Not exact matches
Mood Indigo is a true return to
form for Michel Gondry,
exploring the surreal
landscape of emotion and imagination along the lines of his classics The Science of Sleep and Eternal Sunshine of the Spotless Mind.
Travellers have the opportunity to
explore the tropical beaches, magical underwater
landscapes, magnificent World Heritage sites and the multicultural cities that
form Indonesia's rich tapestry with a flexible flight ticket that allows travel between three and five destinations.
Instead of
exploring and building a city in a pre-existing
landscape, you dispatch scouts to find new pieces of land which can then be rotated and fused together in order to
form an ever expanding floating kingdom.
Each main story mission in Nioh has its own massive level to
explore through, frequently with some
form of boss battle at its end, whereas the side missions reuse these environments in unique ways and give reason to revisit a familiar
landscape with the promise of fresh loot and precious Amrita, Nioh's version of experience points.
Chrono Trigger was released in 1995 and is a time travelling adventure story that takes place across diverse times and
landscapes, with the original art done by the man behind Dragon Ball Z, Akira Toriyama, it just begs to be
explored in a print
form.
In this series of photographic works
landscape is
explored as an agent that not only acts as a central character but also
forms the characters that populate it.
In the 1980s, Katz made a return to
landscape in the
form of large - scale «environmental» paintings, and has continued to
explore these interests up to the present day.
Drawn from the vast George Eastman Museum collection in Rochester, New York, In the Garden
explores the ways in which photography has recorded, interpreted, or staged the cultivated
landscape in its many shapes and
forms.
His later work
explored a language of
forms found in this
landscape, with a deeply personal and gestural script embedded within his abstractions.
Making Painting
explores the concept that, though working on different continents in different centuries, JMW Turner and Helen Frankenthaler share fundamental qualities in their use of paint and colour,
form and narrative, and in their understanding of
landscape.
Another influential aspect of de Kooning's work over the decades has been his ability to
explore abstract
forms in some works while, at the same time,
exploring frankly figurative or
landscape motifs in other works.
In his practice Licari
explores the socio - economical, cultural and political processes that intervene on, and alter the
form of contemporary natural
landscapes.
In the 1980s, Katz made a return to
landscape in the
form of large - scale «environmental» paintings, and he has continued to
explore these interests up to the present day.
Heikes
explores the physical and perceptual barriers inspired by today's social and political
landscape through his installations that guide the viewer around the space with their abstract angles and
forms.
Zürich Kunsthaus curator Bice Curiger writes on
landscape, Hirshhorn Museum chief curator Kerry Brougher tackles time, Cincinnati Art Museum director Aaron Betsky addresses
form, and the Kitchen director Tim Griffin
explores the individual.
Interested more generally in pop culture and pop culture nostalgia, Arcangel has taken as his subject other new media
forms, including YouTube and blogs, using them to create works that
explore their role in our cultural
landscape.
«Symbolic Cities,» which Mater shot over three years,
explores the impact of urbanization and economic change on the
landscapes of his native Saudi Arabia through long -
form photography and video.
Through photography, printmaking, sculpture and installation from the miniature to the monumental, this exhibition engages the social
landscape,
explores the real and mimetic and deconstructs architectural
forms, histories and legacies.
McMahon
explores an abstract language informed by the natural
forms and structures that populate the
landscape and the history and experiences that shaped that particular place — from the surrounding fields and undulating hills and ravines to the hidden treasures left behind by the original landowner who made sculptures and land art.
Dine uses the heart
form as a
landscape to
explore emotion.
As an extension of her practice after twenty - five years in New York City, she designed and built a solar - powered live — work residency in the Mohave Desert called FERAL House and Studio, where she
explores the remote
forms of physical inquiry through
landscape and texts.
For example, Constellations
explores approaches to the
landscape and figure, so - called «bad» painting, appropriation, collage in painting, the critique of illusion in painting,
form and color, and paintings that exist in between representation and abstraction.
Fusing
landscape photography with painted shapes and abstract
forms, the artist
explores themes of visual perception and reproduction, all the while challenging the boundaries of painting as a medium.
This fine art juried exhibit
explores nature in its many
forms, from plant life and
landscapes to the diversity of animal species in the oceans and great outdoors.
By embracing the subject of
landscape as a sculptural possibility in a myriad of accomplished
forms, mediums, and materials, the artist's extraordinary exhibition at MASS MoCA, As Above So Below,
explores space, place, and time as perceived by the «ambulatory viewer.»
The aerial
landscapes exhibited by Fazal Sheikh
form part of the series Desert Bloom, which
explores the traumatic legacy of the 1948 Arab - Israeli war.
Lisbeth McCoy's paintings combine memories of places intimately known in mixed media paintings that conjures natural
forms and the sense of a
landscape to
explore how places lived
form personal identity.
Georgia O'Keeffe, in her Lake George by Early Moonrise (1930), and Arthur Dove,
exploring shape and color in his Holbrook's Bridge to the Northwest (1938), are inspired by organic
forms in the American
landscape, while industry is celebrated in paintings such as Ralston Crawford's At the Dock (1941) and Charles Sheeler's The Web (1955), a conceptual view of industrial structures.
EXPERIMENTS WITH
LANDSCAPE: EARLY WORK During the 1950s and»60s, Frankenthaler
explored various styles of abstraction, from Cubist - inspired works such as Abstract
Landscape (1951) to more free -
form compositions such as Untitled (1962 — 63).
Sparks Gallery
explores the elegance of the human
form and the body as a
landscape with paintings, photography, and sculpture by San Diego artists.
Restaging the gallery's Osborne Street space as a grand domestic
landscape, Boyce
explores a range of familiar references and
forms to construct environments and sculptures that embody a poetic ambience and over time produce an ongoing constellation of connected works.
Then back in the studio, I
explore what makes these
landscapes beautiful and mysterious to me, letting the natural
forms, the surrounding emptiness, and the sense of gravity influence how I use color and shape.
Exploring two of the oldest subject matters in contemporary
form, the artists featured in this exhibition individually illustrate the human figure and our physical
landscape — and subsequently, the symbiotic relationship between the two.
Curated by Beverly Allan, «Virva Hinnemo and Peter Schlesinger»
explores the natural world through the tree like
forms of sculpture by Schlesinger and Hinnemo's abstract paintings which seem to conjure the
landscape, according to Allan.
Reinvesting traditional art historical genres (still life, portraits, nudes,
landscapes, and interiors) with an abundance of rich and surprising
forms — such as cast sculptures and assemblages, paintings, digital montages, spatial installations, kinetic objects, and texts — he ceaselessly
explores the intersection of art and everyday life.
Co-curated by Pollock Gallery Director Sofia Bastidas and urban theorist Guillermo León Gómez as part of the ongoing research of Port to Port, WIDE OPEN
explores the historic precedents and free market visions established in past centuries that have helped
form today's
landscape in Dallas.
These inquiries have led him to
explore his own origins and to collaborate with family and friends in a very personal
form of research that results in a constant process of learning: About materials,
landscape, people, and himself.
While adopting a simplified colour palette and pared - down
forms, his recent works continue to draw on diverse sources of inspiration, and are full of references to sensual and Biblical themes as well as
explore Trinidad's
landscape and mythology.
By
exploring these sentiments [of juxtapositions] and my own connection to the land and to place, I hope to
form a connection between the outer and inner
landscape.
He views figures,
landscape, or still life as opportunities to
explore the effects of light on
form.
With support, people
explore their unique inner
landscapes through art therapy: tracking the weather and nurturing the foundation with color and
form.
He views figures,
landscape, or still life as opportunities to
explore the effects of light on
form.