The art itself had all
the formal qualities I liked and also made people think about male dominance in the art world.
Not exact matches
Classical sculpture's
formal qualities,
like their religious origins in Greek antiquity, are little understood today.
NR: We currently don't have a
formal relationship, and part of what I'm going to do over the next ninety days is to see if we can come up with informal ways of working more closely with groups
like NACSA, especially since the discussion around
quality is so focused on what authorizers are doing and how quickly they're shutting down poorly performing schools... Of course, it's very difficult to shut down a school that has a following, but I don't think our sector has done a very good job of explaining to families what a good, high
quality school looks
like and why it's so important to not tolerate poor performance.
Takata has issued a
formal apology for this defect and how it has affected its clients, and has made a commitment to improve
quality control going forward to prevent issues
like this in the future.
In contrast, in their role as holders of the cloth sacks, the hooks are given a function that undermines their autonomy as self - sufficient objects, with the result that they oscillate between display modules and genuine artworks, whereas the Silos — in spite of their
formal proximity to those seat -
like objects seen in quasi-participational art projects (
like those of Franz West)-- utterly lack the
quality of sturdy usefulness and seemingly even have to be held in place by the rods of the «Gurneys».
This does not mean, of course, that their work looks
like John's, but they certainly share an interest in using found materials that may have a particular
formal quality, in addition to more pronounced social, personal, or political resonances.»
They may also learn something about the
formal qualities of art,
like line and composition.
Like Gorelick, Ted Partin investigates the
formal qualities of obscuring the model in his photographic «dark prints.»
Black and White No. 3 affects us first by its
formal qualities — branch -
like arms, the coloristic positive - negative effect created by the red - orange number four embedded in the intensely black «trunk,» and its cut into the lateral horizontal ochre ribbon that seem to describe literal terrain from which the form rises.