Sentences with phrase «form and color become»

Not exact matches

The goal is to use just enough color contrast to draw attention to important elements without causing your form to become busy and overwhelming.

In our times the «word» also becomes image, colors and sounds, acquiring varied forms from the diverse media of social communications (Medellin Conference, 1968).

Part of the problem is that NiO can form different crystal structures in its bleached and colored states, depending on how much water becomes incorporated into the material.

my understanding of regular potatoes any color skin flesh etc. is this... potatoes are on the dirty dozen list... sweet potatoes are on the clean 15... i eat over 50 % of my diet in the form of a few different colors of sweet potatoes... i buy them bulk... peel»em very deeply... at least 1/2 inch all around... i sometimes get them as large as 6 pounds (football sized)... i used to wear out the regular potatoes but after speaking with the safety expert from a huge potato company to find out if the potatoes are grown on soil which had grain crops treated with round - up herbicide filled with atrazine and glyphosate (which most grain crops are... inluding many wheat crops... they get sprayed like 3 days before harvest... then the round - up is in the soil)... problem is... the round - up stays for 7 years... after stayin» off the soil for a couple years... it can have any kind of crop planted on it and get an organic rating... but... whatever was planted on that soil is then full of round - up... so... this crop rotation onto fields which had grain crops sprayed with round - up herbicide etc. is EXTREMELY COMMON IN THE GROWING PRACTICE FOR REGULAR POTATOES... very common practice... so even if you peel»em deeply... they are still soaked with round - up... the glyphosates get in the gut... the aluminum which is all over everything grown above ground and not covered (hot house etc)... gets eaten9ya can't wash it off... unless ya peel everything... but greens etc. ya can not get it out... it gets in the fiber)... then ya eat it... it goes in the gut... mixes with the glyphosate... becomes 10,000 timesmore toxic... inhibits the bodies ability to properly process sulfur into sulfide and sulfate... basically many very smart researchers are sayin'this is the cause of all this asperger's... autism... alzheimer's like symptoms in the elderly... you can only take so much nano... pico... and heavy metal poisoning... the brain starts to act very strangely... so... long story short... i eat lots of sweet pots grown on clean soil... they are non-gmo and basically grown organically... but... the grower doesn't pay for the certification... i make sure to get my omega 3 from fresh ground flax seed in the morning away from my sweet potato consumption... the omega 6 in the sweet pots inhibits the absorption of omega 3 and i only want so much fat daily... i'm on the heart attack proof diet by dr. caldwell b. esselstyn jr....

My new favorite color of the season has quickly become navy, in all shapes and forms.

With these best online dating sites for people with different colors, it's not only easy to find people you are naturally attracted to, it actually becomes effortless meeting and forming bonds with those who are single and on the hunt for a potential partner just like you!

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The power - ups Luigi uses also change to his color scheme accordingly, such as the Boomerang Suit becoming green, and his Kitsune Luigi form returns when he gets a Super Leaf.

The pieces are sculptural collages that play on the on the idea of the found object or assemblage, with Verbicky positioning the strips to create new images that become evident at a distance, the jumble of words and colors taking on new form and shape.

Indeed, his earlier Minimalism [more] became baroque, marked by curving forms, Day - Glo colors, and scrawled brushstrokes.

Jones» first mature works — cartoonish depictions of city buses, rendered in bright colors on shaped panels — became iconic images of British pop and also hinted at the conflation of painterly space and sculptural form that would characterize much of his later work.

Color becomes both the form and subject matter as they create almost topographical movements across the canvas.

In the latter, forms become more deformed and liquid; color more saturated.

Yet in their sumptuous celebration of color and form, these canvases become timeless in their assertion of the primacy of paint.

Though he lived in New York until his death in 1999, it was in Cuba that he became fascinated with the play of light and shadow on colored forms, a dominant characteristic of his works.

Highly influenced by the art of Kazimir Malevich and Russian Suprematist theories, he became occupied with solid fields of color arranged in geometric forms of squares and rectangles, directly inspired by Malevich's Black Square (1915).

Though her brushwork became looser and heavier with time, Fine was always recognized for her ability to create visual rhythms using geometric forms, colors, and lines.

Navigating the exhibition becomes a means for reflecting on the many ways by which physical and emotional presence can be reached: color can be louder than scale, surface can be more immediate than form, the indeterminate can be more visible than the finite.

While Kahn's paintings maintained his characteristically deft balance of color, planes in his work began to smooth, brushstrokes elongated and softened, and forms became simpler.

It is a complex arrangement of color contrasts and complimentary forms; cut out and assembled, which is to become a methodology Stella employs over the next four decades.

Cool and elegant, these studies in relationships among form, color and space have become Judd's signature pieces.

In several paintings women are featured in elaborate tignons, an 18th century headdress imposed by law for women of color in New Orleans and a tradition that although imposed as a form of oppression became, through elaborate patterning and design, a symbol of power and beauty.

At The Drawing Room, color becomes prominent in the continuing relationship between space and form in «Caio Fonseca - New Works.»

Krantz's work springs from an engagement with the meaning of this hopeful gesture and becomes one itself as stroke upon stroke of bright color are laid down forming her tangled piles.

Indeed, his earlier Minimalism became baroque, marked by curving forms, DayGlo colors, and scrawled brushstrokes.

Around the beginning of the 1970s, Hodgkin's style became more spontaneous, with vaguely recognizable shapes presented in bright colors and bold forms.

Colors and forms take on a lucid concreteness that pushes toward the three - dimensional, while collaged elements such as images and fabric become assimilated as building blocks in the work's architecture.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

By simplifying form and color, any recognizable elements become geometric shapes of light and shadow.

Issues of color and form became a main focuses of the Modernist.

Moving from one drawing to the next the viewer will also discover thickets of angled sticks; lightly rendered floating lozenges; surprisingly colored vortexes; compilations of line passing as broad brushed symbols; hermetic compositions repeating within the same drawing; forgotten hieroglyphs becoming form; atmospheres menacing and combative and others lighter than the last wisp of sun - dissipated fog.

Over the decades, modeling disappeared from his forms almost completely and his color became progressively flatter.

Color now carried independent content, along with basic geometric forms, which became free from all iconographic reference and are meaningfully valid as elements of the pictorial composition.

In this sense, plants merely become the product of visual fodder, colors, and forms, which are extrapolated and re-appropriated in ways that take advantage of the viewer's weakness for all things seemingly natural.

Once I develop the system for the specific project and determine the calculations, what remains is a form of meditation: I become the conduit for the arrangement of shape and the placement of color.»

His spectacular frenzies of color and form become visual analogues of the very urban landscape from which he scavenged his materials — poetic visual kaleidoscopes of the communities and underground economies to which Bradford's inherently referential source material gestures, and the volatile emotional admixture of desires, concerns and vitality that make up the complex socio - economic layers of Bradford's worlds.»

Only color, form and line count and structure and composition become very important.

Albers's teachings on color theory and the precision of geometric forms would become fundamental to the development of Stanczak's mature style and method.

In 1969, he became a founding member of the Black Emergency Cultural Coalition (BECC), which formed coalitions with other artists» groups, protested the exclusion of women and men of color from institutional and historical canons, and advocated for greater representation of black artists, curators, and intellectuals within major museums.

Conversely, Steven Frost's assortment of embellished sex toys — protests against traditional notions of good taste — become investigations of abstracted color and form in their ornate departure from the norm.

In the following years, the painted forms were simplified even furtherr and ultimately became mere vehicles for colors and their interrelations.

Color, form and pattern combine to become conversations, expressions, and events.

This view shaped what would become Kelly's overarching artistic perspective throughout his career, and his way of transforming what he saw in reality into the abstracted content, form, and colors of his art.

As Dial began to tackle wider national histories of oppression and contemporary issues of freedom and equality, his work became more simplified in form and color palette and took on a more pluralist vision.

It is the substance of his forms... By turning color into forms — or making forms of sheer color — Nahas has narrowed dramatically the gap between what an abstract image is, in physical fact, and what it becomes as we follow its allusions into the realm of the imaginary.»

Arlene Shechet's gestural sculptures embody notions of improvisation in the playfulness of shapes and colors she employs, and become a record of the artist's hand through the built layers and impressions formed in the clay.

Evoking Henri Matisse and Paul Cezanne, the seemingly straightforward composition of the floral still life ultimately becomes a means for exploring questions of color, form and space.

She wrote: «I must, to avoid the unfortunate surprises that I had in the past, begin to work lightly and more and more build up the colors and the forms... the color becomes pure when I speak of «every color has white within it.»

These works consist of a series of printed, brightly colored forms held in place by stainless - steel tubing — a support system that also becomes part of the work, referencing the dialectic between image and object broached by his earliest works.

The original source materials becomes obscured, abstracted and finally replaced by Mullen's own unique language of interlocking colors and forms.