The best plan is either a consecutive reading in one book a few verses at a time, or the passage for the day indicated in
some form of devotional guide.
Yet in our time
the form of devotional aid most widely used is probably The Upper Room, Today, Forward, or some other serial publication in pamphlet form.
The second stage in the development of
this form of devotional theism is the wedding of the Bhagavata religion and Sankhya philosophy.
Not exact matches
By «classical spirituality,» Wells is referring to the
devotional habits and moral demeanor
of the Protestant Reformers which had been «passed on in deepened pastoral
form by the Puritans» and now have extended «down through history and into the present through people like Martyn Lloyd - Jones, J. I. Packer, John Stott, Francis Schaeffer, and Carl Henry.»
This separated religion is man's greatest danger whether it manifests itself in the
form of a cult in which sacramental
forms are independent
of everyday life or
of a soul detached from life in
devotional rapture and solitary relation with God.
It will be enough to say that somewhere, not far from the beginning
of the Christian era it attained its present
form and has been since that time the highest expression
of the essentially
devotional type
of Hinduism at its best.
For it is necessary that the faith
of the Church, as this has been articulated during the two thousand years
of Christian history in the
form of theological statements, should be made known to the people; it is equally necessary that the developed principles
of Christian life, in respect to
devotional practice and in terms
of daily conduct, should be taught.
In contrast, orthodox
devotional Hindus would, like Paul VI on behalf
of Christians, hold that it was to themselves and the members
of their sect that God had long since revealed the «perfect and definitive
form, free from all error.»
The second consideration is that as the individual develops in his life
of prayer, he will find that petition for material advantage is less and less a part
of his asking, and that more and more he desires only that he may be conformed to God's Will, so that as Christ's Spirit is
formed in him he is enabled to live as un autre Christ — that fine phrase which was so often used by French
devotional writers in the seventeenth century.
David Atkinson's
devotional interests come to the fore in the first sentence
of, The Message
of Genesis 1 - 11: The Dawn
of Creation (The Bible Speaks Today Series, Downers Grove: InterVarsity Press, 1990, 190 pp., $ 12.99): «The poem
of beauty and grandeur which
forms the opening chapter
of our Bibles is a hymn
of praise ot the majesty
of God the Creator.»
mp4 video format)- A Homework Task The topic
of the lesson focusses on the following part
of the specification: Buddhist Practices and
Forms of Worship • The role and significance of different forms of worship including: - Meditation - Chanting - Puja and devotional ritual - Mantra - Malas - Offerings • The significance of worship in the temple • The significance of worship in the home • The purpose of devotional ritual • The relationship between devotional worship and the aim of ending du
Forms of Worship • The role and significance
of different
forms of worship including: - Meditation - Chanting - Puja and devotional ritual - Mantra - Malas - Offerings • The significance of worship in the temple • The significance of worship in the home • The purpose of devotional ritual • The relationship between devotional worship and the aim of ending du
forms of worship including: - Meditation - Chanting - Puja and
devotional ritual - Mantra - Malas - Offerings • The significance
of worship in the temple • The significance
of worship in the home • The purpose
of devotional ritual • The relationship between
devotional worship and the aim
of ending dukkha.
Insogna's
devotional ceramic cauldrons reference scrying - an ancient
form of divination, are paired with colorful abstract and symbolic figurative paintings to evoke a history
of ritual practice.
Modigliani's Têtes reflect his
devotional mania for carving, or the liberation
of form from a block
of stone.
With shamanistic inspiration from both African American history and art history, many
of Johnson's more recent works employ these materials in a way that suggests an indefinite
form of mysticism and a role as
devotional objects.
The humblest
forms are elevated to
devotional objects through the act
of embellishment.»