Sentences with phrase «form pictographs»

Many of their painted designs were stylized birds, deer, snakes, goats and ceremonial designs in story - form pictographs — illustrations Tankersley describes as the earliest known form of writing.

Not exact matches

But in another, more novel, form, pictographs can be drawn to represent a word, a famous name, a place, an event, an idea, or a vocabulary term.
Since drawing the human form is bound to be more pervasive in a history storyboard than in pictographs, I might use this as an assignment just once in a school year.
These pieces also represent Barnet's Indian Space period, which was based upon the artist's study of Native American ideas and designs that integrated organic and geometric pictograph forms within a flat, seamless space.
His abstract paintings have been inspired by popular cultures, often reflected in forms that balance organic and geometric forms with native pictographs.
Unlike Diebenkorn's brushwork, Mr. Smith's «dynamic, hooking calligraphy was more apt to have an openly comic quality, sometimes taking the form of barbed, cartoon - like pictographs, symbols or anatomical shapes.»
The couple returned to New York, and Gottlieb began his «pictograph» paintings, in which he used forms that were very personal to him and were not necessarily suggestive of recognizable objects.
Chinese writing evolved through the development of pictographs (which depicted objects) or ideographs (which represented abstract notions) and the bronze sculptures from the artist's series Sages» Sayings derive from these ancient forms.
Her drawings» loosely Surrealist forms recall dense pictographs from a variety of cultures, ancient and modern.
The early Pictographs were created with a defined grid structure in order to organize theimages, often figurative and fragmented, in a utilitarian manner.Around 1948, Gottlieb began deconstructing the grid in an effort to find an alternative way to balance nature's interrelated forces: order and chaos.The earliest work on view, Inscription to a Friend, 1948, is an example of Gottlieb's initial attempts to integrate abstract forms that could still be relatable to a larger universal language, without the help ofthe grid.Inscription, 1954, demonstrates Gottlieb's further progression into purely abstract imagery using an evocative and highly developed lexicon.
Early in the 1940s Gottlieb developed his pictograph style, in which cryptic forms, often derived from mythology and primitive art, were used in a rectilinear, gridlike pattern.
Abandoning linear formats typical of his earlier Pictographs, here Gottlieb concentrates purely on gesture, form and color.
His paintings contain relatively complex shapes suggestive of animate or inanimate forms; Philip Guston (1913 - 80), who had his own highly personal variation, sometimes called «Abstract Impressionism», from which he moved on to a more expressive style in the late 1950s; Adolf Gottlieb, a close contemporary of Clyfford Stills, exploited Surrealist imagery in the 1930s but was also deeply interested in American Indian Art and from this he developed in the 1940s his so - called «Pictographs» characterised by very Freudian imagery.
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