Sentences with phrase «form of movie making»

I understand that cgi is easier and much more convenient and often times totally needed, it's just sad knowing that this form of movie making is slowly dying.

Since then, the found footage motif has been explored on countless occasions, and though it has been done effectively in the intervening years (Cloverfield, REC & REC 2 being obvious examples), there has been a sense in recent times that this particular form of movie making has run its course.

Not exact matches

If this were an old Disney movie made while Walt was at the controls, this would be the moment in the story when a little bit of magic would appear — perhaps in the form of a fairy godmother or some pixie dust — to make things right.

everything is made up of atoms (don't believe me do some research) its the different variables of heat and light and things like that that cause different reactions to make different things and these things when they interact can create something completely different and you and slowly the process of mitosis or miosis starts to work and form stuff hell i learnt that in high school and it was a catholic one at that a millions of years ago i bet the universe was completely different and had things in it that our minds cant even imagine that have since changed over time from action and reaction to what we have today and in another million years who knows with all the different gases we pump into the air and the weather getting more intense on both ends of the scale life as we know it will be different the human race will have to evolve to survive and will probibly form into a slightly different species hell maybe well evolve into 2 different species like in the movie time machine

He disclosed that a group called Ashanti Faithfuls For Mahama has been formed by some movie makers and stars in kumasi and very soon, a press conference would be held ahead of the Nov 7 national polls where all the projects and full reasons why every Ghanaian and every Ashanti needs to vote for John Dramani Mahama shall be made known.

This kind of capacity would make it possible to back up all your music, photos, home movies, and e-mails in one place; it would also allow for totally new, extremely data - intensive applications, such as Microsoft's MyLifeBits project, which aims to capture in digital form everything that happens in an individual's life.

Thus, «giant chunks of space debris clobbering the planet and wiping out life on Earth has undeniably broad appeal,» Meltzer says, whereas «no one in Hollywood makes movies» about more nuanced explanations, such as Clovis points disappearing because early Americans turned to other forms of stone tool technology as the large mammals they were hunting went extinct as a result of the changing climate or hunting pressure.

This movie has the same form of pacing and dialogue that that film has and upon research after watching The Post, I realized that the same writer in Josh Singer had worked on both of these screenplays, which made complete sense.

And now, perhaps most promising of all, several of the legendary filmmaker's most talented disciples have formed their own out company and begun to make their own movies in the Ghibli tradition.

Shortly after forming a little - theatre group called the Company of Angels, Tayback made his movie debut in Door - to - Door Maniac (1961), a fact he tended to exclude from his resumé in later years.

Their developing friendship then goes on to form the heart of the film, helping to ground the movie's ample comedy with some genuinely affecting emotion here and there as tempers run high during the making of «The Room.»

The trouble for Tonya is that most people aren't interested in learning about it until someone exhumes it in the form of a riotously entertaining movie, slaps some very obvious classic rock cues on the soundtrack in order to make the scenes of abuse more appealing, and lets a sex symbol like Margot Robbie dirty herself down to play the lead.

The movie makes terrific use — more than once — of Led Zeppelin's «Immigrant Song,» which formed the basis of the brilliant trailer for The Girl With the Dragon Tattoo several years back.

If this sounds like a lot of unrelated sketch comedy bits stapled together in a desperate attempt to make thirty seconds of movie that will look great when shown in clip form on all the talk shows, pat yourself on the back and spend your money elsewhere.

Despite the movie's deliberateness, however, Darwin never entirely becomes the compelling figure that one might've expected - with the viewer's inability to form any kind of emotional investment in his problems making it almost impossible to sympathize with his plight.

Anyway, the entire purpose of Zoolander 2 — and any comedy sequel made more than 10 years after the original, and comedy sequels in general — is to facilitate the repetition of jokes from the original film among fans who prefer to communicate their thoughts and feelings in movie - quote form, so reference away, referencers.

While Lords of Dogtown represents and interesting look into a time where youths of the streets created a new art form out of nothing but a toy, the tale still lacks the weightiness in theme and worthiness in importance to make for a truly compelling two hours of movie to go out of one's way for.

I remember that it made me passionate about film in a summer that was full of forgettable movies, and it continues to further my love for the art form as I watch it again and again.

Not content to just make a movie about the end of the world, or the bisexual frolics of American collegegoers, or masked cult devotees murdering students on campus, Araki has gone and merged them all together in the form of Kaboom.

Not content to just make a movie about the end of the world, or the bisexual frolics of American collegegoers, or masked cult devotees murdering students on campus, Araki has gone and merged them all together in the form of

A noticeable improvement over Adam Sandler's previous three Netflix originals — in much the same way that a glass of Manischewitz is a noticeable improvement over drinking one of those ominous puddles that forms in the groove of a New York City subway seat — «The Meyerowitz Stories (New and Selected)» isn't the wittiest or most exciting movie that Noah Baumbach has ever made, but it might just be the most humane.

Hong has the distinction of being fixated on form, while being largely indifferent to aesthetics, which makes it refreshing to see a Hong movie as handsome as this after a run of features that looked like they were shot on mid-2000s consumer video.

The great New Yorker film critic Pauline Kael said the film «altered the face of an art form» and described it as the most «powerfully erotic movie ever made».

Such coincidences end up forming the entire basis of the movie's third act, as the three are reunited and a decision, apparently, must be made.

John Krasinski's supernatural thriller A Quiet Place already has a good hook in the form of unseen creatures who kill people when they make noise — as seen in the movie's short Super Bowl teaser — but this expanded trailer adds an extra scary angle with the reveal that Emily Blunt's character is pregnant.

What's left is this appreciation of a film that is delighted with cinema and experimental without being a jerk about it (very much like Lars Von Trier's Zentropa, specifically in a black - and - white rear - process cab ride with none of that feeling that Tarantino's trying to make a point as opposed to recognizing something that looks cool and feels right)-- a film that is Tarantino in all his gawky, hyperactive, movie - geeking, idioglossic splendour, fully - formed and trying only a bit too hard.

Director of all the Mad Max movies, George Miller, comes to stage and tells us that he considers chase scenes to be the purest form of cinema, and so he wanted to make a film that was one long chase scene.

In Satya, as in Company (02) and Sarkar (05), the two other movies that would form Varma's career - defining crime trilogy, cops and criminals are nothing more than rival gangs, and beneath the thin veneer of everyday life lurks the seething corruption that makes the world go round.

Robert Downey Jr. as Tony Stark (Iron Man) makes a cameo appearance towards the end of the movie and hints that a «team» — no doubt the Avengers — is being formed.

I am interested in the change from the period when the meaning of art and form in art was in making complex experience simple and lucid, as is still the case in «Knife in the Water» [Roman Polanski, 1962] or «Bandits of Orgosolo» [Vittorio De Seta, 1960], to the current acceptance of art as technique, the technique which in a movie like «This Sporting Life» [Lindsay Anderson, 1963] makes a simple, though psychologically confused, story look complex, and modern because inexplicable.

In the original 1987 «Wall Street» movie, Gekko made the famous «greed... is good» speech, which popularized today's narrow and destructive form of capitalism.

Even when the movie starts to drag in the middle, however, there's rarely a dull moment thanks to the chemistry of its two leads, by far one of the strangest comedy pairings ever formed, and yet the very reason why they make such a great team.

Instead of taking the traditional acting path, he formed his own troupe, wrote his own scripts, and made movies his own way.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 30, 2011 BIG BUDGET FILMS 50/50 (R for sexuality, drug use and pervasive profanity) Bittersweet dramedy about a 27 year - old writer (Joseph Gordon - Levitt) who learns what's most important in life after being given a 50/50 chance of beating a rare form of spinal cancer.

David Lynch's Mulholland Drive contends that the answer to the eternal struggle between what is real and what is fantasy comes in the form of a Keatsian confusion — it's the difference between Adam's dream and Eve rendered flesh, blurred in the mind of the creator and his audience.A film is a dream of the director made tangible, a conceit familiar from the fourth wall - breaking in Ingmar Bergman's Persona (banishing any mystery there might have been regarding the visual references to that film in Lynch's piece), and a movie's characters therefore become projections of its maker's sublimated longing (clarifying too the auteur's use of wardrobe and colour schemes from Hitchcock's meditation on objectification, Vertigo, as well as those of his first collaboration with inamorata Tippi Hedren, The Birds).

It takes the basic form of the revenge flick and dips it in tar, making for a movie that comes out sticky, nasty, and black.

Originally titled Sundowning, The Visit is rumored to be about a murderous form of hallucinatory dementia, which could make for a scarily plausible horror movie, or else a rankly exploitative one.

I pointed out yesterday that Fox Searchlight is operating on a different plane when it comes to turning out the vote for its movies, and alongside the aforementioned surprise little hit of the final quarter of 2007 ($ 85 million and counting), further evidence arrives in the form of Tamara Jenkins» The Savages, which, despite not (yet) having connected at the box office (it's made only $ 3.6 million in a month and a half of release), garnered an expected Best Original Screenplay nomination, but also a Best Actress nod for Laura Linney, probably coming at the expense of Angelina Jolie and A Mighty Heart.

Meanwhile, to provide a little variety, the screenplay gives Stallone a sidekick in the form of Taylor Kwon (Sung Kang), an out - of - his - jurisdiction cop whose character frequently makes no sense whatsoever, and a daughter, Lisa (Sarah Shahi), who has a nude scene to justify her inclusion in the movie.

The programs don't combine to form a complete «making of» take on the movie, but they have more than enough useful bits to make them positive.

The plan is to use horror elements to illuminate the dark corners of a world where one's looks are everything, but Refn's idea of how to criticize vapidity is to adopt that vapidity voraciously, as if making a vapid movie about vapid people is some form of vapidly vamped verisimilitude.

I participate in this highest form of art myself, and to see it here in a movie made my little heart grow three sizes.

I'm the kind of person who thinks that even knowing a twist exists in a movie is a form of spoiler, but since you're clearly not... part of what makes 10 Cloverfield Lane fun is the ending, as all is made clear in the final 20 or so minutes.

Jafar Panahi's «Closed Curtain» is gradually opening nationwide, and evokes a more personal form of the apocalypse by exploring the Iranian filmmaker's life under house arrest, banned from making movies.

The first major studio movie to be shot on location in Chicago, «Call Northside 777» is one of the best true - crime noirs of the»40s, packed with postwar punch and atmosphere, made by the master of the form, Henry Hathaway («Kiss of Death»).

When he's the only one in the film trying to make something funny out of such a witless idea for a movie, his quips can't bounce back in the form of more quips from actors equally up to the task.

Co-starring Sean Bridgers and Tom McCamus, aside from the intimate and soul - baring strengths of its two leads, the movie's sharpest insights are the disconcerting notions of the horrors of the world we make for our children and how a kind of Stockholm syndrome pang can form — sometimes we crave the comforts of trauma because they are at least familiar.

But it's still a form of good fortune to be a man whose lack of talent gets rebranded as quixotic and almost noble, even by a movie that purports to make fun of him.

True to form, the movie is laden with misplaced gravitas, magic - hour tableaux, and awkward drivel that makes me think that of the film's two credited writers, it's Hitman / Swordfish scribe Skip Woods and not 25th Hour scribe David Benioff who took the final run at the screenplay.

The first Deadpool movie made sure to throw nods to comic creators in the form of street names, and the same is done for the sequel - you'll just have to listen for it, instead of look for it this time.