Sentences with phrase «form kinetic works»

Not exact matches

The concept of energy - based aliens in Darkest Hour is intriguing enough, if only because of all the questions it raises about how these creatures» abilities work (ex: Are there only certain forms of kinetic energy they can absorb?).

More deliberately evocative than his earlier work, the kinetic energy invoked by these vivid sequences is suggestive of the artist's passion for the structures of natural phenomena and the unpredictable free forms of jazz and blues music.

Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.

Frank Stella is known for the large scale of his work, and for the exuberant, kinetic way he uses colors and forms.

They have formed the core of her kinetic works, dissolving text into lines, light and colour.

These works are described by Medalla as the first «auto - creative sculptures» — works built with industrial materials to generate kinetic, evolving forms.

Works by Gianni Colombo, Enrico Castellani, Bridget Riley and Giovanni Korompay thus formed the first nucleus of the GAM's holdings, revealing an interest in spatial and environmental research that would subsequently expand to include the work of Grazia Varisco, Getulio Alviani, Dadamaino, Gruppo T and Gruppo N, together with various exponents of Kinetic Art and Programmed Art.

Presented side - by - side their works obliquely summon Calder's use of reductive forms, his serious yet playful endeavors with materials as well as his development of kinetic sculpture.

Right from his first solo show, Miriorama 4 (1960), where he displayed a series of kinetic works that required activation on the part of the viewer, Colombo (1937 — 93) created works in the form of environments, situations, structures, itineraries and passages.

Drawn from the collection of the National Gallery of Victoria, Melbourne, and featuring a number of recent acquisitions, The Kaleidoscopic Turn resonates with references to various artistic legacies of the 20th century from Op art to colourfield painting, offering a range of multi-sensory experiences including immersive installations, kinetic sculptures, video art, works on paper and painting in its diverse and expanded forms.

By centring his architectural forms around variable axis, he creates both vertical and horizontal works that infer an animated, gyrating, kinetic energy.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

Often influenced by music, improvisational and spontaneous, Ellis is known for capturing visual rhythm through the use of kinetic sculpture that produce analogue sequences, paintings that are often recorded in a form of digital time - lapse animation, and collaborative public works.

In plastic art, the avant - garde was ably represented by the modernist Constantin Brancusi, the Futurist Umberto Boccioni, the Kinetic artist Alexander Calder, and Barbara Hepworth the Yorkshire sculptress who, in her celebrated 1931 work Pierced Form, introduced the «hole» to the art of sculpture.

Carver's work explores human relationships in the form of conversations (recorded, mapped, or transcribed), sculpture and its environment (site - specific sculpture, sound installation, person - powered kinetic elements), and performance (as part of longer dialogue of experience).

Fausto Melotti's «I lavandai (The Launderers)» (1969) has a lyrical quality and approach to sculpture, like a weightless aerial drawing, with a lightness of material and tactility, the work articulates space in much the same way as Alexander Calder's floating kinetic forms; space is the very essence of the work with «Untitled» 1974, Juxtaposed with the weight of Genzken and the organic fragility of Hesse.