Not exact matches
It's a type
of charge that borrows a naming convention from our understanding
of visible light because it comes in three
forms that must be combined to
form a
neutral state — similar to the way the three primary
colors of light (red, green, and blue) combine to
form «
neutral» white light.
In the molecular picture, each
of the two quarks pairs with one
of the two antiquarks,
forming two
color -
neutral mesons that rendezvous momentarily as a meson molecule before flying apart.
They
form the backbone
of your wardrobe and need to be in
neutral colors so that you can mix and match them into lots
of different outfits.
Once you've identified the best
neutrals for Spring
coloring, they will
form the base
of an outfit and you can add some
of the brilliant accent
colors that allow your
coloring to shine!
You'll probably find that these garments are all in
neutral colors - beige, brown, grey, navy or black - that's why
neutrals form the backbone
of everyone's wardrobe.
If I'm not wearing black, I'm wearing some
form of a nude
color... anything earthy or
neutral.
A Capsule Wardrobe is a small collection
of basic garments in
neutral colors which
form the backbone
of a wardrobe.
Even though all
neutral looks really classy but sometimes I add a pop
of color in the
form of red heels or a bold
color bag.
What drew us in to this home in particular was the amazing combination
of neutrals mixed with warm woods, wonderful natural lighting throughout, and
color in the
form of gorgeous rugs and artwork.
WARDROBE: Please show up wearing a good look for the photos that will be taken
of any
of the following — African wardrobe, Afropunk looks, tribal looks, or just show up in a
neutral color tank top and
form fitted shorts, capris, leggings, etc..
The first would be a dense layer
of colors woven together with a palette knife to
form a dense gray or sequence
of grays — a rich alloy closer in resonance to the subdued lyricism
of early Brice Marden (the «Grove Group»
of 1972 - 76, for example) than to the
neutral or generic implacability
of Gerhard Richter's gray paintings
of the same era, but more enveloping than either.»
In 1966 grids and bands act as
neutral forms to hold
color and emphasize the interaction
of overlapped
colors.
Sue Williams» new paintings are messy bursts
of bright
colors on
neutral backgrounds that are highly abstracted
forms of body parts, fragments
of memory or complex political communiques.
Two painters, both
of whom enjoy the presence
of color and the near - absence
of concrete
form, are put together in a breathable space (thankfully not painted in a harsh, fluorescent white but a softer, more
neutral off - white).
Reinhardt describes these paintings as: «A square (
neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal
form negating one vertical
form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no - contrasting (colorless)
colors, brushwork brushed out to remove brushwork, a matte, flat, free - hand, painted surface (glossless, textureless, non-linear, no hard - edge, no soft edge) which does not reflect its surroundings — a pure, abstract, non-objective, timeless, spaceless, changeless, relationless, disinterested painting — an object that is self - conscious (no unconsciousness) ideal, transcendent, aware
of no thing but art (absolutely no anti-art).»
Austin Eddy's new paintings are structured by the repetition
of a bodily
form - a hand holding a face - and use this identifiable foundation to explore a reintroduction
of color after years
of working in black and white and
neutrals.
With a colorful - yet -
neutral base established, play with
color in the
form of accents.