Sentences with phrase «form of abstract expressionist painting»

After experimenting with Tachisme, a gestural form of abstract expressionist painting which he thought shallow, he developed another technique about 1950 - 1, which he called «controlled drops» (egoutture dirigee), as in his Composition (1950 - 1).

Not exact matches

Beginning in 1960 Schapiro gradually eliminated the abstract expressionist brushwork from her paintings, introducing a variety of geometric forms.

His gestural paintings of the 1950's along with Willem de Kooning, Philip Guston, Jackson Pollock and Franz Kline formed the basis for the abstract expressionist movement in the United States.

The expressionistic, abstract gestures that motivate many paintings take new form in works such as Norman Bluhm's drawing that combines the physical properties of ink and gouache to show the drips, stains, and flow of abstract - expressionist gesture.

* Cropped closely to exclude the horizontal plane, they focus on the all - over abstract patterns formed by the arrested motion of the cascading water, capturing a kinetic energy reminiscent of twentieth century American Abstract Expressionist painting.

Frankenthaler, Louis and Noland formed the core of a group known as the colour field painters, though the critic Clement Greenberg preferred one of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces of the abstract expressionists, the purely colour - based paintings of Noland and the others marked out a different and more advanced stage of art's march to absolute abstraction.

Many of the Cubo - Expressionist works are exhibited in finished form, but most are completely obscured beneath the opaque surfaces of paintings featuring abstract radiant designs.

Facets of the Figure is a thought provoking survey of the various aesthetic interpretations of the human form in painting and sculpture by juxtaposing museum - caliber works by Surrealists, realists, Expressionists, modernists, social realists, and abstract eExpressionists, modernists, social realists, and abstract expressionistsexpressionists.

The productive tensions between an abstract expressionist engagement with surface, paint, and gesture and a more decisive shift into the ambiguous terrain between painting, collage, and assemblage find their fullest expression in Untitled [black painting with portal form], specifically in the way the composition is structured around (and then decisively proceeds from) a tonal, monochromatic center: a flat, inky, double - truck sheet of newspaper.

In the late 1940s, Motherwell embraced the tenets associated with the Abstract Expressionist movement: the canvas as an arena in which the artist engages spontaneously and passionately in the physical and mental action of painting; the composition, often monumental in size, charged with feeling; the abstract forms suggesting deep, open - ended meanings.

Jack Tworkov (1900 - 1982) was a founding member of the New York School and is regarded as one of the prominent figures, along with Willem de Kooning, Philip Guston, Jackson Pollock, and Franz Kline, whose gestural paintings of the 1950s formed the basis for the abstract expressionist movement in America.

Helen Frankenthaler, coming out of the abstract expressionist hotbed in New York in the early 1950s, always seemed to me to have something «wrong» about the color and form in her famed paintings.

Some Americans art historians believed that your work possessed a kind of symbolic and emotional content that reflected the experience of the war more accurately than other painters and, in a way, different form the paintings of the abstract expressionists.

Even though Burri was never explicitly tied to any movement, to most viewers his abstract «unpainted paintings» should appear comfortable in his cultural moment, absorbing the monochromatic interests of Abstract Expressionists, while also setting the ground for Arte Povera and assemblage art.The co-curators work extensively to expand these associations through the exhibition's wall labels, which relate Burri to various artists, works, and moments far beyond the scope of midcentury abstraction, including Piero della Francesca's Madonna of Partition (1455 — 6)(for the subject of incised fabric), Joseph Beuys (as an artist formed by war), Italian Neorealist cinema (for its use of artifice and rupture to reappropriate the realism of Facist war propaganda), and even Rodin's Gates of Hell (1880 --- 1917)(for the «Combustione Plastica» series» hellish melting of form).

[6] During one of his solo Abstract expressionist exhibitions in 1959, Held's large - scale paintings of colourful, simple abstract geometric forms gained increasing recognition in America and Europe.

Rejecting all forms of representational art or figuration, they also avoided the gestural abstract expressionist idiom of Willem de Kooning and Jackson Pollock, even though the latter's «action - painting» can be seen as a pioneering attempt to create an «all - over» field of colour, recalling Monet's huge water lily canvases.

Within the genre of abstract expressionist painting the purest form of gestural art can be seen in Jackson Pollock's Action Painting - in which paint is applied all - over a horizontal canvas using a «drip, dribble and splash»painting the purest form of gestural art can be seen in Jackson Pollock's Action Painting - in which paint is applied all - over a horizontal canvas using a «drip, dribble and splash»Painting - in which paint is applied all - over a horizontal canvas using a «drip, dribble and splash» method.

A disciple and vanguard of the taschist style, a non-geometric abstract style that developed in postwar Europe, Ayres was inspired by abstract expressionist art in the United States and painted in a lyrical, gestural style that stood in contrast to the hard - edge forms of her contemporaries.

Contemporary depictions of the female form, abstract expressionist drawings and paintings, imaginative color photography and an...

as an important and influential artist, along with Rothko, de Kooning, Philip Guston, Franz Kline, and Pollock, whose gestural paintings of the early 1950s formed the basis for the abstract expressionist movement in America.

Like her husband, the Abstract Expressionist painter Willem de Kooning, Elaine de Kooning was interested in abstracting the human form through gestural mark - making with black lines and the direct application of pure, unmixed paint colors juxtaposed, rather than blended, on the surface.

Beginning in 1960 Schapiro began to eliminate abstract expressionist brushwork from her paintings and began to introduce a variety of geometric forms.

Contemporary depictions of the female form, abstract expressionist drawings and paintings, imaginative color photography and an installation exploring the relationship between sight and sound have all made our picks of new stand - out exhibitions opening in NYC this week.

Paintings from the 1950s include such works as Stephen Pace's Untitled (51 - 90), a dynamic abstract painting in which forms move into and through the picture plane in the mode of the art of Pace's teacher Hans Hofmann, Melville Price's Untitled (ca. 1959), a gestural painting in the abstract expressionist idiom in which figurative elements have a suggestive presence, and George Segal's Three Nudes (1959), in which a psychological tension is conveyed in the expressively treated figures that are integrated into spaces defined by veils or blankets of color.

However, all his abstract expressionist painting is noted for its saturated colour and - despite being unmistakeably abstract - the essential naturalism of its forms.

At this time, Seliger was the youngest artist exhibiting with members of the abstract expressionist movement, and he was only twenty years old when the Museum of Modern Art acquired his painting Natural History: Form within Rock (1946) for their permanent collection.

Jack Tworkov (1900 - 1982) was a founding member of the New York School and is regarded as one of the prominent figures, along with Willem de Kooning, Philip Guston, Jackson Pollock, Clyfford Still, and Franz Kline, whose gestural paintings of the 1950s formed the basis for the abstract expressionist movement in America.

These early paintings were again abstract, however in a different way to the later «Ocean Park» series, in that they were more rooted in the biomorphic forms of the Abstract Expressionists, more specifically in the work of fellow Americans, the painters Arshile Gorky and Robert Motherwell.

Jack Tworkov (1900 - 1982) was a founding member of the New York School and is regarded as one of the great artists, along with Willem de Kooning, Philip Guston, Jackson Pollock, and Franz Kline, whose gestural paintings of the 1950s formed the basis for the abstract expressionist movement in America.

The PGC is pleased to present Homage to Jack Tworkov (1900 - 1982) a leading Abstract Expressionist whose gestural paintings along with those of Willem de Kooning, Franz Kline, and Jackson Pollock formed the basis for the Postwar abstract movement in America.