Sentences with phrase «form of a solo exhibition»

Each Fine Arts major completes a capstone experience in the form of a solo exhibition.

This project interrogates the form of a solo exhibition by also including work by the artist Martin Wong (1946 - 1999), and presenting the exhibition itself in relation to contributions by Julie Ault (in the CCS Library and Archives) and James Benning (whose screening and talk occurred on April 10, 2012 in the Bard Human Rights Lecture Series).

The works return to Amsterdam this week, in the form of a solo exhibition Northern at Makerversity Amsterdam, hosted by Andenken gallery (opening alongside Drew Leshko and running to November 14th).

This project's apex takes the form of a solo exhibition.

Not exact matches

A solo exhibition featuring Laura Letinsky's newest series, Ill Form & Void Full, will open at the Museum of Contemporary Art, Chicago on February 7.

Our programme focuses on solo exhibitions to give artists the opportunity of developing projects and presenting new approaches to a medium that is too often seen as preparatory to other forms of art.

The exhibition, the artist's first solo show of paintings in New York in six years, continues to reveal Taaffe as a philosopher of painting, offering compelling meditations on art and culture, both contemporary and historical, and visual ruminations on the interrelated families of forms and images in art, architecture, and archaeology.

LARA FAVARETTO Born 1973 (Treviso, Italy) Lives and works in Torino, Italy EDUCATION 1994 - 1999 Accademia di Belle Arti di Brera, Milano, Italy 1998 Advanced Course in Visual Arts, Visiting Professor Hacmilton Fulton, Fondazione Antonio Ratti, Como, Italy Scholarship at Kingston University, London, UK SOLO EXHIBITIONS 2019 Castello di Rivoli Museo d'Arte Contemporanea (forthcoming) Aspen Art Museum (forthcoming) 2018 «SUCKING MUD» Galleria Franco Noero, Piazza Carignano, Turin, Italy 2017 «Absolutely Nothing», Nottingham Contemporary, Nottingham, UK 2015 «Good Luck», MAXXI, Rome, Italy «Lara Favaretto: Collected Works», Rennie Collection, Vancouver, Canada «REDEFINE», Galleria Franco Noero, Turin, Italy 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «Just Knocked Out», Sharjah Art Foundation, Sharjah, UAE and MOMA PS1, New York, USA 2009 «Absolutely no Donations» Tramway, Glasgow, UK SELECTED GROUP EXHIBITIONS 2018 «Reichtum: Schwarz ist Gold / Black is Gold», Lehmbruck Museum, Duisburg, Germany «Sexy and Cool», Kunsthalle Tübingen, Tübingen, Germany «Playtime», Peabody Essex Museum, Salem, USA «Stories of Almost Everyone», Hammer Museum, Los Angeles, USA 2017 «I am you, you are too», Walker Art Center, Minneapolis, USA «A Poet * hical Wager», MOCA Cleveland, USA Skulptur Projekte Münster, Münster and Marl, Germany 2016 Liverpool Biennial 2016, Liverpool, UK 2015 «The Event Sculpture», The Henry Moore Foundation, Leeds, UK 2014 «Manifesta 10», The State Hermitage Museum, Saint Petersburg, Russia «Infinte Jest», Schrin Kunsthalle, Frankfurt, Germany 2013 «The 2013 Carnegie International», Carnegie Museum of Art, Pittsburgh, USA 2012 «When Attitudes Became Form Become Attitudes», CCA Wattis Institute for Contemporary Arts, San Francisco, USA «dOCUMENTA (13)», Kassel, Germany and Kabul, Afghanistan 2011 12th International Istanbul Biennial, cur.

Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.

In 2008, her work was the subject of a major solo exhibition, form, color, illumination: Suzan Frecon painting, at The Menil Collection in Houston, Texas, which traveled to the Kunstmuseum Bern in Switzerland.

The artist's meditations on the meaning of life and his perspective on human existence form the basis of «Life is Only One,» his first major solo exhibition in Asia outside of his native Japan, currently held at Asia Society Hong Kong Center.

Solo exhibitions of Letinsky's new series Ill Form & Void Full will be on display this fall at Yancey Richardson Gallery and Valerie Carberry Gallery in Chicago.

The focus of his first solo exhibition is the human form — organs, limbs and torsos are strewn about, arranged into impossible creatures, disfigured through collision and installed as highly aestheticized, meticulously polished piles of digitally mutilated forms.

Other recent solo exhibitions include «Jiro Takamatsu» at Stephen Friedman Gallery, London, England (2015); «Jiro Takamatsu: Mysteries», National Museum of Modern Art, Tokyo, Japan (2014); «Jiro Takamatsu», Stephen Friedman Gallery, London, England (2013); «Jiro Takamatsu Words and Things, Refinement and Tautology», NADiff Gallery, Tokyo, Japan (2011); «Point Line, Form of Absence», Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2009); «Photograph of Photograph», Yumiko Chiba Associates / Viewing Room Ginza, Tokyo, Japan (2008); «Universe of His Thoughts, Fuchu Art Museum, Tokyo, Japan (2004); «1970s Three - dimensional Works and Others», Chiba City Museum of Art, Japan (2000).

In Mungo Thomson's solo exhibition at Kadist Art Foundation, Wall, Window, or Bar Signs, the gallery is filled with neon works that appropriate the form of Bruce Nauman's spiraling neon text piece, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) from 1967.

Her first solo exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach on the aesthetics, material and form of fashion and product design, architecture and garden art.

In 1969 he formed the artists» group General Idea with Felix Partz and Jorge Zontal; for the next 25 years they lived and worked together to produce the living artwork of their being together, undertaking over 100 solo exhibitions, and countless group shows and temporary public art projects.

The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).

Major solo exhibitions include; «Henry Moore Outside», Rijksmuseum, Amsterdam, The Netherlands (2013); «Francis Bacon / Henry Moore», The Ashmolean Museum, Oxford, UK (2013); «Bronze», Royal Academy of Arts, London (2012); «Advancing Abstraction in Modern Sculpture» The Baltimore Museum of Art, Baltimore, USA (2010); «Henry Moore», Tate Britain, London (2010) and «Henry Moore: Natural Forms», Tate Liverpool, Liverpool, UK (2006).

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

In her first solo exhibition at Elizabeth Dee Gallery, Lisa Beck presents a new series of paintings that feature two humble geometric forms: the circle and the line.

The Montreal - based artist's second solo exhibition, Squinky Hates Video Games, is a compilation of work from the past three years in the form of ten different games, some of which were created during a stint at UC Santa Cruz's Digital Arts and New Media MFA program.

It will manifest via solo exhibitions, oral histories and other archival forms and launches with «A Case Of Perpetual No» by Yota Ioannidou, co-produced with DAI.

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

Selected exhibitions include: Solo Show at Green Art Gallery, Dubai (2014), Longing Persia, Exchange and Reception of Art in Persia and Europe in the 17th Century & Contemporary Art from Tehran, Museum Rietberg, Zurich (2013); Safar / Voyage at The Museum of Anthropology at the University of British Columbia, Vancouver (2013); When Attitudes Became Form Become Attitudes at the CCA Wattis Institute for Contemporary Arts and the Museum of Contemporary Art Detroit (2012, 2013); A Permanent Record For Future Investigation, Green Art Gallery, Dubai (2012) and Interior Renovations, Tehran, 2010, Green Cardamom, London (2011).

The idea of environment is incredibly important to this show, perhaps more so than the singular landscape (the wholeness of environment) created in pieces such as Rosenkranz's Venice installation — but of course, the form of the pavilion / solo exhibition lends itself to that approach.

Bourgeois began producing her first sculptural forms in the mid-1940s, and in 1949 she pioneered the concept of environmental installation in a solo exhibition at the Peridot Gallery in New York.

Wrestled into figurative forms that evoked a sense of wonder, artwork was presented in a solo exhibition held from June 5 to July 17 at Dowling College's The Anthony Giordano Gallery in Oakdale.

While Thomas, who is featured in a solo exhibition at the Studio Museum in Harlem this summer, is best known for her geometric compositions of blazing color, her early paintings from the 1950s are rooted in the AbEx style, which unlocked her nimble experiments with hue and form.

This will be the artist's first fully bronze solo exhibition within Australia, and the inclusions of process - based skills associated with foundry work compliments the artists twenty - five year practice, broadening his artistic investigations into form and beauty.

Solo Exhibitions 2015 The Reclining Hippy and the Envelope - Bureau des Realites, Brussels, Belgium Stripes and Dots on the Isle of Portikus: A Story of Sound + Visuals (a small index of contemporary psych)- Portikus - Frankfurt, Germany TBA - In Light of 25 Years - Witte de With - Rotterdam, The Netherlands Solo Show - Nosbaum Reding - Luxembourg, Luxembourg Solo Show - Supportico Lopez - Berlin, Germany Two - person show (with Ute Muller)- Galleria collicaligreggi - Sicily, Italy 2014 Karl?s Body - Kunsthalle Wien Karlsplatz - Vienna, Austria The Illustrator - 1646 - The Hague, The Netherlands Foto / Studio / Zig - Zag - 21er Haus - Vienna, Austria The Tangental Zig - Zag, Kunstraum - London, England Portals (SUN MILK)- Maison Gregoire - Brussels, Belgium Dirt Not Copper - Two - person show with Lorna MacIntyre - 221a - Vancouver, Canada The Story of Stripes and Dots (Chapter 7)- Jessica Bradley Gallery - Toronto, Canada 2013 The Story of Stripes and Dots (Chapter 6)- Southern Alberta Art Gallery - Lethbridge, Canada The Story of Stripes and Dots (Chapter 5)- Fogo Island Arts - Fogo Island, Canada Letterhead - Kunsthal Charlottenborg - Copenhagen, Denmark Alphabet City - MiArt with Supportico Lopez - Milan, Italy Parrot Soup - Supportico Lopez - Berlin, Germany 2012 The Ceremony and The Spirit (with Roe Ethridge)- La Loge - Brussels, Belgium Art Statements - Art Basel - Basel, Switzerland The Story of Stripes and Dots (chapter 2)- Jessica Bradley - Toronto, Canada The Story of Stripes and Dots (chapter 1)- MuHKA - Antwerp, Belgium 2011 The Flute of Sub - The Artist's Institute - New York, USA Growth - KIOSK - Gent, Belgium The Instruments - ABC Berlin - Berlin, Germany The Five Arms of Supportico - Supportico Lopez - Berlin, Germany The Units - Ursula Blickle Stiftung - Kraichtal, Germany The Voids - Galerie Vidal Cuglietta - Brussels, Belgium 2010 The Nine Fingers of Malakoff - Pavilion Projects / Les Maison des Arts de Malakoff - Malakoff, France The Bakery of Blok (first arrangement)- Front Room - Contemporary Art Museum St Louis, St Louis, USA 2009 The Bakery of Blok and the Three Forms of Unit - Miguel Abreu Gallery - New York, USA The Bakery of Blok - Jessica Bradley - Toronto, Canada 2008 The Crystal Ship - BELvue Museum, Brussels, Belgium / Etablissement d?en Face Projects - Brussels, Belgium 2007 The Flute of Sub - Galerie Isabella Bortolozzi - Berlin, Germany Put Your Eye in Your Mouth: a conversational documentary recording Martin Kippenberger?s Metro - net Station in Dawson City, Yukon - Etablissement d?en Face Projects, Brussels, Belgium Who Named the Days?

This exhibition, entitled The Dance of the Machine Gun & other forms of unpopular expression after the «Futurist Manifesto» by Italian poet F.T. Marinetti, is his first solo show in four years and coincides with the artist's retrospective at the Brooklyn Museum, taken from the Rubell Collection of Miami.

Galerie Lelong is pleased to announce the opening of Jaume Plensa: The Inner Sight at the Max Ernst Museum, a major solo exhibition that highlights the wide range of medium and forms within his oeuvre.

Selander's upcoming solo exhibition in the Moderna Museet, Stockholm features three works three works: 2007 installation, The Hours that Hold the Form (A Couple of Days in Portbou); The Offspring Resembles the Parent, 2015 and Around the Cave of the Double Tombs, 2010).

For this exhibition, his first solo presentation in the UK, Mahama has created a new series of works including Non-Orientable Nkansa (2016), a monumental sculpture formed from stained wooden fragments.

On the heels of her forthcoming solo exhibition America the Beautiful, visual anchors that have appeared in previous bodies of work are coming together to form a visual reliquary that speaks to the dystopian paradise that -LSB-...]

Perimeter, a solo exhibition commissioned by the Haggerty Museum of Art in 2013, was published in book form by the Wisconsin Historical Society Press in 2014.

On the heels of her forthcoming solo exhibition America the Beautiful, visual anchors that have appeared in previous bodies of work are coming together to form a visual reliquary that speaks to the dystopian paradise that Adams explores each day.

The Chinese artist is cordial and was quick to laugh when we met on the eve of the opening of his solo exhibition, «Hsiao Chin: 60 Years of Abstraction, Harmony and Form,» at de Sarthe Gallery in Hong Kong.

Her solo exhibition The Golden Hour is set to open at SF's Shooting Gallery on Saturday July 12th where she further explores her fascination with all things elemental, using helium gases within the neon works, iron in the framing and staging of the artworks, carbon within her rorschach deer hides and precious periodic elements Gold, Copper and Silver, which are formed during -LSB-...]

Ghost Dance marks Samson Kambalu's first solo exhibition with Goodman Gallery in which the Malawi - born multimedia artist presents a series of new films (dubbed «Nyau Cinema») in the form of a site - specific installation.

The impact between a primordial language and forms of representation of the unknown is well - stated in the exhibition I am the body of a human, a solo show by Andrew Birk currently at MCA — Malta Contemporary...

Sexta Sur is a new curatorial program that brings together four solo exhibitions each year by emerging artists from both Mexico and abroad, with the aim of creating a platform for alternatives and experimentation that enables a flow of divergent and spontaneous interventions that form an authentic dialogue.

Artforhum appeared first in the form of a multicolored neon sign that was shown in the artist's 1971 solo exhibition at the Whitney Museum of American Art.

Although his work has routinely formed part of just about every major exhibition on light and moving - image art of the postwar era, he has somewhat shockingly never been granted a solo institutional exhibition in New York until now.

For her second solo exhibition at Sundaram Tagore New York, Denise Green presented abstract work that reverberated with buoyancy in color, exuberance with gravity defying forms and majestic glimpses of nature photographs.

Her solo exhibitions earlier in the year, at Société in Berlin and Rachel Uffner in New York, showcased in even grander form the arresting nature of her monochromatic ink on canvas works.

She had her first solo exhibition in Stockholm, 2010 titled The Concise Book of Visa Application Forms.

Solo exhibitions include «The Birth of Form», Mothers Tankstation Limited, Dublin, 2017; «Doubles», Ideas Platform, Artspace, Sydney; «Jungle Paintings», Murray White Room, Melbourne; «Moods», The Young, Wellington, 2016; «Nine Times Modern Man and Moon», Siegfried Contemporary, London; «House of Joy / Hello Ladies», Chapter House Lane, Melbourne; «Alasdair McLuckie», with Mothers Tankstation, Liste, Basel, 2015; «Two Lovers Sit on a Beach Dreaming at the Night Sky as the Waves Wave Hello to their Eternal Moon Friend, Who Smiles and Waves Right Back», Murray White Room, Melbourne; and «Cosmic Soul Sugar», Studio 12, Gertrude Contemporary, Melbourne, 2014.

Retrofitted and Other Forms of Vintage Futurism, Kofie's debut solo exhibition with White Walls, continues his exploration of the process of organization, deconstruction and form while adhering to a controlled and tuned uniformity.