Not exact matches
The original
form of Jesus has disappeared from view, transcendence has been swallowed up by immanence, the events of our salvation history have passed into the dead and lifeless moments of an irrevocable past, no heaven can appear above the infinite stretches of a purely exterior
spatiality, and no grace can appear within the isolated subjectivity of a momentary consciousness.
Averroës proposed to correct Avicenna in two ways: first, that the essence of corporeal
form lies in indeterminate dimensions, thus asserting the priority of
spatiality in the abstract over the particular incidental
form of a body, its so - called determinate dimensions; second, a characterization of corporeal
form as «merely the capacity of prime matter for natural motion and as merely the tendency to move to its natural place» (CM 40), a harbinger of the formalities of dynamics to come.
Christianity somewhat concretized this tendency, pushing it toward a specific incarnation so that the Jewish tendency toward
spatiality takes on a corporeal
form.
Science, aspiring to the mathematical
form, over-accentuates the
spatiality of matter; its formulae are too precise and constantly in need of remaking.
This
form has no inside or outside, and is a continuous surface in which the third dimension of
spatiality connects to the fourth.
Thus was the geometric aspect of capitalism's abstract
spatiality given definite
form, depicted by the Cubist painters in the first decade of the twentieth century.
Aanestads» minimalist work revolves around
form,
spatiality and materiality, which she explores in a contemplative and abstract language.
Activated by light, these sculptures resonate in
form and
spatiality both inner and outer.
Through the exploration of abstract and minimalist language, Aanestad investigates
form,
spatiality and materiality.
For the seven new sculptures in this exhibition Vincent Fecteau uses for the first time new material or new base material that significantly affect the
spatiality and
form of his sculptures.
Exploring the idea of
spatiality through a diverse compendium of
forms and tendencies, McCracken's oeuvre is characterized by an ever - shifting relationship to both architecture and the body of the viewer.
Indeed I am interested in
forms and in experimenting with depth and
spatiality.