Sentences with phrase «form of a black eye»

This might take the form of a black eye, inflammation, swollen eyes, redness, and the like.

Not exact matches

The executioner, enveloped in a black robe from head to foot, with his eyes glaring at his victim through holes cut in the hood which muffled his face, practised successively all the forms of torture which the devilish ingenuity of the monk had invented.

As I talked about last year, I grew up with the tradition of eating black - eyed peas in some form every New Year's Day so as to make sure it's a prosperous one.

So, I am featuring them today in the form of spicy balsamic barbecued black - eyed peas — the perfect vegan football party side dish.

Then, add a little easygoing eye makeup to balance out the strong mouth, in the form of black mascara and a champagne cream shadow at the inner corners of your eyes.

You can play the Carousel matching game to form connections with other black singles and catch the eye of someone special online.

He succeeds on this front by providing truly chilling ghosts — floating specters of inky black tendrils that form into the gray porcelain faces, horrifically gaping mouths and kohl - ringed, milk - saucer eyes of a family murdered in a Tokyo house that is now occupied (but not for long!)

Inside, your eyes detect evidence of art and style, from the flowing dashboard forms decorated with silver and gloss black accents to the upscale pin - dot fabric inserts for the seats and door panels.

The conventional form of Indian femininity projects itself through long - lashed, kohl - rimmed, startled black eyes.

The images of screens like this are formed of charged black and white microcapsules, giving them a physicality that LCD screens can't replicate — and a style of pixellation much easier on the eye.

In Mainland Europe: Black dogs with red eyes — «Old Red Eyes» or «Beast of Flanders» — are believed to be spirits that have assumed the form of hellish black dogs that roam the fields at nBlack dogs with red eyes — «Old Red Eyes» or «Beast of Flanders» — are believed to be spirits that have assumed the form of hellish black dogs that roam the fields at nieyes — «Old Red Eyes» or «Beast of Flanders» — are believed to be spirits that have assumed the form of hellish black dogs that roam the fields at niEyes» or «Beast of Flanders» — are believed to be spirits that have assumed the form of hellish black dogs that roam the fields at nblack dogs that roam the fields at night.

Two color patterns are allowed: black with tan markings above the eye, on the side of the face, under the neck, and forming stockings.

Some, like Portrait of the Artist (2016), contain elements of whimsy — forms anthropomorphized with black dot eyes and lines for mouths.

Elegantly contained in an arch-like curved form, it requires a sharper eye than mine to discern the ghostly black mullions of a grid behind the blues and golds.

From the psychedelically primordial My Forsaken Love, in which biomorphs traverse a black - fringed molten - pink ground, to the strata - like composition of Standing on the Riverbank of My Hometown I Shed Tears, a canvas filled with sedimentary layers of cell - like dots, eyes and extravagantly decorated lashes, the paintings generate new motifs and arrangements of forms while continuing a lifelong preoccupation with the mysteries of the physical and metaphysical, the tangible and ineffable - the space where seeing and feeling intersect.

A hodgepodge of modernist sources lurks in the background: in one piece, a bulls - eye shape is reminiscent of Kenneth Noland or Jasper Johns; in another, gauzy layers of thinned paint form a black veil — an unexpected take on stain painting.

Victimizers take the form of fanged and leering blue - eyed policemen - pigs who torture and abuse black bodies.

Experimenting with ways to float material, form and colour at eye level remains a constant preoccupation in Black's work, and this preoccupation remains as a thread in the exhibition at IMMA, which will present Black's extraordinary creative output through a series of new works tailored for the spaces at IMMA.

Silhouettes, painted there in 1938, is a zany array of biomorphic forms, somewhere between planets, fruit and exclamation marks, ultramarine and black against a pale ground so that they dance abruptly on the eye.