Instead, it's an elaborate puzzle or optimistic historical and ideological Russian doll that situates one
form of Modernist architecture within another via a contemporary performative twist.
Not exact matches
Where church
architecture is concerned, the
modernists» repudiation
of traditional
forms is invalid on its own terms.
The artists in the exhibition inflect
Modernist forms with contemporary perspectives on intimate subjects including: the poetics
of domestic
architecture, the pertinence
of ancient myth, and the solipsism
of art history.
The
modernist architecture of Mies Van Der Rohe and Zaha Hadid — and their open - ended, problem - solving approach to refined «architectonic
form» — provided a framework that resonated with Ball's artistic practice.
Enhanced by elements
of surrealism and abstraction, her oeuvre responds to past
forms of conceptualism, current art trends, interior design, and
modernist architecture.
Many
of the
forms and compositions recall mid-century Minimalism, Hard - edge painting, and
modernist architecture with its utopian ideals
of living.
Other recent projects by Zimmerman include Observatory / Projector (Metropolis), a mashup model
of modernist architecture which projects a constellation
of glowing abstract
form on the ceiling and walls around it.
His work deploys multiple
forms to expose the new ideological control systems that emerged at the beginning
of the 1990s, exposing the dysfunctional aspects
of a
modernist legacy in terms
of abstraction and
architecture when framed within a globalized, neo-liberal consensus.
The Fifth Wall is inspired by multiple sources: the unique
architecture of the Armory's Raymond Avenue building; German
modernist theater practitioner Bertolt Brecht's notion
of dialectical theater; and artwork that challenges the authority
of a fixed point
of view and suggests a deeper
form of reciprocal engagement.
His drawings and sculptures cohere to
form a visual response to the environment created by
modernist architecture, its subsequent failures and the aesthetics
of regularity and repetition.
His take on the tension between corporate
architecture and collectivity encapsulates the relationship between
form and the political drive
of the
modernist enterprise that underlies this exhibition's thesis.
Nigoghossian's own work, likewise, stems in part from a desire to create foreign objects from a familiar lexicon, to fabricate idiosyncratic, alien
forms while referencing and employing established Art Historical modes
of expression — which vary from Brutalist and Deconstructivist
architecture, to Baroque painting, to
Modernist European drawing, to the Abstract Expressionist sculpture
of John Chamberlain.