and productive failures, organised by Lauren van Haaften - Schic, Center for Book Arts, New York Frieze, with Triple Canopy, New York Group exhibition, Access Art, Vancouver Matter Out of Place, The Kitchen, New York Scenes of Selves, Occasions for Ruses, Surrey Art Gallery, Vancouver In search of..., curated by Lennard Dost and Daniel Dennis de Wit, Academie Minerva, Groningen the chief on top of the chief, MIRACLE & CONNELLY PRESENTS, Vancouver Force Fields, curated by Alexis Granwell and Jenny Jaskey, Tiger Strikes Asteroid, Philadelphia 2011 The Greater Cloud, curated by Petra Heck, Netherlands Media Art Institute, Amsterdam Worng, IMO, Copenhagen Intimate Bureaucracies: Art and the Mail, curated by Zanna Gilbert, Art Exchange, University of Essex, Essex Subject to Change, Fathom + Hatch, New York The Best of 2011, Soloway, Brooklyn, New York The Open Daybook, Los Angeles Contemporary Exhibitions, Los Angeles FINISHED, Showpaper 42nd St Gallery, New York, New York As Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Burn!