Sentences with phrase «form of a piece of art»

Not exact matches

The second is a tradition of «disinterested, artistic enjoyment» that moves beyond the ideological content conveyed by any work of art to an appreciation of the beauty and form of the piece.

Again, with like sarcasm, he ridicules the entire faith and vogue of idols: one cuts a tree for firewood, using it for heating and for cooking; but still a sizable piece remains, until as an afterthought it is given to a craftsman who, with a deal of labor, shapes it into a pretense of human form — and then men bow down to it and say, «Deliver me, for thou art my god!»

I've kept a sketchbook for years now (Art students, I know your teacher always says you should keep one, they're right), I store my ideas in them in the form of drawings, collected ephemera (clippings from magazine, vintage tickets, found photos, single mysterious jigsaw pieces I find on the pavement) and hastily scribbled notes.

There are texts and meditations on the power and purpose of science fiction, both as art form and intellectual tool, but visitors are left to piece together their own ideas — difficult while being accosted by a real Darth Vader mask, Star Trek spacesuits and an enormous, loud, interactive NASA console.

Depending on your particular aesthetic, this may take the form of a poem, a song, a piece of art, or that houseplant you accosted a minute ago.

Yuna Yang views each piece of her work as a form of art to be shared, rather than simply sold.

The Hubs did a great job hanging these really large form pieces of art since they're quite big and some of them are quite heavy, not to mention plaster walls aren't the easiest.

The dresses carry the extravagant piece of art in the form of fine thread work with such a skilful weaving.

Both pieces are from the same mother - daughter duo that now reside in Vermont but that attribute their work to this art form of jewelry making to their home country of Colombia.

As is oft - noted, cinema remains the art form most closely tied to industry, so the mere act of assembling $ 50 million in financing for a piece of this nature certainly represents no easy task — it's an art in itself.

All of these pieces are tied together as Mr. del Toro honors the art forms he so adores.

We are still well over a year away from that release date, but Blumhouse is wasting no time in working on the marketing and official product tie - ins that will come with the new movie, attending the annual Licensing Expo on Las Vegas in May 2017, where a very early piece of promo art was on display in the form of a teaser poster that recalls Carpenter's minimalist approach to the original film and echoes the team's comments about taking the franchise back to basics.

This PowerPoint contains five seperate pieces of Art work formed around building an understanding of the Landscape and different parts of the landscape, as well as various Art techniques including: drawing, colouring and collage.

The piece of art can be in any form such as a media clip, a drama, or even an online «mock» magazine.

the subgenres of exposition, argument, and functional text in the form of personal essays, speeches, opinion pieces, essays about art or literature, biographies, memoirs, journalism, and historical, scientific, technical, or economic accounts (including digital sources) written for a broad audience.

Hand - pleated door trims were inspired by origami, the Japanese art of creating three - dimensional forms from a single piece of paper.

As if to commemorate this significant milestone Maserati conjures up the most stunning piece of automobile art in the form of the gorgeous GranTurismo coupe.

This feature aims to answer two questions: can videogames be considered an art form, in the same vein as a film, or a piece of music, or even a painting?

Each city could be described as a unique form of expression or as a piece of art.

At Medium, Amsel von Spreckelsen criticized The Beginner's Guide as a piece of modernist art as a form it mostly acclimates itself well to.

It is such that now, rather than trying to split the cultural distinctions of art forms from different countries, game makers can travel across the world taking bits and pieces of things they learn and enjoy, and then glue them together in their work to expand their creative possibilities beyond the confines of their native culture.

I was really happy to see some nods to older songs in secret levels, as well as the collectible puzzle pieces that formed guest art (ala the 3DS» Streetpass Puzzle Swap) to celebrate the history of the franchise.

Most stages offer specific objectives that must be completed in order to collect them, and these in turn unlock pieces of art that form an image once all are gathered.

While that was all the time Tetsuya Nomura had for us, more information has surfaced in the form of a leaked image, presumably a piece of concept art.

The Inchcolm Project may perhaps be placed more easily as a piece of theatre, while Dear Esther Live is arguably closer to a concert - hall musical performance, but both are experiments in an overlap of art forms.

Subscribers fill out a form with their favorite media as well as three adjectives that describe their art taste, and receive a new box during their selected time frame (monthly, quarterly, etc) with a piece of original fine art.

But are the revealed layers real, or deliberately placed there to form a unique piece of art?

One thing that I think could be woven in is «practical art» — like pottery dishes with coordinating decorative pieces and that are very decorative by themselves; Specific «rite of passage» art and the meaning behind it, as Melissa's ketubah art; and I the American quilt is an art form, as is weavings and wood carving and fabric constructions across many cultures... perhaps the «niche» TAA would best fit is a person whose basic needs have been accomplished (like clean water, food, shelter) and they are ready to move into becoming self - sufficient through their artistic trade.

I was painting all over the map before this year and have decided to hone in on my most favourite type of painting, which I call «Heirloom Art Pieces» — they're a highly textured form of abstract art that I've been doing for over 6 years (undercoveArt Pieces» — they're a highly textured form of abstract art that I've been doing for over 6 years (undercoveart that I've been doing for over 6 years (undercover).

True artists will always be free in their submission only to one cause - not fame or celebrity, not a career, not pieces of paper from universities, but to that of whether that colour can possibly be right, whether in saturation it is discordant with the image intended, whether a composite form is distractingly discordant to the whole, (as well exemplified in the Angel of the North), not the political agenda of Liberalism in all things - to do as one likes privately or publicly so call it art «because I say it is», or to be «relevant» to a «handout dogma» by revered establishment figures of any description: nothing, as Sickert put it, that follows a «finicky programme of social pieties», and again as he says, quite rightly, defining art as «what I do» - in essence a rigid and confining agenda of a politicised mind.

Thinking back to the time she wrote her most famous piece, she once told Reilly that «there was no such thing as a feminist art history: like all other forms of historical discourse, it had to be constructed.

This is not the case for all the work, and two pieces, radically different in form and composition, move beyond the intricacies of internal formal dialogue to effectively engage with the viewer, the gallery space, and larger questions about art's transformational power.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspapart collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art NewspapArt Newspaper.

Eve Sussman has been acclaimed for her lavishly produced video tableaux, and this month her crowning achievement, the breathtaking 2004 piece Rape of the Sabine Women, will form the centerpiece of a new show at Miami's Bass Museum of Art (April 12 — August 11).

In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.

It was a movement in emphasis, from one dominant form of art that had existed for centuries to a new and challenging one; one in which the identity of the artist was offered as a simultaneous alternative to the traditional object, historically identified as «the subject» of a piece.

Is the result a kind of translation, a form of documentation, a new piece of art, or all three?

This art piece in the form of a looping video will explore the elements of fire, earth, metal, water, and wood and their role as agents of process, change and the earthy seasons.

These gruffly carved, erotically charged pieces draw from Brancusi, Degas and folk art, and their fusions of forms — human and not — feel vital and contemporary.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

While Conceptual art takes on many forms, such as the cut - up pieces of John Baldessari, the elaborate performances of Marina Abramovic or the high - brow installations of Joseph Kosuth and Walter de Maria, the guiding principles remain the same.

Crossover appeal is key at Frieze Masters — though it seems to fall to older pieces to make the running — and the timeless forms of antiquities and tribal art have it in spades, frequently attracting buyers of contemporary art.

Ward's work, presented for deFINE ART 2015 in the SCAD Museum of Art's Walter O. Evans Center for African American Studies, features conceptual pieces that mix and meld found iconic objects with popular idioms and forART 2015 in the SCAD Museum of Art's Walter O. Evans Center for African American Studies, features conceptual pieces that mix and meld found iconic objects with popular idioms and forArt's Walter O. Evans Center for African American Studies, features conceptual pieces that mix and meld found iconic objects with popular idioms and forms.

Whilst they will remain on permanent display, the collection of Hirst pieces initially form part of the new building's inaugural exhibition, «To Be With Art Is All We Ask».

Given its scale, it is instructive to compare this large piece with the paintings featured in the show: where form and an entirely flat painted surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the works on paper.

The mediums of the artworks include traditional art forms like drawing, painting and sculpture, but also time - based mediums like video and artist books as well as participatory pieces.

As a result, their pieces executed here remain in a form of art historical limbo because of their dislocation from the major art capitals of that time, like New York, London, or Paris.

Iconic pieces of performance art from the past are known through documentation of the original performances, in the form of film, photographs, and written accounts.

This process led to the discovery of an additional way of drawing and finding form in a new series of mixed media pieces and video art.

The exhibition explored in depth the relationship of radical politics to art, by providing visitors with factual context in the form of historical objects that brought home the social and historical realities the movement faced, interspersed with historic artwork that supported and reflected its circumstances and ideals, as well as contemporary pieces.