Sentences with phrase «form human shapes»

However, the artist is also deeply invested in language — other sculptures are made entirely of words that merge to form human shapes — and this strand of his work will be celebrated this month in «Talking Continents,» a show of new sculptures and works on paper at Galerie Lelong.

Inside The Shimmer, DNA is refracted and swapped, creating mutant species across everything — plants that form human shapes, alligators with shark teeth.

Not exact matches

My concern is that we work together to form theories that help to make manifest the unity of the human race, shape ideas that unify, and mold actions that are in turn compassionate and provide equality for all.

I understand the Dogma aspect of it is observable evidence for something is king however, that in no way shape or form changes that various activity that Atheists preform which which reflect the human activity that people of faith preform.

God puts God's hands in the dirt and forms a human — rolls it, shapes it, wets the clay with spit and sculpts the finer details, the lips and toes.

Alternatively, one might say that religious symbols (or myths or narratives or languages) so shape the way we understand the world that they quite fundamentally form what we value for human beings and the cosmos.

Being made in the image of God does in no way shape or form equate us to a «human version» of the creator.

The meaning of the liberal arts as educating the «free adult male» was transformed into a program of enhancing human freedom, but this was always perceived in terms of forming and shaping a person.

Again, with like sarcasm, he ridicules the entire faith and vogue of idols: one cuts a tree for firewood, using it for heating and for cooking; but still a sizable piece remains, until as an afterthought it is given to a craftsman who, with a deal of labor, shapes it into a pretense of human form — and then men bow down to it and say, «Deliver me, for thou art my god!»

Accordingly, what will make schooling «theological» is that it shapes human persons so that they are formed by the habitus of theology (paideia) and capacitated to engage in truly critical reflection.

On the one hand, there is something awesome about an intervention that no longer deals only with the soma, the bodily form, but goes right to the very core of human identity in order to shape the future not simply of one person but of his or her descendants.

So when Aristotle says that the human soul is the form of a human being, does he mean — not, indeed, that it is simply what a non-philosopher would call «the human form», the shape that enables us to recognise a figure seen inthe distance as a human being, but — that it is the structure which the parts or components of a human being make up?

The next moment, you might be feeling overwhelmed by the challenges that inevitably arise while human brains take shape and form the way they do in childhood.

A 2012 poll showed that a staggering 12.5 million Americans believe that «shape - shifting reptilian people control our world by taking on human form and gaining political power to manipulate our societies».

Each of the motifs that make up the corpus of adinkra symbolism has a name and meaning derived from a proverb, a historical event, human attitude, ethology, plant life - form, or shapes of inanimate and man - made objects.

In many ways, Pinker's book The Stuff of Thought: Language as a Window Into Human Nature, which will be published this month, may be his most ambitious yet — an attempt to show that the entire range of human thought is built on the «scaffolding» of a few core concepts that shape our understanding of the physical and social worlds and form the basis for the way we interpret reaHuman Nature, which will be published this month, may be his most ambitious yet — an attempt to show that the entire range of human thought is built on the «scaffolding» of a few core concepts that shape our understanding of the physical and social worlds and form the basis for the way we interpret reahuman thought is built on the «scaffolding» of a few core concepts that shape our understanding of the physical and social worlds and form the basis for the way we interpret reality.

All human societies have been shaped by religion, leading psychologists to wonder how it arose, and whether particular forms of belief have affected other aspects of evolved social structure.

They produced the first report of the EcPlt's active form inside human cells, describing how the chemical environment inside the cell caused the protein to change shape and activate.

These were seeded into a tissue scaffold, formed into the precise shape of the human jaw bone by using digital images from a patient.

This was followed by the development of a big pool of knowledge about the human body and it's mysteries, together with more efficient methods for shaping it into an ideal art form.

However Brahman associated with Maya (cosmic illusion) represents Ishwara (personal god in many religions) which represents the highest limit of the human mind since we need a shape or form to interact or relate to the infinite energy of Universe.

Being a fan of earrings shaped in the form of human hands, it's now time to shine the light on earrings that are inspired by human faces.

it's illustrated with great classic art (Degas, Manet, Velasquez) showing how each very different beauty highlights her individual body using color, pattern, shape, line, volume, contrast, etc. it's a crash course in art appreciation and how that applies to flattering the human form.

I admire the human essence, the human flaw, the human simplicity, once it is given shape and form within.

Theres only 1 race, the human race and we come in every which shape, form personalities, and background.

We've never seen the synthetic humanoid in human form before, but considering his shape - shifting capabilities, it's not above Vision's abilities.

What humans remain form tribes, hunting with bows and spears and living a life shaped around an earth - based, shamanistic religion.

The second and most frequent form they take is a softened, familiarized anthropomorphic look; indeed, when the Raccoons shift to this chubby, two - legged shape - several even wear human clothes - they look strikingly similar to Care Bears.

Our subject is taking shape, soon to be revealed as an extraterrestrial that's assumed the form of a voluptuous human female (Scarlett Johansson).

To understand how this transformation occurred, take a brief trip back into the history of the Middle East, where it all began.Go back to the origins of humankind, where two rivers formed the Fertile Crescent and civilization sprouted.Watch the Abrahamic Religions bud in the Levant along the eastern Mediterranean Sea and develop into Judaism and Christianity.Witness the steady march of empires hold sway over Middle Eastern trade, resources, religion and culture for millennia.Visit the sacred cities whose connections to holy people and events sparked bitter conflict.Start your study of the birthplace of human civilization today with History of the Middle East: Melting Pot - Holy Wars & Holy Cities - From the Sumerians to the Ottoman Empire and Today's Nation States: Israel, Iran, Iraq and Egypt - Shaping the Near East History.Scroll up to get your copy now.

But it could have been controlled, modified and «shaped» into «other» forms of play appropriate for humans, especially children, by starting the first day Rover arrived into his new «human pack.»

To walk on ice, which may have been formed long before Europeans discovered New Zealand makes you realize just how short a human lifespan is in comparison to the eons of time it takes to shape a landscape.

The six different forms of our shape - shifting hero — human, lizard, mouse, piranha, lion and hawk — each have different abilities and make up just a small percentage of the colorful cast of characters included in this non-stop action / adventure platformer.

The six different forms of our shape - shifting hero, human, lizard, mouse, piranha, lion and hawk, make up just a small percentage of the cast of this non-stop action / adventure platformer!

With their strange shapes, soulless eyes, and exaggerated smiles, these re-imaginings of the human form make a mockery of all that is good and holy in humanity.

Another relentless form almost looks like it's trying to maintain a human shape.

The human race is no more and the robots have taken over and formed machines in the shape of marine animals.

De Kooning never abandoned the human form, Pollock sought (and failed) to reappropriate it after his signature drip paintings, and Gorky's abstractions, those lyrical elisions of biomorphic shape and washy veils of pigment, are nothing if not figure painting by other means.

Each hand - painted form creating a perfect geometric shape is a microcosm of this balance suggesting the breadth of human experience.

As with Matisse, too, the shapes take on vaguely human form that could well stand for sculpture, in a show of art more than a little about art.

Originally from Mexico City, Gabriel Dawe creates site - specific installations that explore the connection between fashion and architecture, and how they relate to the human need for shelter in all its shapes and forms.

Displayed on this common ground, Constantin Brancusi's The First Cry (1917) dissolves the human form into elliptical shapes, and Alberto Giacometti's Femme Debout (1957) elongates a woman's body into abstraction.

Shapiro is mostly known for his works in bronze of linked cuboidal shapes, which read as abstract forms that play off of a likeness to the human figure.

Emerging from textual explosions, Reyes shapes his expressionistic gestures and splatters it into disembodied humans forms, illustrative reminders of life.

Her transformation of raw natural elements to hand hewn forms, thus becomes analogous of human evolution from biological to societal construct that shape our understanding of nature and one another.

By using this very specific technique, based on traditional secular weaving crafts common in Portugal, the overlapping human figures dissolve their forms and shapes of reality.

With Rappaport's discerning use of simplified geometric shapes and refined color palates, the compositions reflect elements of the human form, landscape, and architecture.

Hollowell uses painting to portray the shapes, forms and colors of human and female arousal and discomfort.

Some sketches feature figurative motifs, human forms and faces, while others appear as purely abstract shapes, configurations and patterns.

Working with clay enabled the artist to connect to the human body without the interruption of the brush, and he responded to the visceral act of pushing, squeezing, and shaping the form as he considered it in three dimensions.