Sentences with phrase «form explore landscape»

Not exact matches

Mood Indigo is a true return to form for Michel Gondry, exploring the surreal landscape of emotion and imagination along the lines of his classics The Science of Sleep and Eternal Sunshine of the Spotless Mind.
Travellers have the opportunity to explore the tropical beaches, magical underwater landscapes, magnificent World Heritage sites and the multicultural cities that form Indonesia's rich tapestry with a flexible flight ticket that allows travel between three and five destinations.
Instead of exploring and building a city in a pre-existing landscape, you dispatch scouts to find new pieces of land which can then be rotated and fused together in order to form an ever expanding floating kingdom.
Each main story mission in Nioh has its own massive level to explore through, frequently with some form of boss battle at its end, whereas the side missions reuse these environments in unique ways and give reason to revisit a familiar landscape with the promise of fresh loot and precious Amrita, Nioh's version of experience points.
Chrono Trigger was released in 1995 and is a time travelling adventure story that takes place across diverse times and landscapes, with the original art done by the man behind Dragon Ball Z, Akira Toriyama, it just begs to be explored in a print form.
In this series of photographic works landscape is explored as an agent that not only acts as a central character but also forms the characters that populate it.
In the 1980s, Katz made a return to landscape in the form of large - scale «environmental» paintings, and has continued to explore these interests up to the present day.
Drawn from the vast George Eastman Museum collection in Rochester, New York, In the Garden explores the ways in which photography has recorded, interpreted, or staged the cultivated landscape in its many shapes and forms.
His later work explored a language of forms found in this landscape, with a deeply personal and gestural script embedded within his abstractions.
Making Painting explores the concept that, though working on different continents in different centuries, JMW Turner and Helen Frankenthaler share fundamental qualities in their use of paint and colour, form and narrative, and in their understanding of landscape.
Another influential aspect of de Kooning's work over the decades has been his ability to explore abstract forms in some works while, at the same time, exploring frankly figurative or landscape motifs in other works.
In his practice Licari explores the socio - economical, cultural and political processes that intervene on, and alter the form of contemporary natural landscapes.
In the 1980s, Katz made a return to landscape in the form of large - scale «environmental» paintings, and he has continued to explore these interests up to the present day.
Heikes explores the physical and perceptual barriers inspired by today's social and political landscape through his installations that guide the viewer around the space with their abstract angles and forms.
Zürich Kunsthaus curator Bice Curiger writes on landscape, Hirshhorn Museum chief curator Kerry Brougher tackles time, Cincinnati Art Museum director Aaron Betsky addresses form, and the Kitchen director Tim Griffin explores the individual.
Interested more generally in pop culture and pop culture nostalgia, Arcangel has taken as his subject other new media forms, including YouTube and blogs, using them to create works that explore their role in our cultural landscape.
«Symbolic Cities,» which Mater shot over three years, explores the impact of urbanization and economic change on the landscapes of his native Saudi Arabia through long - form photography and video.
Through photography, printmaking, sculpture and installation from the miniature to the monumental, this exhibition engages the social landscape, explores the real and mimetic and deconstructs architectural forms, histories and legacies.
McMahon explores an abstract language informed by the natural forms and structures that populate the landscape and the history and experiences that shaped that particular place — from the surrounding fields and undulating hills and ravines to the hidden treasures left behind by the original landowner who made sculptures and land art.
Dine uses the heart form as a landscape to explore emotion.
As an extension of her practice after twenty - five years in New York City, she designed and built a solar - powered live — work residency in the Mohave Desert called FERAL House and Studio, where she explores the remote forms of physical inquiry through landscape and texts.
For example, Constellations explores approaches to the landscape and figure, so - called «bad» painting, appropriation, collage in painting, the critique of illusion in painting, form and color, and paintings that exist in between representation and abstraction.
Fusing landscape photography with painted shapes and abstract forms, the artist explores themes of visual perception and reproduction, all the while challenging the boundaries of painting as a medium.
This fine art juried exhibit explores nature in its many forms, from plant life and landscapes to the diversity of animal species in the oceans and great outdoors.
By embracing the subject of landscape as a sculptural possibility in a myriad of accomplished forms, mediums, and materials, the artist's extraordinary exhibition at MASS MoCA, As Above So Below, explores space, place, and time as perceived by the «ambulatory viewer.»
The aerial landscapes exhibited by Fazal Sheikh form part of the series Desert Bloom, which explores the traumatic legacy of the 1948 Arab - Israeli war.
Lisbeth McCoy's paintings combine memories of places intimately known in mixed media paintings that conjures natural forms and the sense of a landscape to explore how places lived form personal identity.
Georgia O'Keeffe, in her Lake George by Early Moonrise (1930), and Arthur Dove, exploring shape and color in his Holbrook's Bridge to the Northwest (1938), are inspired by organic forms in the American landscape, while industry is celebrated in paintings such as Ralston Crawford's At the Dock (1941) and Charles Sheeler's The Web (1955), a conceptual view of industrial structures.
EXPERIMENTS WITH LANDSCAPE: EARLY WORK During the 1950s and»60s, Frankenthaler explored various styles of abstraction, from Cubist - inspired works such as Abstract Landscape (1951) to more free - form compositions such as Untitled (1962 — 63).
Sparks Gallery explores the elegance of the human form and the body as a landscape with paintings, photography, and sculpture by San Diego artists.
Restaging the gallery's Osborne Street space as a grand domestic landscape, Boyce explores a range of familiar references and forms to construct environments and sculptures that embody a poetic ambience and over time produce an ongoing constellation of connected works.
Then back in the studio, I explore what makes these landscapes beautiful and mysterious to me, letting the natural forms, the surrounding emptiness, and the sense of gravity influence how I use color and shape.
Exploring two of the oldest subject matters in contemporary form, the artists featured in this exhibition individually illustrate the human figure and our physical landscape — and subsequently, the symbiotic relationship between the two.
Curated by Beverly Allan, «Virva Hinnemo and Peter Schlesinger» explores the natural world through the tree like forms of sculpture by Schlesinger and Hinnemo's abstract paintings which seem to conjure the landscape, according to Allan.
Reinvesting traditional art historical genres (still life, portraits, nudes, landscapes, and interiors) with an abundance of rich and surprising forms — such as cast sculptures and assemblages, paintings, digital montages, spatial installations, kinetic objects, and texts — he ceaselessly explores the intersection of art and everyday life.
Co-curated by Pollock Gallery Director Sofia Bastidas and urban theorist Guillermo León Gómez as part of the ongoing research of Port to Port, WIDE OPEN explores the historic precedents and free market visions established in past centuries that have helped form today's landscape in Dallas.
These inquiries have led him to explore his own origins and to collaborate with family and friends in a very personal form of research that results in a constant process of learning: About materials, landscape, people, and himself.
While adopting a simplified colour palette and pared - down forms, his recent works continue to draw on diverse sources of inspiration, and are full of references to sensual and Biblical themes as well as explore Trinidad's landscape and mythology.
By exploring these sentiments [of juxtapositions] and my own connection to the land and to place, I hope to form a connection between the outer and inner landscape.
He views figures, landscape, or still life as opportunities to explore the effects of light on form.
With support, people explore their unique inner landscapes through art therapy: tracking the weather and nurturing the foundation with color and form.
He views figures, landscape, or still life as opportunities to explore the effects of light on form.
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