Sentences with phrase «foreign film distribution»

Not exact matches

100 % foreign ownership allowed Cold storage Sports centers Film processing labs Rubber and sugar industry) when engaging in partnerships with local farmers and use 30 % domestically produced raw material) Warehousing Tourism, E-commerce (with a marketplace value above 10 billion rupiahs and when working with local warehousing companies) Toll road operators Telecom device certification Non-hazardous waste management Raw medicine materials Pharmaceutical ventures Restaurants, bars, cafés Film making Film distribution Cinemas (required to show Indonesian films at least 60 per cent of their screen time) Direct selling Futures trading

Miramax picked up Children of Heaven for distribution, and it was nominated for a best foreign language film Oscar in 1998.

Sony also had the lowest per - film average gross of the six major distributors in 2011, and its foreign box office growth (which includes a nice total for The Adventures of Tintin, for which Sony held the foreign distribution rights) didn't prevent the studio from finishing fifth in global market share for the second straight year.

Steven Spielberg's expensive animated adventure Tintin was a box office failure based on its domestic total, and while that film has grossed nearly $ 300 million in the rest of the world, its foreign receipts are attributable to Sony, who handled global distribution.

IM Global is selling the foreign distribution rights at the Cannes film market, and we'd expect a deal to come through quickly given the talent attached.

Thanks to the vagaries of film distribution and the increasing difficulties of small films and foreign language productions to get theatrical releases, Nuri Bilge Ceylan's Turkish drama, which won the Best Director award at Cannes 2008, this one - week Seattle engagement at the Varsity Theatre is the film's American theatrical debut.

The below list only includes domestic (U.S. and Canada only, unless otherwise indicated) grosses for specialty films — which we define to include independent, foreign (including Bollywood films), and / or documentary films — that opened in limited release (599 screens and under) in 2018 AND / OR were acquired or produced for 2018 distribution by an independent distributor (including STX Films, Annapurna, A24, Entertainment Studios, Amazon, Netflix, Aviron, Global Road, and Bleecker Street) or a studio or its specialty division (including Fox Searchlight, Sony Pictures Classics, and Focus Features).

Among reasons cited for the underrepresentation of blacks and other minorities in starring film and TV roles is a perceived resistance to nonwhite actors in foreign markets, where distribution accounts for a growing share of revenues.

Jia's films often receive spotty distribution in the United States, and they have never been submitted to the Academy for consideration for the Best Foreign Language Film Oscar.

Studio Canal is handling international distribution for the film as well as foreign sales.

(Tarantino, recently granted his own subdivision at Miramax, is allowed to select a few foreign films a year for distribution, and Chungking Express was his first choice.)

Like many in the film distribution business, Mimi Steinbauer has a story — «funniest example ever» — of the ingenious sleight of hand in marketing American movies to foreign lands.

Documentarian Greg Barker's new film, «The Final Year» — which premiered at the Toronto International Film Festival on Friday as it seeks distribution — is the result of a painstaking process to court President Barack Obama's foreign policy staff, particularly U.N. Ambassador Samantha Power and senior advisor Ben Rhodes.

But, the film currently has no US distribution in order to mount a Best Actress campaign for Kruger and with a release of November 23rd in its native Germany, that will put it outside of the eligibility for this year's foreign language film Oscar submissions, which is September 30th.

Although the China Film Archive launched the distribution of foreign and local arthouse titles through National Arthouse Cinemas Alliance in Oct. 2016, «On Body and Soul» will mark the first foreign film licensed by China Film Archive and the first European feature film to be screened through the National Arthouse Cinemas Alliance.

The best news is that despite all the talk of gloom and doom, and despite radical shifts in marketing and distribution platforms, there are still so very many delightful US indies — and so many stunning original foreign films — increasingly being made around the globe.

Surprisingly, in spite of world events of continual concern and alarm, this year turned out to be quite an exciting year in terms of films released in the United States (often meaning that foreign or independent films were made in the previous year, but found distribution this year).

That said, the film has already presold to numerous foreign territories already (U.K., Canada and more) however, Malick has so far reportedly turned down early offers for U.S. distribution, though some footage has screened for buyers.

Seibel advanced through the executive ranks, becoming responsible for the company's development and foreign distribution of feature films and scripted television series.

Perhaps the idea behind remaking Insomnia was to make an obscure foreign film more accessible to American audiences, but re-releasing the original film with wider distribution would have done the job.

This speaks, of course, of larger industry problems, of issues of funding and distribution, of what stories get made and marketed to larger audiences, of which films get studio backing, which stars get cast, etc. but it nevertheless seemed rather telling that stories of young black men and cross-cultural relationships, and foreign films about burgeoning and belated sexual awakenings end up ghettoized this way.

Last, but not least, the top 60 titles will be reviewed by an agent at Allen O'Shea Literary Agency for potential representation in areas of distribution, foreign rights, and film rights (unless an entrant prefers not to have the book forwarded to an agent).

They might have connections for foreign and translation rights, improved distribution, screenplay, film and documentary leads.

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