Hopefully the verbal
foreplay between Johnson and co-star Jamie Dornan in the adaptation of author E.L. James «bestselling erotic novel will be steamier than this: «Excuse me, sir, but this strawberry - flavored chapstick just fell out of your fanny pack.»
Not exact matches
Tall, adventuresome guy who treats a gal like a princess on the streets and a sex goddess
between the sheets... orally gifted who will have your body singing in orgasmic pleasure, speciallizes in long
foreplay... loves fine dinning, dancing and travel... my sweet sexy gal I have something I...
Since Elizabeth scarcely can offer a commoner more than
foreplay, she takes voyeuristic pleasure in orchestrating a relationship
between him and her favored lady - in - waiting, Bess (Abbie Cornish, combining innocence with passionate energy), whose blond curls the queen is fond of stroking.
Buoyed by a winning cast, The Overnight unfolds a bit like a really, really long and drawn - out and kooky
foreplay session, with the sexual tension
between all parties rising nicely notch by notch with each passing scene.
The movie offers some surprises among its familiar trappings, and the vehicular stuntwork is top - notch — plus, you have to credit any movie in which a playful car chase
between a man (Caine) and a woman (Alexandra Stewart) can be categorized as
foreplay.
From the wonderful two - part harmony he and the estimable Charles Durning orchestrate in Dog Day Afternoon; to the quiet, cross-cut exchange of existential ethics
between Pacino's cop and De Niro's robber in Heat; to the easy rapport
between a mobbed - up nowhere man (Pacino) and Johnny Depp's Donnie Brasco, a pretender losing himself in his own fiction; to the subtle rhythms of conversational
foreplay — in a car parked in the rain —
between Pacino and Russell Crowe in The Insider, you appreciate how this actor somehow manages to share without giving ground.
Where shootouts used to be tight, sweaty - palm affairs marked by staredown
foreplay and quick draw action, in this «Seven» that's the delayed dessert once the dust clears from a time - consuming run - and - gun war
between an army and a platoon.
Director Anthony Perkins originally wanted Jeff Fahey to be completely nude in the
foreplay scene
between Duke and Red, but Fahey felt too uncomfortable being completely nude on camera, so he was allowed to hold two lamps to partially cover himself.
The climax features a swordfight
between McCarthy and Peter Dinklage that occasionally turns into something resembling
foreplay.
In a climactic sexual encounter
between Lopez and Clooney in a hotel bar and suite, this yields a piece of visual enchantment almost worthy of another studio slave, Vincente Minnelli — a sequence involving jokey
foreplay, fluttery snowfall, blurry lights, discarded bits of clothing, voices drifting in and out of synch, and oodles of freeze - frames.
Director Martin Campbell delivers the goods in the many exciting swordfights throughout the movie, but he also displays a nice, breezy touch throughout, particularly in the scene that received the biggest crowd response: a cute and sexy swordplay - as -
foreplay scene
between Alejandro and Elena.
He foregrounds the inches
between the viewer and the object as
foreplay to unmask the distance that keeps them apart.