Sentences with phrase «form of installation art»

Conceived more as a form of installation art than a

Some of these ideas developed into an early form of installation art.

This was a form of installation art consisting of photographs and plans of site locations (mostly derelict urban areas), which were displayed along with earth, rocks and other geological refuse collected from the sites.

Perhaps because so many shortlisted artists are involved in unconventional or avant - garde forms of installation art, contemporary sculpture, video art or other types of conceptual art, they tend to attract considerable criticism (even ridicule) from some art critics and members of the public.

Not exact matches

He looked at different forms of art such as performances and temporary sculpture installations, and reached out into the community — an effort which had some unique results.

At the Museum of Modern Art in Rio de Janeiro, the installation was accompanied by the text of the curator and formed a layout.

The Museum is located opposite the Japanese American artist's former home and workplace for most of his career, where he created drawings for many installations, beautiful large sculptures, and projects for gardens, furniture, and other forms of art.

For this new installation, Violette continues to mine a rich art historical terrain in which the materials and forms associated with Minimal and Conceptual Art become reactivated as theatrical platforms of performative decart historical terrain in which the materials and forms associated with Minimal and Conceptual Art become reactivated as theatrical platforms of performative decArt become reactivated as theatrical platforms of performative decay.

These light boxes — flawlessly crafted out of mirror, fluorescent lighting, mahogany and Perspex — form an installation that reveals Rademeyer's interest in the experiential element of visual art.

This installation foregrounds a mode of art making Holstad developed and is continually engaged with: clipping images from newspapers and first rubbing areas out, leaving in their place blank, haunting suggestions of forms.

Park Avenue Armory announced the details of its 2015 season, encompassing site - specific installations, commissions, and cross-disciplinary collaborations across a range of art forms — from installation, to dance, music, and performance art.

She now works across media — painting, sculpture and sound installation — but in all its forms, her art has always striven to embody abstract concepts of spirituality and sensuality.

Her first solo exhibition ever to take place in a museum will consist of large - scale, multi-media installations and tableaus devoted to the impact of her design approach on the aesthetics, material and form of fashion and product design, architecture and garden art.

There's persuasive evidence to support this sharp reputational shift: this was the moment when post-industrial architecture led to new forms of loft living; it was the era in which performance, film and installation became central features of contemporary art; and it's where more fluid notions of gender and sexuality were evolving in pulsing clubs and decaying factories.

Known for its competitive «New Genres» program — spanning installation, video, film, audio, performance, and assorted digital mediums — this unique area of study questions «preconceived notions of the role of art in culture and its relationship to a specific form or medium,» according to the school's literature.

The installation's multifarious components circulate on and around the spiral form, directly referencing pre-Columbian traditions, modern art, and the cosmos, three «territories» that are often thought of as distinct but that here overlap, as indeed they do in Marfa.

The installation forms part of The Classical Now, a major exhibition exploring the ways in which Graeco - Roman art has sparked the modern imagination.

At a time when we are immersed in a cacophony of media images and sounds, and live in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms — painting, sculpture, installation and performance — are amalgamated over the course of the exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons, Mark Grotjahn, Marlene Dumas and many more.

The show's title is drawn from Cunningham's belief that movement, sound and visual art shared a «common time» and his work — in the form of photographs and installations — is presented alongside an impressive roster of artists, including John Cage, Trisha Brown, Tacita Dean, Jasper Johns, and Robert Rauschenberg.

Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.

His installation entitled «Languaging,» shown at 18th Street Arts Center (2002), signifies the ongoing transition of an idea from philosophical to practical form, or from visual to textual.

While Conceptual art takes on many forms, such as the cut - up pieces of John Baldessari, the elaborate performances of Marina Abramovic or the high - brow installations of Joseph Kosuth and Walter de Maria, the guiding principles remain the same.

In installations the use of florescent light tubes to create art further emphasized the Minimalist move away from traditional art forms.

This environmental approach to the installation and their shared belief that their art was closely allied to the forms and materials of modern architecture was central to their contribution to the seminal exhibition This is Tomorrow held at the Whitechapel Art Gallery, London in 19art was closely allied to the forms and materials of modern architecture was central to their contribution to the seminal exhibition This is Tomorrow held at the Whitechapel Art Gallery, London in 19Art Gallery, London in 1956.

These mostly took the form and process of group exhibitions — complete with installation and curating of works, a private view, press release, documentation and all the rest of the ephemera that surround the public manifestation of art.

They include a retrospective at the Fondation Beyeler in Switzerland, a solo show at Acquavella Gallery in New York, an installation of his monumental sculpture, Welcome Parade, in front of New York's historic Seagram Building, as well as his art and influence forming the centerpiece of «Art Brut in America: The Incursion of Jean Dubbuffet» at The American Folk Art Museum in New Yoart and influence forming the centerpiece of «Art Brut in America: The Incursion of Jean Dubbuffet» at The American Folk Art Museum in New YoArt Brut in America: The Incursion of Jean Dubbuffet» at The American Folk Art Museum in New YoArt Museum in New York.

Mr. Atlas is designing the video portion of the show, including a nine - channel installation to commemorate «9 Evenings,» a series of quixotic performances that Rauschenberg spearheaded in 1966 with his engineer - friend Billy Kluver, in the hope of forming a brave new alliance between art and technology.

Often presenting immersive and enigmatic sculptural installations, which embody and explore bodily processes and portals, bringing a heightened awareness to the human experience, Ronay here isolates a single engagement, a self - circling process that extends beyond the realm of form and relates not only to his art, but to the artist himself.

Further highlights include Polly Apfelbaum's strips of textile that are combined to form a colorfully woven painting; Rashid Johnson's tropical enclave containing various unexpected elements from sculptures made with shea butter to video portraits; Katherine Bernhardt's monumental painting with tropical birds, cuddly robots and cigarette stubs, which at once editorializes and summarizes modern culture and the artist herself; an interactive multimedia installation by Nedko Solakov comprising nine sofas in the shapes of the nine Chinese characters constituting the phrase «I miss Socialism, maybe»; and Yu Hong's large - scale painting depicting a famous Chinese fable widely cited in both modern Chinese art history and Chinese Communist narratives.

WHAT: Pratt's Fine Arts Department will open all seven studio buildings that house its expansive graduate program to the public on Friday, April 15 from 5 to 10 p.m. Work in every form will be presented from painting, drawing, photography, printmaking, and sculpture to hybrids of the same, along with installation, video, and performance.

The canny art world chameleon is a master of forms, ranging from antic videos to «paintings» made of dissected Coogi sweaters, to an installation based on the art - historical satire of Ernie Bushmiller's Nancy comic strip.

Lothar Hempel, presented by Anton Kern Gallery and Stuart Shave / Modern Art, will present a new installation in the form of a market place, where fragments of history and other forms of reality are for sale.

Spring / Break: BKLYN IMMERSIVE presents an art fair in the form of a curated exhibition consisting of curated site - specific installations and immersive works inspired by themes of displacement and migration.

Hosted by the New Forms Society and currently in its 14th year, the New Forms Festival bridges art and music in an interdisciplinary platform that includes performances, screenings, exhibitions, talks and installations by a wide range of both national and international artists.

His award wining work coupling 1 - bit electronics with traditional forms in both music, visual art, and installations have been presented in venues around the world such the World Science Festival, American Mavericks Festival at the Kitchen, Sonar, Ars Electronica, Mass MOCA, the Whitney Museum, SxSW and most recently at The Museum of Modern Art's Soundings: A Contemporary Score at The Museum of Modern Aart, and installations have been presented in venues around the world such the World Science Festival, American Mavericks Festival at the Kitchen, Sonar, Ars Electronica, Mass MOCA, the Whitney Museum, SxSW and most recently at The Museum of Modern Art's Soundings: A Contemporary Score at The Museum of Modern AArt's Soundings: A Contemporary Score at The Museum of Modern ArtArt.

In anticipation of the biomorphic art installation by Paul Henry Ramirez in Kemper Museum's atrium — and architecture both in Kansas City and around the world — campers will create artwork inspired by organic shapes and forms.

In addition to the presentation of the two paintings and selected ephemera, the exhibition also includes an installation by the Brooklyn - based artist Clifford Borress, whose work explores interpretation as an art form — a departure from Mousavi's paintings and artist statement.

Recent installations have allowed Issa, who also writes fiction and essays as part of her practice, to investigate historical works of art through poetic, written descriptions and varied interpretative forms.

«The 2017 Whitney Biennial, the seventy - eighth installmentof the longest running survey of American art, features sixty - three individuals and collectives whose work takes a wide variety of forms, from painting and installation to activism and video - game design.

Wiser the position that prevailed in my small in situ survey: although the Guggenheim should have thought better of including material that presents abused animals as an art form, the ensuing public outcry, climbing to threats against staff, viewers, installations and the building itself, justified a change, both of heart and of mind.

The Cinema Effect: Realisms at Caixa Forum Madrid is an exhibition that reflects on the influence and impact of cinema in constructing our visual culture, highlighting how cinematographic language has taken on various artistic forms including video and installation art.

«The Act of Drinking Beer with Friends is the Highest Form of Art», 1979; Installation view at the San Francisco Museum of Modern Art; Photograph by Paul Hoffman.

While the techniques of the discipline continue to inform his work, in recent years he has increasingly turned to site - specific installations, such as the Roof Garden Commission at the Metropolitan Museum of Art in 2013, or the landscape intervention at the Aga Khan Museum in Toronto that forms part of the new institution's inaugural show.

For Art Night 2017 on 1 July, Drew turns his installation into a musical score, collaborating with experimental musicians on a live, durational and climactic improvisation on the stage which forms part of the installation.

Featuring an installation, online platform, performances, talks, and workshops, The Third Idiom initiates an experimental dialogue between education as a form or subject of art production and systems of formal schooling.

Created especially for the Scottsdale Museum of Contemporary Art's 10th Anniversary exhibition, Seriously Funny, Nina Katchadourian's installation Monument to the Unelected takes the form of signs resembling those typically displayed on street corners in the Phoenix metropolitan area during political campaigns.

ArtFieldscelebrates the art of the South through a broad mix of media, whether in the form of painting, sculpture, photography, drawing and digital media, and installation art.

The art at EXPO also thrived in the form of large - scale, site - specific installations.

I try to investigate many different art forms such as pilot enterprises, object - making, public interventions, interactive websites, workshops, museum installations, relational objects and educational programs; each of these functions in a different way, and can also be potentially operational in another.

Dill's project combines images and text culled from Morgan's art to create a layered multi-media installation that speaks to Morgan's vital artistic legacy as well as the power of prophecy and revelation, both a form of truth - telling about the present and a way of reimagining the future.