Sentences with phrase «form part of the exhibition»

It formed part of an exhibition programme which, as stated by Tate Modern's deputy director Alex Beard: «undoubtedly fuelled the increase in visitors.»

This event forms part of our exhibition IN / DI / VISIBLE taking Achiampong and Blandy's work as a point of departure for artists» exploration of subjectivity and art's potential to represent new ways of being and becoming.

Artwork featuring lifeless rodent slumped at a table forms part of exhibition of Italian artist's work at Whitechapel Gallery

The artists that form part of this exhibition were selected together with Zoro Feigl, who at the same time as Another Dimension will have a solo exhibition titled Infinity in the Electriciteitsfabriek next to Nest.

A series of previously unseen political drawings, alongside unseen sketches of portraits and geometric shapes, forms part of this exhibition.

Pictures from that series, «Sabine,» 1999 — 2001, formed part of this exhibition.

The shortlisted artists form part of an exhibition at HIX ART, 32 Rivington Street, London, EC2A 3LX, which can be viewed until 19 November 2017.

Personal albums and photo collages put together by Dame Barbara will form part of the exhibition at Tate Britain.

A complementary and educational programme will form part of the exhibition.

The ongoing series Images or shadows of divine things will also form part of the exhibition at Lisson Gallery.

In 1976 a series of images from these magazines formed part of an exhibition at the ICA in London.

These were documented by the students in the IMMA store and will form part of an exhibition - response in the Drawing Project space.

Works relating to his most iconic series — including Ned Kelly, Gallipoli and Bracewell and Mrs Fraser — will form part of the exhibition.

Not exact matches

The work at Happisburgh forms part of a new major exhibition at the Natural History Museum Britain: One Million Years of the Human Story opening on February 13.

A selection of Bentley's photos form part of the Sixfold Symmetry exhibition, currently on at the Tang Museum in Saratoga Springs, New York.

In Berlin, leather outfits from their second show formed part of an outré exhibition: a fake campaign for their perfume «Iron Lady» — equal parts Chanel N ° 5 and Yves Saint Laurent's Rive Gauche — which the pair created with photographer Tyrone Lebon (starring porn star Stoya.)

Back in the 1800s, the warehouses which formed a large part of the city's commerce started to become the unlikely setting for old school dates, as they gradually got converted into restos, shops and art exhibition spaces, including the well regarded Arnolfini.

Alfie and Raiya's winning designs will form part of a special exhibition at the Roald Dahl Museum and Story Centre in Buckinghamshire later this year.

Registration for WTM Africa's Hosted Buyer programme opened last week and has already received some 200 applications from 35 different countries for its 300 places at the inaugural event, which takes place at the Cape Town International Convention Centre on May 2nd - 3rd as part of the newly - formed Thebe Reed Exhibitions» Africa Travel Week.

The Stone of Destiny forms part of the Honours of Scotland Exhibition at Edinburgh Castle.

The HATSUNE MIKU x TETSUYA NOMURA collaboration that was screened at Hatsune Miku art exhibition «Universal Positivity» @Wallplay last fall as a part of HATSUNE MIKU EXPO 2014 in New York is taking 3D form as the Square Enix Variant Play Arts Kai figure lines adapts the work of their noted designer.

This exhibition forms part of IMMA's programme of painting exhibitions, which has included major exhibitions by Lucian Freud, Howard Hodgkin and Francesco Clemente.

Top image: Philip Guston, Untitled 1971, oil on paper, mounted on canvas, 29 x 40 inches (Private Collection) Bottom Image: Ron Milewicz, Covered Bricks, 2013, oil on linen, 36 x 48 inches Presence of Form Exhibition dates: October 8 — November 10, 2015 In honor of the New York Studio School's 50th anniversary, comes Part II of work by artists who are -LSB-...]

She is known for bridging fine art and other art forms, including music and film, and for championing fashion as part of her practice — where she has seamlessly presented fashion designers, such as Karl Lagerfeld and Marc Jacobs I her exhibitions alongside visual arts.

Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.

The year - long exhibition opens on 7 June 2018 and forms part of #Behind EveryGreatCity — a major new campaign by the Mayor of London.

The result was an exhibition entitled Encounters — New Art from Old (14 June — 17 September 2000), which formed part of the gallery's millennium celebrations.

Works of art intended to form part of a forthcoming exhibition at Whitechapel Gallery that may be covered by immunity from seizure are here and here.

For his exhibition at Arnolfini, which forms part of the city's celebrations as 2015 European Green Capital, Long has selected some of his favourite photographs and text pieces, many of them with local flavour, from the last 50 years of his career.

Earlier this year, her work could be seen at the Museum of Contemporary Art in Detroit as a part of CCA Wattis Institute's traveling exhibition, When Attitudes Became Form Become Attitudes, and will be included in a forthcoming publication.

FORM is the debut exhibition in a three - part series to run over the course of 2018.

The institute inhabited it's most complete form to date in 2015 as part of the exhibition Terra Comunal, SESC Pompeia, Sao Paulo, Brazil.

Online exhibition presented as part of Time - Lapse Time - Lapse 18 February to 20 May 2012 In 1969, Seth Siegelaub, pioneering supporter of conceptual art, organized March 1969 a.k.a One Month, an exhibition that existed only in catalogue form.

The exhibition Michael Craig - Martin NOW is generously supported by the British Council and forms part of the 2015 UK - China Year of Cultural Exchange (YOCE).

This exhibition is the latest in «The Collective» series which forms part of a programme of visual art conceived to inspire and uplift members and staff of this ground - breaking not - for - profit club which helps those who have experienced homelessness back into long - term work.

Part of «Venus Drawn Out» is formed of an exhibition of drawings by artists (from the unknown to the highly acclaimed), in which works by the likes of Anni Albers and Helen Frankenthaler are displayed without a clear chronological or thematic order.

The exhibition, which opens September 27 and continues through December 19, forms the final part of «Future of Nations,» 18th Street's yearlong examination of issues related to the 2008 presidential campaign.

The exhibition forms part of 45 Park Lane's 2017 programme of art exhibitions curated around «The Uplifting Power of Art» in association with Ackerman Studios.

While works purchased by De Pont become part of the collection, those on loan return to the respective artists or owners at the close of an exhibition, and these guestworks also form an important part of De Pont's story.

The installation forms part of The Classical Now, a major exhibition exploring the ways in which Graeco - Roman art has sparked the modern imagination.

This limited edition of yellow rubber mats forms part of a larger work, Matte Module, which was commissioned for the exhibition Early One Morning at the Whitechapel Gallery in 2002.

Indeed, it was as a result of this last exhibition, held with great aplomb in Berlin that Suprematist Composition came to form part of the extraordinarily influential group of Malevich's paintings that remained in the West and which served as almost his sole creative legacy for much of the Twentieth Century.

The exhibition reveals a versatility of styles on the artist's part, which come together in two states to form an overall idea.

This year's exhibition is again forming part of Liverpool's Biennial 2016, of which New Contemporaries has been a -LSB-...]

Through the work of eight mentors and 11 UK - based emerging artists, the exhibition will expand on diaspora as a term, and forms part of the ICF and UAL's joint 22 - month Diaspora Platform project.

The exhibition forms part of a recent acceleration in the artist's exhibiting CV, catalysed by her retirement from a 40 - odd - year teaching career, during which she proved an enduring influence on a generation of practitioners (most directly Rachel Whiteread and Angela de la Cruz, but also artists such as Douglas Gordon, Tacita Dean, Conrad Shawcross and Tomoko Takahashi).

Unfolding in three parts, this exhibition examines the physical body through the lens of artists who have represented tactile figures and forms in vibrant ways to question how we experience ourselves in relation to others.

The only two - dimensional work in the exhibition is Close's Self - Portrait / Five Part (illustrated top), a tapestry based on daguerreotypes of the artist's head at various angles joined together to form a panoramic view.

Boezem was one of the initiators of the ground - breaking exhibition «Op Losse Schroeven: Situaties en Cryptostructuren» (1969) at the Stedelijk Museum Amsterdam and took part in the equally influential exhibition «When Attitudes Become Form» at the Kunsthalle Bern in the same year.

Whilst they will remain on permanent display, the collection of Hirst pieces initially form part of the new building's inaugural exhibition, «To Be With Art Is All We Ask».