Sentences with phrase «form colored volumes»

JAE KO, meanwhile, uses recycled paper to form colored volumes that are built by inflating ink.

Not exact matches

Our visual system can not perceive volume, form and distance with only color information available.

One measured fluid, electrolyte, and renal indices of hydration over eleven days of caffeine consumption in human subjects, finding that doses of up to 6 mg caffeine per kilogram of body weight had no effect on body mass, urine osmolality (urine concentration), urine specific gravity (concentration of excreted materials in urine), urine color, urine volume, sodium excretion, potassium secretion, creatinine content, blood urea nitrogen (forms when protein breaks down), and serum levels of sodium and potassium.

it's illustrated with great classic art (Degas, Manet, Velasquez) showing how each very different beauty highlights her individual body using color, pattern, shape, line, volume, contrast, etc. it's a crash course in art appreciation and how that applies to flattering the human form.

Also in the works: Attack on Titan: Colossal Edition, a collection of the first five volumes of the series with color pages that have not been previously published in book form (only in the original magazine serialization).

The break in a form is determined by multiple means: by an Albersian allusion to convex - concave manipulations of volume and plane, by a change in direction or by color gradation.

Despite differences in materials and discipline, both de Kooning's paintings and Chamberlain's sculptures explore the possible treatments of form and color, solid and transparent volume, and surface and depth as continually evolving and merging elements.

This ambitious coffee volume — rife with full - color images of the Norman Lewis's paintings, which are balanced with rigorous scholarship in the form of essays and extensive new research — accompanies «Procession: The Art of Norman Lewis,» the first major museum retrospective of the abstract painter.

Skillfully versed in the language of abstraction, Rossiter instinctively understands the colors» weight through their volume, placement, opacity and form.

The works» own features — line, form, texture, color, volume — are weaved into fresh and poetic, alternative visual language that is outside of existing preconceptions or representation systems, and play out as spatial development with rich sensory engagement.

«Seeing things in one color, monochrome, has always helped me discover the volume in forms», as the artist states.

His investigations of line, volume, color, texture, shape, and form are imbued with a sense of spirituality and informed by a deep intellectual curiosity.

In introducing Murray that evening, Varnedoe referred to her work «as dramas of form and color that accept, indeed demand, to play on the more austere terrain of high abstract art, in decisions about push and pull, bright and dark, fragmented and whole, planes and volumes, sculptural and painterly, that move us before we know what they are about.»

The fabricator Richard Dhoedt of Art et Volumes, who worked on the project during Dubuffet's life, created three over the years, and this fourth piece — in the Art Brut pioneer's signature red, white, and blue colors and hatching, which he employed to simplify his sculptures to their most basic form — was just completed this year.

On view March 9 — May 12, 2018 at Itaewon - ro 262, Yongsan - gu, the works in Richard Tuttle: Thoughts of Trees continue the renowned American artist's ongoing investigation of line, volume, color, texture, shape, and form.

All of their art transcends the conceptual and gets its power from these 3 wonderful artists ability to work with volume, space, shape, form and color.»

Sand, seashells, and glass sometimes form part of the picture surface, creating a variety of textures, volumes, transparencies, and reflections, as occurs in Buried Treasure (1975) which evokes an ethereal figure built up in oil relief with glints of colored glass.

«Vicente's divertimientos range from non-representational explorations of color, texture, plane, and volume to cleverly - concocted figures with clear allusions to human forms and animals.

The volumes of canvas and its surrounding space are used as chiseling tools giving the viewer an understanding of the relationship between line, shadow, color, and form.

115, No. 4 Bui, Phong «Artists to Artists», Volume 2, 25 Years of the Marie Walsh Sharpe Space Program Mason, Isabella «Katie Bell at Locust Projects, Miami», Blouin ArtInfo, Nov. 4th Kaiser - Schatzlein, Rob «Katie Bell's Miami Breakthrough», Two Coats of Paint, Sept. 23 Saltz, Jerry, «Never Has My Breath Been Taken Away Like It Was at Knockdown Center» Vulture, June 16 Final Fridays, Artist Interviews Podcast, Episode 17 2015 Namesake, «Namesakes: Katie Bell», Oct. 19 Montem Magazine, Issue # 5 (Tokyo, Japan) Pini, Gary, ’10 Must - See Art Shows Opening this Week», Paper Magazine, Sept. 23 Salama, Cecilia, «Artist Katie Bell Will Pull the Rug Out From Under You», Opening Ceremony Blog, Sept. 24 Johnson, Paddy, «This Weeks Must See Events: Butch Queens and Dykes in Brooklyn, Regular Queens Has Everything Else», Art F City, Sept 21 Butler, Sharon, «Revitalization by Contamination», Two Coats of Paint, Aug. 2 Mullis, Sidney, Maake Magazine, Featured Interview, Fall 2015 2014 BRIC Arts Media, «BRIC Biennial: Volume 1, Downtown Edition», Sept 20 (Exhibition Catalog) Steele, Marjorie, «Reconstructing History: Artists Create Community inside Site: Lab», The Rapidian, Sept. 21 Konau, Britta, «Gouge, Break, and Hammer», The Portland Phoenix, June 25 Eastabrooks, Erin, «The Home - Wrecker: Interview with Brooklyn Artist Katie Bell», SHK Magazine, May 19 Scott, Megan, «18 Under 37 ″, Knox Magazine, Spring 2014 Toomer, Helen, «How Art World Insiders Started Their Must - See Collections», Refinery 29, March 25 Galgiani, Allison, «Artist FlashCards: Why Katie Bell is Boss», Bushwick Daily, March 26 Kimball, Whitney, «Color Wheel: Katie Bell», Art F City, March 12 New American Paintings, # 110, Northeast Edition, March 2014 Bell, Katie, «IMG MGMT: Katie Bell, How We Met», Art F City, Jan 8 «The Form», Viewpoint Magazine UK, No. 33, p. 162-163 2013 Smyth, Cherry and Jost Münster, «Limber: Spatial Painting Practices», Sept. 13 (Exhibition catalog) Katz, Samantha, «Material», Gallery Glass, Episode17, Sept. 17 Steinhauer, Jillian, «Art Rx», Hyperallergic, Sept. 3 «Material», Time Out New York, August 27 Sculpture Center Tumblr, Featured Artist, «Katie Bell», April 22 Cole, Lori, «PAINT THINGS, Beyond the Stretcher», Critics» Picks, Art Forum, March 26 Johnson, Paddy, «8 Great Brooklyn Artists Under 30», The L Magazine, March 13 - 26, Vol.

The first 500 Teapots volume was hailed as a must - have for pottery artists and collectors alike, and Katz is honored to have caught an editor's eye, even if «Orange Tea» resembles her current work more in form than in color.

Challenged by the hybrid forms that often appear under the term «installation,» sculpture — that is, discrete objects that deal with issues of mass, gravity, volume, open - vs. closedness, movement, materiality, color, structure, monumentality, etc. — has had a hard time maintaining a meaningful place for itself within contemporary art practice.

Toward that end, the volume is rife with full - color images of the Lewis's paintings, which are balanced with rigorous scholarship in the form of essays and extensive new research and documentation of his life, works and exhibitions.

Through his abstract oil and acrylic paintings, Phillips plays with color, form, and volume — the building blocks of our artistic experience — to create dynamic, shifting spatial relationships.

Cor - ten afforded Judd a new avenue for exploring many of the fundamental preoccupations of his oeuvre, such as the relationships between surface and volume, as well as color and form.

- General fixes: — fixed image chooser to use proper cache — VolumePanel: changed auto - expand behavior ------ fixes closing volume panel on outside touch ------ has a side effect in form of 2 - step animation which does not have a solution — QuietHours tile: fixed switching modes — Fixed hidden status bar clock showing after reboot — Fixed navbar key colors not fully applied after reboot — Adjusted Force LTR for RTL locales feature - OxygenOS fixes: — Fixed stock battery icon showing when Dash charging — Added option for hiding Dash charge icon in Status Bar (for stock battery indicator)-- Circle battery indicates Dash charging by faster charging animation (keeps dash icon hidden)-- Fixed double vibrate icon - Samsung fixes (provided by Firefds)-- Fixed coloring of settings button — Fixed reboot to download (bootloader) mode — Fixed lockscreen carrier text — Fixed manipulation of lockscreen bottom shortcuts — Fixed Circle battery size — Fixed battery style not updating in lockscreen

OnePlus switched out the standard black option for a white color scheme, and added subtle design flourishes in the form of a bright red Alert Slider along with a black power button and volume rocker.