The multitude of delicate lines
form ghostly figures, dragons, phoenixes, and faces, sometimes interwoven, smiling and serene or terrifying and monstrous.
Not exact matches
Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or
ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid
form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.
A survey of painter Agnes Martin's work from the 1950s into this century might not sound very goth — Martin is known for her
ghostly canvases overlaid with barely perceptible grids — but open your mind to «white goth» and perhaps then, you will find a cosmic emptiness in her canvases which, without
figures or
forms, point to the disappearance of the self in art.
Her recent works picture ethereal, at times
ghostly, female
figures whose wispy
forms float in saturated canvases, caught in moments of joy or fear — narratives that stem from a longtime passion for reading and writing.