The exhibition presents 23 large - scale canvases and 17 works on paper, outlining the development of each painter's
formal vocabulary while suggesting deep connections between and among the works of all three which stretches back to the early 1970s, according to the museum.
Not exact matches
Known for his anthropomorphic explorations in cast concrete and ceramic, these new pieces continue in this vein
while expanding the
vocabulary of materials,
formal strategies, and surface treatments.
All five artists included in the exhibition address the notion of time with distinct philosophical and artistic voices that,
while informed by globalized discourse, have developed
formal and conceptual
vocabularies specific to their respective traditions.
«Bronze in the XXth Century: Casting Modernity,» at Mnuchin Gallery, presented a kind of alternative history, reminding us that
while Picasso and González's exploration of open construction in iron and steel, in the late 1920s, gave sculptors a new
formal vocabulary, innovative artists from the 1880s on — including some who later embraced the constructed method — continued to be fascinated by the age - old tradition of casting in bronze.