Sentences with phrase «formal gallery contexts»

A quote on curating: «I've worked almost exclusively commissioning and curating artists» projects outside formal gallery contexts and I love the multitude of conversations that requires (from artist through to road sweeper), the way in which it allows you to continually renew your relationship to a city and its spaces, and the whole process of helping an idea take form and come to life.

Not exact matches

This exhibition seeks to represent the many facets of Chamberlain's broad investigation into materiality as well as engage with the natural context of Inverleith House and the Royal Botanic Garden Edinburgh where his sculptures, presented both inside the gallery and outdoors, resonate with the site's formal yet unwieldy natural elements of trees, flowers and shrubs, revealing the power and innovation of an artist completely beyond style or fashion.

The unique context of the gallery's location — a converted wing of a castle, set in extensive formal gardens — provides a further framing device for the exhibition's broad theme of contemporary arts» use and understanding of the historic genre of still life.

In a press release announcing the news, Gagosian Gallery said, «While the content of his epic figurative paintings is unmistakably of his own time and cultural context, his formal virtuosity and complex layering of narrative reveal a deep and astute working knowledge of the inventions and traditions of painting from the Renaissance to the present day.»

Violette «s mannered Minimalist forms usually activates their gallery and exhibition spaces which makes this outdoor context a new formal challenge for the artist and adds a new depth to his narrative.

«Shades of Black (ness),» Davison Art Center, Wesleyan University, Middletown, CT, January 25 — March 3, 2005 «Collection Remixed,» The Bronx Museum of the Arts, Bronx, NY, February 3 — June 5, 2005; catalogue «Landscape,» Whitney Museum of American Art, New York, NY, March 24 — September 18, 2005 «The Shape of Time,» Walker Art Center, Minneapolis, MN, April 17, 2005 — October 25, 2009 «Very Early Pictures,» Luckman Gallery, California State University, Los Angeles, CA, May 26 — July 23, 2005; traveled to Arcadia University Gallery, Glenside, PA, September 6 — October 30, 2005 «African American Art: Masterworks of Contemporary Art,» Saint Louis Art Museum, St. Louis, MO, June 24 — August 28, 2005 «Wordplay: Text and Image from 1950 to Now,» Davison Art Center, Wesleyan University, Middletown, CT, October 25 — December 11, 2005 «The Painted Word: Language as Image in Modern Art,» Williams Center for the Arts Gallery, Lafayette College, Easton, PA, October 28 — December 14, 2005; brochure «Between Image and Concept: Recent Acquisitions in African American Art,» Princeton University Art Museum, Princeton, NJ, November 12, 2005 — February 6, 2006 «Beauford Delaney in Context: Selections from the Collection,» Philadelphia Museum of Art, Philadelphia, PA, November 13, 2005 — February 26, 2006 «A Brief History of Invisible Art,» CCA Wattis Institute for Contemporary Arts, San Francisco, CA, November 30, 2005 — February 21, 2006 «Linkages and Themes in the African Diaspora,» Museum of the African Diaspora, San Francisco, CA, December 1, 2005 — March 12, 2006 «Looking at Words: The Formal Presence of Text in Modern Contemporary Works on Paper,» conceived by Barbaralee Diamonstein - Spielvogel, Andrea Rosen Gallery, New York, NY, October 28, 2005 — January 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 9, 2005 — September 26, 2006 «Drawing from the Modern, 1975 - 2005,» Museum of Modern Art, New York, NY, September 14, 2005 — January 9, 2006 «ROMANCE (a novel),» curated by Adriano Pedrosa, Cristina Guerra Contemporary Art, Lisbon, Portugal, September 14 — October 15, 2005; catalogue «A Thousand Words,» Inman Gallery, Houston, TX, July 9 — August 27, 2005 «Getting Emotional,» Institute of Contemporary Art, Boston, MA, May 18 — September 5, 2005 «Double Consciousness: Black Conceptual Art Since 1970,» organized by Valerie Cassel Oliver, Contemporary Arts Museum, Houston, TX, January 22 — April 17, 2005

The surfaces of Orozco's paintings are fairly uninflected, paint here is read as a given or found term; it works within the context of a gallery space where a formal play between the paintings can be read inside the limits of walls, floor and ceiling.

«While the content of his epic figurative paintings is unmistakably of his own time and cultural context», the gallery said in a statement, the «formal virtuosity and complex layering of narrative» in the work of the Beijing - based artist «reveal a deep and astute working knowledge of the inventions and traditions of painting from the Renaissance to the present day.»