«These free -
form organic lines cascading downward in rainbow gradient, punchy primary, and graphic grey - toned hues act as a poetic and playful base for each artistic contribution to the show,» explained Eric Firestone.
Not exact matches
In spite of its
organic connecting - links, the existence of which is everywhere apparent to us, the biosphere still
formed no more than an assemblage of divergent
lines, free at their extremities.
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Bottom
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In the
form of a beautiful, manipulative female construct named Ava, Caleb soon finds the
lines blurred between what is
organic and man - made and ultimately at odds with Ava's creator Nathan (Oscar Isaac) on her existence and the future of the science.
In G.S.F.C. 2.0 (Geometrical Sci - Fi Cyborg), hard - edged geometries filled with solid colors converge with
organic lines to create vaguely figurative
forms.
She would find the most interesting
lines and colors in the world around her and simplify nature down to a series of
organic shapes and
forms.
An underlying grid is the foundation for layered networks of curvy and straight
lines, gaudy
organic forms, showers of dribbled paint and areas of furious scribbling.
Incredibly clean
lines, the pairing of muted tones, and rounded compositions all coincide to
form organic shapes and geometrical large - scale pieces.
The artist's fountains are
lined with cast aluminium, through which water flows, rises, falls, and rushes, flooding the
organic forms on its bed then draining away.
The images depicted on the prints appear sculptural in
form, mimicking her three - dimensional work in its use of strong, geometric and
organic lines.
Working in dialogue with Melinda Hackett, Michael Drury's creates embryonic sculptures that are suggestive of
organic forms and ride the
line between familiar and Other.
Considered the founder of Lyrical Abstraction — a movement distinct from geometric abstraction in the
organic style of its
forms — and the organizer of the «Abstraction Lyrique» exhibition held in Paris in 1947, Georges Mathieu is best known for his large - scale paintings featuring curving calligraphic
lines.
Doorsen uses drawing as a way for investigation of ideas and shapes, she plays with curves and
lines, geometric mark making and
organic forms, colour and monochrome.
«Behjat Sadr: Trace through the Black» explores the artistic and intellectual heritage of the Iranian artist Behjat Sadr, with archival material, and presenting a rare selection of works: from her early debate with «abstraction informelle» in the 50s to her experimentations around
organic forms, trace making, and hallucinatory networks of
lines throughout the «60s and «70s up until her «collage» years throughout the (inner) exile and the irrepressible return to her world of futuristic nostalgia.
While still staying true to his abstract
line forms, Grant is introducing
organic shapes into his complex combinations of color, shape and texture.
The highly textured
lines and curves seem to extend beyond the edges of the canvas — suggestive of an expansion of space, of a cosmic universe or macrocosm as well as a microcosm of
organic forms.
Laura Newman's paintings combine geometric delineations of space, ephemeral color fields, dynamic
lines and
organic forms, resulting in atmospheric images evocative of representational landscapes, but always opening up to something more, something beyond.
Moore first used protruding
lines on sculpture created from attaching string to the model in his 1951 work Reclining Figure: Festival, he has revisited the device here to add geometric
lines to an
organic form creating a contrast more usually reserved for his drawings.
Line of Cut focuses closely on Nash's sculpture which has evolved from an abstract idea, as distinct from the invitation or prompting of
organic form.
Grad's carefully worked paintings comprise several layers of soft washes topped with tightly
formed white and black
lines that bring the
organic forms she favors into focus.
Finally, bold paintings on cutout aluminum panels push the limits of
line, color and shape, transforming facial features into intersecting
organic shapes that slide and mutate in a new
form of landscape painting.
With gaping black holes, undulating
forms, and
organic twisted
lines, her surreal drawings are fantastic reflections on how we understand our place in the world, and the desire to find a rational order in the universe.
In contrast, two of the artist's work intricately traces haptic gestures, with a nod toward disappearing landscapes and lost language: Inga Dorosz» drawings track and map recognizable renditions of trees and other
organic forms, yet the tiny
line work pixilates and separates the scenes like disappearing data; Léonie Guyer's small works remove information further — little abstract shapes are like punctuation that has lost its conversation and therefore its purpose, yet they remain like memories of forgotten stories.
Clare Rojas» abstract compositions balance colorful
forms with
lines that marry the geometric and
organic.
She has established a considerable and multi-layered vocabulary of industrial, architectural, and
organic forms, which grant her works a sense of functionality, blurring the
lines between where the sculpture ends and where the pedestal begins; between interior and exterior.
Burwell's compositions are spatially complex; since the early 1990s his work has involved a specific layering process that relies on the interaction of the controlled dripped
line maze - like linear
forms, and
organic and geometric
forms.
The ciphers that he has developed over time tend to be geometrical (repeated
lines or
forms),
organic (plants), or drawn from popular culture and sometimes a mixture of all three.
Through simple gestures of pouring and removing paint, gravity shapes the
lines and
forms that start to resemble
organic elements.
They employed webs of formal and
organic lines, and created works inspired by letters and
forms of writing, ancient art and contemporary culture such as music, to produce anti-representational paintings of a modest scale.
Its curving
form and
organic lines will complement an unrestricted design sense, as opposed to some of the more rigid, geometric candlesticks listed above.
His work employed now - classic Art Nouveau themes and motifs: flowing,
organic lines;
forms based on animals, insects and flowers — all rendered in luxurious materials such as ivory, enamel, gold and semi-precious stones.