Sentences with phrase «foreign sales rights»

She told me if I sold 5000 copies of my book online, to contact her — she might very well be interested in representing me for foreign sales rights, movie and television rights, and, if I were interested, potentially a traditional contract for my book w / one of the «Big 5» (the latter not required).

Screen Daily reports that Epic Pictures has taken on foreign sales rights to our Sundance hit V / H / S!

We've also got a bloody Pat Healy on the poster for «Cheap Thrills,» the Midnighters entry that's foreign sales rights have already been snatched by international sales agents Films Distribution.

Not exact matches

How to put the right employees in place for successful sales out of your company's foreign branch DOWNLOAD

At the same time, the Greens also committed to drop the FIRB threshold from $ 244m to $ 5m for rural land and ruled out supporting the sale of agricultural land and water rights to wholly owned subsidiaries of foreign governments.

If you count all revenues: ticket sales, domestic and foreign television money, sponsorship rights, site fees (if in Vegas), etc..

Foreign English - language edition sales Foreign translation sales Audio rights Feature film, TV, stage Other subsidiary rights

• Subrights — TV and film rights, foreign rights, reprint rights, audio rights, serialization rights, book club sales, online electronic rights.

Author Beth Kephart discusses the impact bloggers have had on her career, propelling her most recent novel into a third printing and foreign rights sales.

Some book agents take a primary role in exploring (and negotiating) the sale of subsidiary rights for books such as: foreign editions, translations, book clubs, licensing, merchandising, stage, TV, feature film, serial rights for magazines, etc..

During that time we're getting foreign sales, audio sales, large print... things that most indie authors normally wouldn't get on their own... so we're doing something with these rights.

What to expect from foreign rights sales in terms of money and reception of your books in other countries.

• Cathey Armillas — How to Pitch, Prepare and Deliver a Killer TED Talk • Bob Erdmann — Build Your Foreign Rights Revenue Stream • John Lee Dumas — Podcasting for Promotion and Profit • Pam Lontos — Publicity Strategies That Get Results • Joanna Penn — How to Make a Living from Your Writing • Joel Friedlander — Essentials for Author Websites, Blogs and Book Sales Pages • Dana Lynn Smith — How to Launch and Market Your Book • Amy Collins — Book Distribution 101: How to Get Into Bookstores and Beyond • Maria Nemeth — From Author to Coach: Build a Thriving Coaching Practice Around Your Book • Roger C. Parker — Write Three Books This Year!

On the sale of the Work via foreign rights translation, the Publisher will pay the Author fifty percent (50 %) of the Net Receipts.

The appeal of RCW working with their books is an excellent answer to authors who inquire about our capabilities in managing their foreign rights sales.

Keep in mind that electronic book adoption and sales abroad are easily 3 years behind what is going on in the U.S. Foreign publishers must be convinced to license rights to a digital - only title.

With a wide range of activities, the foreign offices encourage existing interest in German books and in so doing, promote rights & licence sales and book exports:

One motivation for the partnership is that Rosinante, in the wake of a reorganization, is no longer co-owner of the Gyldendal Group Agency, which until this month handled all foreign rights sales for Rosinante.

I've said for a long time that everything flows from ebook sales — audiobook sales, paperback sales, foreign rights deals, agents, print - only deals — all the «markers of success» that authors often seek.

RCW has a solid knowledge about Rosinante's track record already, our literary awards, reviews, foreign rights sales, and so on.

As author and publisher, you keep full ownership rights — including sales / profits from any future movie, gaming, foreign, or e-book publishing, to a book you may have spent months or even years working on.

Important factors that could cause actual results to differ materially from those expressed or implied by such forward - looking statements include, without limitation, possible product defects and product liability, risks related to international sales and potential foreign currency exchange fluctuations, the initiation or outcome of litigation, acts or potential acts of terrorism, international conflicts, significant fluctuations of quarterly operating results, changes in Canadian and foreign laws and regulations, continued acceptance of RIM's products, increased levels of competition, technological changes and the successful development of new products, dependence on third - party networks to provide services, dependence on intellectual property rights, and other risks and factors detailed from time to time in RIM's periodic reports filed with the United States Securities and Exchange Commission, and other regulatory authorities.

Rights Associate Stephanie Sinclair handles foreign rights sales for our auRights Associate Stephanie Sinclair handles foreign rights sales for our aurights sales for our authors.

This can be bestseller lists or «notable book» lists, literary awards, featured or guest of honor speaking engagements, new book contracts, foreign / audio / movie rights sales, career reinvention, anthology invitations / appearances, offices in other literary organizations, or other milestones of significance.

It's been a great year for foreign rights sales, largely due to the diligence of my agent in pursuing those markets, as well as increasing international interest in my books.

Unless you have specifically signed a contract and sold your foreign rights to a publisher, you as the author have Worldwide Sales Rrights to a publisher, you as the author have Worldwide Sales RightsRights.

It also means largely ignoring foreign rights, POD sales, and audiobooks, all of which can be incredibly lucrative for a self - published author.

My favorite foreign rights sale was to Saudi Arabia for The Confidence Factor... a book was written by yours truly, a woman; and a book is written for women.

Allow me to retain rights to audio and foreign sales.

What I most need right now (from publishers, agents, whomever) is support with print distribution, marketing, running my business, translation, audio, and foreign sales.

Check sub rights payments against any sales of rights that you know about, and any foreign publications that your Google Alerts have brought to your attention.

Foreign rights sales.

The Riyria Revelations produced $ 154,000 in foreign translation rights sales in just the last six months.

Trying to manage foreign rights sales on your own is crazy.

If self publishing lasts (which I expect it too, but life can be strange) then systems will develop to enable self published authors either access to foreign rights sales or something similar.

Did you know that if you bundle audio / foreign rights in with your publishing deal that when they sell those rights you get whatever percentage of the sale that's in your contract and it's applied to your advance?

Eventually, there is going to be an agent specializing in foreign rights sales who starts seeking out successful self publishers to offer representation for foreign rights sales.

I would add to your «risk» list something that is more of a disadvantage: the chance for foreign rights sales is next to nothing with indie publishing.

For doing nothing but writing a book, my foreign rights royalties exceed domestic sales many times over.

Foreign sales: We sold UK rights, but that deal is a hot mess, so I don't have cash in hand.

Hi Jess, In general, foreign rights sales or translation rights are handled by your agent or publisher.

Balance of your royalty account for each title (ie advances debited from it, and income from foreign rights, royalties or other rights» sales credited);

Our foreign language sales are handled by the UK's leading foreign rights team at Intercontinental Literary Agency (ILA).

Publishers may be reluctant to sell foreign rights to China Mobile, as it takes a huge cut of sales — at least 50 percent and sometimes as much as 70 percent — and sells the ebooks at a 90 percent discount from the print price.

So translation rights, I mean, the thing about selling translation rights today, and I'm sure you know this, is that you often deal with the foreign publisher, they translate the book, they give you $ 500, and you never hear from them again; you never get any sales figures, you never build an audience in that country.

Now, I had never placed the book there; I had no information about foreign rights from my former publisher with a delightful email or letter saying that rights had been sold to France, Belgium, Germany or anything connected with the UK — in fact, I never got a dime from the publisher for any foreign right sales (typically an author would get 50 %)... but golly, here my book was with a new cover, the same title and yes, my name was clearly on the cover and available in those countries.

The normal commission ranges from ten to fifteen percent for the sale of local rights and fifteen to twenty percent for foreign rights.

She's the author of 35 books — 18 published with New York, the rest with her own imprint; has sold foreign rights to 16 countries; sold in excess of 1,000,000 in combined sales; is co-founder of Mile High Press (14 titles published representing seven authors); has created and chaired several publishing conferences; and is the Founder and Chief Visionary Officer Author U ®.

During those years I worked both in foreign rights and export sales developing global business through my attendance at key book fairs and international trips.

I make two or three times in foreign sales what I earn from my North American / English rights.