Sentences with phrase «formal elements of painting»

An annual prize given to a student whose paintings «embody the formal elements of painting, composition and the principles of structural design».

ART21: What do you think the relationship is between the formal elements of your painting and the story you're telling?

She hopes to «get content and the formal elements of the painting locked in an equal and eternal battle,» amounting to what I would tentatively deem a feminist formalism.

We will investigate the formal elements of painting such as composition, space, form, color temperature and intensity, while maintaining an appreciation for the immediacy of the medium.

Not exact matches

I have long remembered the remark of a notable art critic — though I have forgotten which one — that many modernist paintings could be understood as fragments of classical painting blown up for their own sake, displaying the formal and technical elements by which painting is accomplished but eschewing the narrative depiction within which such patches of paint on canvas would earlier have had their place.

Sculptural processes can be a wonderful «way in'to students who are frustrated by the more formal elements of art such as drawing and painting.

In addition to being a mobile studio environment, the truck interior became a formal element, framing the landscape in many of Miller's paintings.

A few formal elements of small circles or lines are added or excavated from under - painting.

Throughout Resonating, viewers will note Green's various uses of a fan shape: in early works such as For All & None (1978), the fan acts as an essential symbol, suggestive of deeper spiritual meaning; in Taxes (1993), one of her later black and white paintings, the fan shape becomes a central formal element that unifies the composition; in She Dreams (1996), the fan shapes create a complex formal variation which co-exists with other images.

We can analyze how line or texture, for example, can contribute to the overall impact of various paintings, sculptures, and prints, but these single formal elements can also be a subject worthy of inquiry.

For the show, running May 1 through June 7, she assembled nearly 50 collages, drawings, paintings, and photographs from the 1960s through the 1980s that reveal DeFeo's dogged ursuit of specific formal elements across media - say, the sculptural qualities of wadded Kleenex, in one surprisingly affecting group of photographs, photocopies, and paintings.

For those unfamiliar with their work, the exhibition at Maureen Paley's is typical of their mode of presentation in being more of an environment or a set — vividly coloured wall paintings with strong formal and graphic elements unite and frame the various sculptural and pictorial components into an integrated whole.

The masterful processing of the formal elements in her work, whether it is painting or lithograph print, provides and affirmation of life and reveals the truth about enjoyment and appreciation of the «small» things that makes our world.

This element is a reminder that the faceted formal language of Cubism haunts many Abstract Expressionist paintings (look for it in Hans Hofmann and de Kooning, for example) just as the figure lingers beyond its dismissal in the push to abstraction.

Dana Miller, curator of the upcoming Whitney show, says, «She was right there dealing with the same issues that Stella and Kelly played with, using the structure of the painting and the canvas edge as a formal element to riff off.

Created as a synthesis of painting, drawing and collage, the works fuse formal concerns with the representational image, which can be seen in Phillips» inclusion of photographs of exterior spaces and architectural elements.

Furthermore, although his paintings are emphatically abstract (in fact, he believes in the historic inevitability of abstraction), they are not about the relationships of formal elements such as color, shape and line.

Formal yet liquid, amorphous yet figurative, the sculptures explore notions of traditional architecture while encompassing elements of painting, stagecraft, and suggestive, open - ended narratives.

The brilliance of Untitled [black painting with portal form] is that one can simultaneously appreciate the artist's complex handling of paint across an array of uneven surfaces while acknowledging the ways that the artwork, in its use of newspaper as a formal and almost sculptural element, bridges painting, collage, and assemblage.

For Fonda, the formal qualities of painting — the emphasis on color, line, shape and texture — are equally as important as the conceptual elements being interpreted on the canvas.

Formal elements within the work reference various art historical movements: from the gesture of Abstract Expressionism to the flatness of Minimalist paintings, to the spatial considerations of architectural theory.

In a way, as critic Charles Darwent has written, Ofili «seems to be reliving 20th - century modernism backwards,» cycling through clear formal periods wherein his compositions have become more stripped - down, foregoing the dense layering and collaged elements of earlier works, and often focusing on a limited color palette — including the red, green, and black of Marcus Garvey's pan-African flag in the series of paintings he began in 2000 and showed in concert in an immersive environment at the 2003 Venice Biennale's British Pavilion.

Whereas the painters in Nature Studies I may have found creative impetus from photographically - reproduced work or used it as part of their method, these eight artists employ a host of respective photographic processes that, for the most part, draw our attention to the concerns, formats and styles typically seen in and expected of painting such as the artifice of arrangement, the manipulation of formal elements, and the projection of symbolic meaning or narrative content.

Clement Greenberg, the most influential of apologists for modern painting of the period, placed particular stress on the formal elements of abstraction, while artists» more otherworldly ideals tended to be played down.

Formal elements within the work reference various art and architectural movements: from the gesture of Abstract Expressionism to the austerity of Minimalist paintings, to the spatial considerations of architectural theory, specifically the work of Frank Gehry.

By appropriating and re-contextualizing Lichtenstein's flat graphic look, wavy brushstrokes, and Ben - Day dots, Nieto's digital prints and oil paintings offer a moment of «savoring» the formal elements found in the pop master's work.

«Los Angeles» is the latest of the artist's exhibitions to address notions of place through painting, as well as the use of sculptural elements ---- in this case neon lighting ---- to expand painting's formal reach.

In 1974, Harold Rosenberg, one of Saul Steinberg's earliest and most eloquent supporters, wrote that «Cubism... which in the canon of the American art historian is the nucleus of twentieth - century formal development in painting, sculpture and drawing, is to Steinberg merely another detail in the pattern of modern mannerisms; in a landscape, he finds no difficulty in combining Cubist and Constructivist elements with an imitation van Gogh «self - portrait.

Tarn McLean's research involves the investigation, application and transference of formal elements associated with paintings modernist discourse to locate contemporary painting practice as a non-static undertaking.

The horses, along with fragmented body parts (heads, eyes, and hands) are almost totemic, like primitive symbols, and serve as formal elements through which Rothenberg investigated the meaning, mechanics, and essence of painting.

Considerably more ominous, the works in the Tear Gas series share similar formal elements with the Fog paintings but are inspired by recent incidents of civil unrest in urban centers such as Ferguson, Missouri.

Castellon's paintings of 1933 and 1934 offer an exciting, unique vision as he synthesized formal elements of geometric abstraction and cubism with a surrealist vocabulary.

This work is from a series where I scan and and re-print images of high end advertising to paint on them, using the composition, color and other formal elements already present in the image as a means to arrive at abstraction.

The large dimensions of the paintings in the series Lignes - Report, far from staging a kind of «physical» (or «virile» to use one of the adjectives often associated with American Abstract Expressionism) creative power, instead served Degottex to completely wipe himself out of the painting in order to better propose a space as vast as possible, which is deprived of any formal element.

Of this new approach, she says, «I had to be really in tune with the materials — how paint was going to react with the canvas, how formal elements such as color and form were going to behave as more paint was added.»

«The Bay» is another example of one of her monumental paintings, again based on her love of landscape, that conveys a sense of luminosity and spontaneity, while also emphasizing the formal elements of color and shape.

Robert Mangold translates the most basic of formal elements — shape, line, and color — into paintings, prints, and drawings whose simplicity of form expresses complex ideas.

Instead of presenting a static space as a resolved Painting, the video of the variable forms of the space over time allows its status as Art to dissolve into the process of the accumulation of formal elements and decisions.

Vibrating with hues, textures, and emotions, Humphrey's paintings demonstrated a consistent commitment to color, space, and structure — elements he used to move abstraction beyond formal considerations to that of the human experience.

In a new series of abstract paintings, Schoultz distills some of his familiar stylistic elements into a more formal language with subtler allusions.

The slug - like painted forms in the two Untitled works appear to devour the formal geometric elements of the painting and one senses that with the passing of time these works will return to the pristine plain white surfaces that existed prior to Ingram making his marks.

Trujillo cites artists such as Vermeer, Velazquez, and Rembrandt as inspiration for his craft of painting, and the importance of control over formal elements.

Dow creates geometric, abstract paintings that blend Mondrian's plasticity of formal abstraction with elements of mapping and architectural design.

Vincent Falsetta, a faculty member at UNT since 1977, plans to develop paintings incorporating the concepts and formal elements of his color studies.

The crackling, pentimenti, and blushed varnishes that Purdy has created on the surface of the paintings may be seen to be formal elements in the pictorial language, referring to the role of surface and mark in twentieth - century abstract painting.

Going back to the expressly formal elements of this work, these paintings were most successful when the words and letters were obscured.

[5] Many paintings by René Magritte, Salvador Dalí, and other Surrealists make use of formal and thematic elements derived from Metaphysical painting.

With classical restraint, Robert Mangold translates the most basic of formal elements — shape, line, and color — into paintings, prints, and drawings whose simplicity of form expresses complex ideas.

Ahmed simultaneously pays tribute to the formal, and dynamically challenges its expressive possibilities, using elements of traditional Ethiopian painting — bold outlines, geometric shapes and a selective earthy palette — to construct rhythmically appealing compositions.

With classical restraint, Mangold translates the most basic of formal elements — shape, line, and color — into paintings, prints, and drawings whose simplicity of form expresses complex ideas.