In the 1938 annual exhibition of the American Abstract Artists, he showed a series of shadow boxes, shallow wooden containers holding plaster - coated wire, mesh, and free -
form organic shapes that were lighted with electric bulbs.
Incredibly clean lines, the pairing of muted tones, and rounded compositions all coincide to
form organic shapes and geometrical large - scale pieces.
Not exact matches
Schweitzer knew this amounted to paleontological heresy: According to the textbooks, when fossils
form, all but the hardiest
organic matter decays, leaving a mix of leftover minerals plus new ones that have leached in and taken the bone's
shape.
Complex
organic compounds and things that look a lot like bacterial
shapes form readily, without the hand of biology.
In 1998 Aizenberg joined Bell Labs as a member of the Technical Staff where she has made several pioneering contributions including developing new biomimetic approaches for the synthesis of ordered mineral films with highly controlled
shapes and orientations, and discovering unique optical systems
formed by organisms (microlenses and optical fibers) that outshine technological analogs, and characterized the associated
organic molecules.
These rock formations filled with tiny crystalline surprises take
shape once hollow cavities
form in the earth, often left over from magma or withering
organic matter.
Her large latticed pieces, evoking
organic forms and
shapes, originated in a wire - basket crocheting technique she learned while visiting Mexico City in the 1940s.
The
organic forms of the «driver - centric, passenger - minded» cabin were designed in harmony with the exterior
shape.
Mike further explains: «My art takes
shape by creating
organic 3D
forms using animation software, and playing with the combination and blending of
forms in a very improvisational way.
Picasso and Braque, in France, invented Cubism, where
organic forms were broken down into a series of geometric
shapes.
The
organic shapes, the intermixing of vibrant colors, and the flatness of
form, takes us back to the paintings of Matisse and Gauguin.
Her explorations of
form and composition, color and gesture give rise to a compelling language of abstraction where her ideas and feelings about the inner life are projected through
organic shapes and energetic brushstrokes.
Greene builds her drawings by using the famous19th c. prints of American birds by J. J. Audubon as a base to dissolve, reassemble, and transform the birds into hybridized
forms that meld couture patterns and textures with the uncomplicated
organic shapes of nature and the environment.
She would find the most interesting lines and colors in the world around her and simplify nature down to a series of
organic shapes and
forms.
Referencing
organic shapes, his oil and acrylic paintings on canvas and paper expertly utilize the single gesture to represent an entire
form, delicately balancing soft effusions of colour against the frenetic energy of the mark.
But the diptych is dominated by a large,
organic, sprawling cell
shape on the left, its inflated, microscopic
form seemingly about to engulf the aforementioned table and its occupants, in a classic surrealist reversal of real - world perspectives.
His sculptures, raw materials altered by intuitive gestures, relate to
organic forms and
shapes and have a special intimacy that derives from the physical characteristics of the medium itself.
During those years, Youngerman greatly expanded the scale of his paintings, developing softer, more
organic forms, an interest in color optics, and a sense of space in which
shapes fluctuate between positive and negative.
Rachael examines growth and change in the local natural environment using patterns and repeated
organic shapes to
form idealised landscapes.
His early paintings are associated with biomorphism, utilizing
shapes and patterns that are reminiscent of
organic forms.
The paper itself
forms a palpable negative space, which Kelly says is as important in his work as his reductivist
organic and geometric
shapes.
What remains are cloaked
organic forms that speak to the
shapes in her sculpture and ceramic work.
Zilia Sánchez (b. 1926), a younger painter, is known for her large
organic forms, expansive fields of color, and uniquely
shaped canvases.
They include a small painting simply titled «# 1» (2000), in which we see a phallic armature moving from gray into light blue; another titled «# 2» (1995), in which a blue crescent bends around to become titanium white; a third, «# 4» (2000 — 1), in which a rising, two - pronged black
organic shape ends in a touch of green and ultramarine at either end; and finally «# 5» (1991), in which a red finger - like
form passes from black to crimson red.
The color field is repurposed as a visual staging area upon which
organic forms, vascular and sinuous,
shape - shift and commingle.
Apfelbaum's Split is a sprinkling of
organic shapes of crushed velvet pieces that call to mind stone - like
forms or botanical tendrils of color.
In anticipation of the biomorphic art installation by Paul Henry Ramirez in Kemper Museum's atrium — and architecture both in Kansas City and around the world — campers will create artwork inspired by
organic shapes and
forms.
With the interconnected fabric mats
shaped to evoke biological cells or chemical flasks, each of these sculptures assumes a vital role in some
form of
organic circuit that flows through a portal - like
shape mounted against the wall and framed with head - like ovoids, elongated staffs and open circles.
Around the year of 1957, Helen started to experiment and take her work down a new path when she began introducing linear
shapes and more
organic, rounded
forms.
Left in the exhibition space, the small sculpture is, in fact, submitted to the effects of the natural mutability of
organic components from which it is made, changing its
form and
shape throughout the exhibition.
Unlike his contemporary, however, Roszak's work veered toward emotional and
organic forms, rather than sleek and mechanical
shapes.
Geometric abstraction features the arrangement of simplified
shapes, while
organic abstraction describes pictures with
forms that resemble plant, animal, or other living matter.
And that light is focused on two small
organic forms, about the size and
shape of packing - case noodles, lying under a magnifying glass.
The three sculptures on view demonstrated the expressive range of di Suvero's epic steel - beam constructions, from the classically vertical Double Tetrahedron, to the tethered
shapes in conversation of Aesop's Fables, to the
organic form gathering from the earth in Beyond.
Winifred Lutz (b. 1942) employs natural and artificial materials,
shape, and color in her sculptures and installations to mimic natural
forms and to stand as metaphors for
organic and spiritual growth.
Inspired by the basic building blocks of the geometric world, Augustine Kofie has
formed a retro - futuristic aesthetic which transplants these
shapes and angles into a soulful,
organic, yet highly mathematical
form of abstraction.
Augustine Kofie Inspired by the basic building blocks of the geometric world, Augustine Kofie has
formed a retro - futuristic aesthetic which transplants these
shapes and angles into a soulful,
organic, yet highly mathematical
form of abstraction.
Supporting some of these animal parts and
organic forms are simple rigid
shapes, traces of buildings once inhabited by the artist, cast in concrete and stacked in piles.
The exhibition includes several print series incorporating both
organic forms and basic
shapes and colours which the artist uses to
form complex relationships and patterns.
The plank paintings, begun in 2008, are complex, layered geometric patterns done atop indigenous hardwood that has been roughly
shaped into
organic looking
forms.
The juxtaposition between the lush
organic shape and its shiny, steel materiality here creates a psychedelic impression, but ultimately the bulbous
forms emerge as celebratory and animated, absorbing viewers and their surroundings in their own image.
Though the
organic shapes seem to morph into human
form, they ultimately serve as disruptions to the viewer, blocking our view and nestling the figure more densely into a space of introspection.
Incorporating the aesthetic vocabulary of widely opened eyes, polka - dots, nets, and
organic shapes that have defined Kusama's seven - decades - long career, the sculptures appear as though Kusama's images have been released from the canvases they are surrounded by and have organized themselves into three - dimensional
forms.
Mintz writes that Piotrowski's works «approach the possibility of narrative, though the artist deftly pulls back just in time» Conefry, Mintz notes, investigates «painting as object, something constructed and assembled,» while in Cohen's paintings «
organic shapes lean against geometrics to create a push - pull of color and
form.»
The «Water» pictures include large - format color images that often read like artful abstractions at first glance: the dried - up Colorado River Delta in Baja, Mexico, with its lunar - like silvery gray surfaces; a great swirl of water at China's Xiaolangdi Dam on the Yellow River that brings the British painter J.M.W. Turner to mind; and an aerial picture of dry - farming land in Aragon, Spain, whose jutting
organic forms suggest the
shapes of Picasso or Jean Dubuffet.
By the late 1950s, Judd had reduced recognizable
forms to
organic shapes, and by 1960, even those summary
forms disappear.
Investigated both for its formal beauty and reference to the excess of waste in our culture, it takes the
shape of makeshift shelter structures - tents, blankets, awnings, and
organic forms - garish botany, mini-mountains.
Above all, his
forms pay tribute to the works of other modernist sculptures, echoing the
organic and abstracted
shapes of Barbara Hepworth's, or the deliberately disproportional, undulating and imperfect reclining
forms of Henry Moore.
Wonne expresses natural
forms in unexpected media, such as industrial materials that amplify the
organic intensity of the abstracted
shapes.
His works are made in bronze, stone, glass, ceramic, resins or wood; they delight with their
organic form, dynamics of meandering
shape, intriguing titles.