The consistent factor that I am looking at is the potential to establish a framework of process or usage, which then results in a related
formal visual language.
CUE Art Foundation is pleased to announce Radical Plastic, a group exhibition featuring artists who employ
formal visual languages to address more human contexts including the problematics of bodies and gender - based constructs.
Not exact matches
The authors argue
visual literacy is especially important for primary school aged children, as they are making the transition from «viewing and speaking to
formal language acquisition and incorporate the rules of speaking and writing, and from making marks and drawing to letters,
language and text - based learning».
Extensive use of present and past subjonctif - The dialogue in
formal French and the same in spoken
language - Vocabulary French / English - 14 questions with answers included - A
visual of 7 pages summarizing the use of the subjonctif divided in categories (each bubble) For teenagers and adults NB: There is another dialogue in my store that uses present subjonctif: histoire de famille Copyright © - Sophie DePons — www.french - amis.
Using the
visual language of mythological depictions of wrestling, mined from art historical sources and his own memory, these paintings propose new through lines in Dunham's practice that are both
formal and autobiographical in nature.
Black Dada references social and historical conditions through the
formal methods of conceptualism, producing a point of convergence — the artwork, which sieves and questions matters pertaining to the freedom of abstraction in
language and
visual art, the animating force of blackness, and the strategies of experimental avant - gardes.
Consistent with his work to date, this latest series mines emergent evolutions of identity, narrative,
language, and
visual culture for content, and propels these matters forward as expressive mediums, through darkly jubilant and categorically frenetic
formal experimentations.
Impure, imperfect and incomplete, the version of abstraction that emerges from this global journey — from Hong Kong and Islamic regions to Canada, Australia, Europe and the United States — shows how the
formal ingenuity of abstract art has been cross-fertilised, from abstract expressionism onwards, by creative discrepancies that arise when disparate
visual languages are brought into dialogue.
Without
formal training (in Lockett's case, deliberately so) and working largely with found materials, Lockett, Dial, Holley and peers like Joe Minter took their
visual language from traditional black Southern vernacular art forms like the scrap quilt and the yard show but adapted it to speak of personal philosophies, social issues and the African - American experience.
A Fine Line features artists Austen Brown, Alex Calhoun, and Angela Davis Fegan who, in their own
visual languages, employ dichotomies, subversive gestures, and
formal plasticity within the gallery space, to blur the division between perception and reality.
Satrapi takes a very different approach from those of Shaw and Sikander: instead of subverting the
formal structures of an Islamic mode of representation, she appropriates the
visual language of the Western comic strip.
The
formal language of his paintings is abstract, while the
visual means range from simple line drawings to thick paste - like applications of paint.
The era's limited palette of bright colors, dynamic compositions, and strong graphic qualities allowed artists to tackle
formal issues with the playful
visual language of stardom and comic books, while contemporary artists cite these
formal systems -LSB-...]
Each of these figures defined a distinctive
visual language that combines
formal concerns with a documentary aesthetic, and all of them participated in one of two landmark exhibitions: New Documents (1967) at the Museum of Modern Art, New York, or New Topographics (1975) at the International Museum of Photography, George Eastman House, Rochester.
Sampling the
visual languages and
formal innovations developed by video artists working during the «70s and «80s.
At first glance, the paintings seem like
formal abstraction, investigations of relationships between shape and line, but, when seen in terms of the development of MacPhee's
visual language, they are more complex than simple arrangements of form.
The
formal responds to the formless, dissolving and assimilating contradictions, while extending the metaphor of
visual language along material and semiotic lines.
Salle's latest creations continue to explore the thematic and
formal possibilities of the medium, as he develops his rich
visual language.