«Because I do love clothes and I've always been really obsessed with clothes as a
sculptural thing and an art thing and a
formal thing and as a vessel as a
language space.»
Made by her own hand, her objects are produced through the
languages that surround them, materials that are ready at hand, and
sculptural procedures and traditions, taking in cutting, welding, moulding, handling, stuffing, assembling; monumental, ready - made,
formal, quick - build, representational and abstract.
in fact, these works seamlessly conform to Keith Sonnier's very precise
formal language, his examination of the sensual and emotional qualities of different material and his
sculptural investigation of architectural space.