Not exact matches
It was a randomised double - blind
trial, in which subjects were exposed to one
of three
forms of radiation a couple
of times a week for six weeks: two different wavelengths
of ultra-violet light, or
full - spectrum white light.
This figure, often fragmented, sometimes even completely abstracted, takes on various
forms, from the human face, at once raw material and object
of symbolic representation, as with Benglis's objectifying caresses, to the
full body as place and tool
of the
trial and pleasure
of repetition, as with Nauman's amateur choreography, bordering on the absurd, to the traces and physical prints left by the artist - creator (or the «art worker» in his service), as with the irregular random geometry
of LeWitt, to the peers (Donald Judd) and tutelary figures in the history
of art who inspire Flavin's evanescent structures... Now a disenchanted statement «Double Eye Poke» offers a challenge to the being
of perception and thought.
There is in principle therefore good reason why the courts should now recognise that the undoubted public interest in facilitating the process
of mediation as a desirable and often preferable means
of dispute resolution, by comparison with the
full panoply
of a
trial, justifies the identification
of a narrow
form of mediator secret privilege
of the type described above.
In such cases, the pursuit
of fairness required either a
full trial or some
form of limited enquiry to allow the claimant and / or his witness to contribute in order to assess whether the claimant was fundamentally dishonest.