Not exact matches
The gallery's website describes Chamberlain's process as «crumpling, crushing, bending, twisting and welding to
form individual objects, which may be further painted and sprayed, [and combined] into aggregations, often
on a
monumental scale.
The artwork of Edgar Heap of Birds includes multidisciplinary
forms of public art messages, large -
scale drawings, Neuf Series acrylic paintings, prints, works in glass, and
monumental porcelain enamel
on steel outdoor sculpture.
Though working
on a diminutive
scale as compared to Rosenquist's
monumental compositions, Steele draws
on rigorous observations of the real world to create fragmented images that waver between recognizable
form and nonobjective abstraction.
In the early Sixties he began to address the problem of three - dimensionality and focused his research
on the
forms of solid geometry, then towards the
monumental scale.
Several works of the latter sort will be
on view in the current exhibition, including large -
scale canvases that feature collaged photographs of other fans» paintings of Winehouse embedded in
monumental geometric
forms, or alongside magazine and picture book images of birds, planets, cannabis leaves, and architecture.
Highlights include: Flags I Jasper Johns» richly layered 1973 screenprint, presenting an iconic image within the artist's oeuvre in its most striking graphic
form; a
monumental screenprint
on linen, Océanie, la mer, Henri Matisse's largest
scale editioned piece and a brilliant example of his use of «cut - outs»; Andy Warhol's beloved Flowers, a powerful wall of color that is his 1970 portfolio of 10; and Baby Charles Looking Over His Mother's Shoulder (No. 2), Mary Cassatt's unique pastel counterproof, portraying the artist's extraordinary ability to capture maternal love.
The large works that have occupied him since 1969 are, in brief: Hubris, commissioned for the University of Hawaii at Manoa, one of Smith's most open and regular pieces to date, which consists of a two - section, 9 - by - 9 grid in black concrete, one half thin slabs at ground level, the other half the same grid raised to 3 feet 3 inches by a four - sided pyramidal module; Batcave, a complex environmental interior designed to «mold space and light» rather than material
form, at the Osaka World's Fair, a new version of which will be shown soon at the Los Angeles County Museum; a gigantic triangular sculpture inserted into a Californian mountainside; a labyrinthine water garden for a delta; Smog, a huge new horizontal piece made from the dismantled components of Smoke (which was made for the Corcoran's «
Scale as Content» show, 1967); Haole Center, a sunken square «pavement» within a square stone sculpture, with a metal ladder leading down below the earth's surface; two related
monumental sculptures
on platforms (Arch and Dial); and a flat 81 - block grid proposed for downtown Minneapolis.