Sentences with phrase «foreign rights deal»

By exhibiting in the Foreword cooperative booth, your titles stand to generate rights interest from any number of Asian publishers (typically, a foreign rights deal includes a non-refundable advance and a royalty rate of 7 — 8 %).

Under the best of circumstances, by exhibiting in Bologna, your top titles might generate rights interest with publishers from several countries (typically, a foreign rights deal includes a non-refundable advance and a royalty rate of 7 — 8 %).

By exhibiting in the Foreword cooperative booth, your titles stand to generate rights interest from any number of publishers (typically, a foreign rights deal includes a non-refundable advance and a royalty rate of 7 — 8 %).

STATUS: The most frustrating morning with a foreign rights deal!

Thanks Nadia — and I am definitely keen to visit South Korea — I'd love to get a foreign rights deal there.

I've said for a long time that everything flows from ebook sales — audiobook sales, paperback sales, foreign rights deals, agents, print - only deals — all the «markers of success» that authors often seek.

Now, for LaunchBooks you consider proposals from authors who are self - published and are looking for print and / or foreign rights deals?

When he is not negotiating foreign rights deals for his clients he enjoys golf and time with his family.

Self - published Authors: Have you pursued foreign rights deals?

One author, Michael J. Sullivan has produced more than $ 150,000 worth of foreign rights deals.

Foreign rights deals can either be done by your publisher (typically for 20 %) or by a foreign agent (10 %) working with your local agent (15 %).

Connecting once a year in Frankfurt is special and these relationships are at the heart of how foreign rights deals get done.

But I have never used an agent in the U.S. for any of my foreign rights deals.

For example, Hugh Howey sold his print rights for Wool and did a number of foreign rights deals.

These foreign rights deals can be highly profitable for US publishers, with very little effort.

And it starts with the devaluing of foreign rights deals by the growing e-book distribution markets across the globe.

Not exact matches

He shall have no right to sell her to a foreign people, since he has dealt deceitfully with her.

If she does not please her master, who has designated her for himself, then he shall let her be redeemed; he shall have no right to sell her to a foreign people, since he has dealt faithlessly with her.

Deputy Prime Minister Barnaby Joyce addressed the current controversy over foreign investment in farms by saying Australians had «a right» to scrutinise deals and make sure they benefit the community before giving them the OK.

Did nobody ask whether ScoMo could really wave the deal through right now given it would spell the certain electoral defeat of Deputy PM Barnaby Joyce in New England, and a host of other Nationals in battleground seats where foreign investment is a hot - button issue?

Premier League signed a record breaking domestic TV rights deal for 2016 - 2019 which will bring in # 5 billion just from UK rights and total income from domestic and foreign rights for next three years period might reach # 8.5 billion which is almost doubled from previous tv rights deals.

I am sure that when these leaders wake up each morning, they are not thinking about foreign policy, but about domestic social unrest, the lack of provision of a proper welfare system, about how to deal with the issue of internal migrants (some 200 million people on the move from villages to urban areas demanding the same rights as urban locals), and so on.

Mr. President, you will remember that in December 2011 the White House released a presidential memorandum directing executive officers and agencies that deal in foreign affairs to address human rights abuses against LGBT people abroad and to pressure foreign governments to decriminalize homosexuality.

IM Global is selling the foreign distribution rights at the Cannes film market, and we'd expect a deal to come through quickly given the talent attached.

As part of the deal, Paramount will be releasing the film in the US next year, while Annapurna sells the foreign rights.

Traditional publishers can assist with licensing deals, film rights, merchandising (toys and lunchboxes), foreign translations, large print versions, audio books, and more.

Self - published e-book authors are being approached by foreign rights buyers and film companies (and making lucrative, 100 % agent - free deals.)

As Amish's agent Anuj Bahri of Red Ink Literary Agency puts it, «Amish's advance is only for the south - Asian rights, which means it could turn into a $ 4 million deal by the time we finish with film, foreign, and translation rights.»

The Big (i.e., irrelevant commercial) Publishers, the Random Houses and HarperCollinses and Simon & Schusters and Hachettes, wheeled and dealt multimillion - dollar con - tracts among themselves, though increasingly the agents were holding on to their authors» foreign rights, stalking the halls and booths like hyenas, or even, egregiously, like the upstart McTaggart, setting up their own stands with spiffy little tables and printed catalogs several inches thick handed out by demure young people, aping the publishers themselves (the nerve!).

Deals run from obscure foreign rights to multi-million dollar film deals, highly - anticipated literary novels, celebrity memoirs and Deals run from obscure foreign rights to multi-million dollar film deals, highly - anticipated literary novels, celebrity memoirs and deals, highly - anticipated literary novels, celebrity memoirs and more.

Self - published authors with great success like Hugh Howey retain agents to handle things like selling foreign rights and negotiating movie deals.

It was a week long workshop that covered dealing with Hollywood offers, handling foreign rights offers without an agent, increasing writing productivity, estate planning and tax stuff for authors (including when it makes sense to incorporate and which type of corporation in the US), and updates from Kobo on their plans to add audiobooks to their catalogue, among many other topics.

This has not only nearly eliminated the backlist for publishers, but it also means that almost any foreign rights or translation deal needs to be struck almost immediately after publication in Russia.

But when they're on the other side of the deal, licensing things like paperback reprints or foreign rights to other companies, publishers typically don't make agreements that continue for the life of a book's copyright.

Being hybrid means grabbing hold of those options that are available to me and using them to my advantage — whether it's going traditional, having print only deals, getting foreign rights, audio rights... doesn't matter — it's seeing beyond the box called «Indie Publishing» and realizing there are no lines for me to cross — as long as I don't see them.

But the way most current contracts work, publishers who fail to do anything with rights such as paperback, audiobook, and foreign edition rights don't have to give those rights back to the author until the agreement ends — another «forever» deal.

I've sold audio rights to it for 2.5 times what the audio rights for Riyria sold for, I've sold one foreign deal for it, and I'll make 100 % of the ebook royalty and more than twice as much of the audio royalty.

The following are authors who have announced either signing a foreign deal, or being approached by an agent or publisher for foreign rights translations: David Dalglish, Shelley Stout, M.G. Scarsbrook, Tina Folsom, Melanie Nilles, Dawn McCullough White, Victorine Lieskie, Imogen Rose, Lucy Kevin, Margaret Lake, Terri Reid, and Beth Orsoff.

For foreign rights or special deals (eg movie rights — as if!)

Did you know that if you bundle audio / foreign rights in with your publishing deal that when they sell those rights you get whatever percentage of the sale that's in your contract and it's applied to your advance?

Foreign sales: We sold UK rights, but that deal is a hot mess, so I don't have cash in hand.

And because of my American deal, my foreign rights agent, Danny Baror, was able to sell The Ark to eighteen foreign markets and counting.

So translation rights, I mean, the thing about selling translation rights today, and I'm sure you know this, is that you often deal with the foreign publisher, they translate the book, they give you $ 500, and you never hear from them again; you never get any sales figures, you never build an audience in that country.

However, she did agree that agents could probably get you better deals with foreign rights but the biggest markets are still English language so most indie's can still do very well without an agent in this area!

The agent's argument was mainly focused on the distribution they can get you as well as selling your foreign rights at better deals than an indie - author could get.

So he's self - publishing here, but going traditional for movie rights and foreign deals?

One thing, with web publication you don't have to worry about foreign rights and all the other things that deal with getting your work to the world.

In publishing speak, trade shows are known as book fairs and serve several purposes: 1) Provide a venue for publishers to display new titles to an audience of librarians and booksellers; 2) Enable publishers to showcase titles in front of foreign rights agents to discuss possible rights deals; 3) Serve as a «book event» enabling all forms of media to discuss book - publishing happenings.

Writers tried to pitch their books for foreign rights, media attention, or for publishing deals without knowing enough about their genre's strong sellers.

As Director of Foreign and Subsidiary Rights at The Book Group, she negotiated translation, film, and audio deals on behalf of bestselling authors such as Joshua Ferris, Paula McLain, Celeste Ng, and Helen Simonson.