Sentences with phrase «format black and white photographs»

Polygon - Чаrа ́н, 2015 medium format black and white photograph, double exposure through thermonuclear strata, on Photo Rag Baryta, Semipalatinsk nuclear weapons test site in Kazakhstan 48 3/8 x 56 1/4 inches (122.8 x 142.9 cm) each 48 3/8 x 172 5/8 inches (122.8 x 438.4 cm) overall edition of 3 with 1 AP JCh - 137

Julian Charrière Polygon XXVIII, 2015 medium format black and white photograph, double exposure through thermonuclear strata, on Photo Rag Baryta, Semipalatinsk nuclear weapons test site in Kazakhstan 48 3/8 x 56 1/4 inches (122.8 x 142.8 cm) edition of 3 with 1 AP JCh - 146

Polygon XXVIII, 2015 medium format black and white photograph, double exposure through thermonuclear strata, on Photo Rag Baryta, Semipalatinsk nuclear weapons test site in Kazakhstan 48 3/8 x 56 1/4 inches (122.8 x 142.8 cm) edition of 3 with 1 AP © Julian Charrière / VG Bild - Kunst, Bonn, Courtesy: DITTRICH & SCHLECHTRIEM, Berlin and Sean Kelly, New York

Polygon XXVIII, 2015 medium format black and white photograph, double exposure through thermonuclear strata, on Photo Rag Baryta, Semipalatinsk nuclear weapons test site in Kazakhstan 48 3/8 x 56 1/4 inches (122.8 x 142.8 cm) edition of 3 with 1 AP JCh - 146

Medium format black and white photograph, double exposure through Thermonuclear strata, on Photo Rag Baryta, Semipalatinsk nuclear weapons Test Site in Kazakhstan.

Not exact matches

Her photographs include series of portraits and American urban landscapes, ranging in format from large - scale color works to smaller black - and - white prints.

Learoyd's recent large - format, black - and - white photographs likewise reference the medium's heritage, employing the negative / positive process invented by William Henry Fox Talbot nearly two centuries ago.

This exhibition brings together the artist's iconic black and white self - portraits, a group of colour photographs that have not been publicly exhibited since 1983, rare sepia landscapes and, in collaboration with the artist's estate, introduces a group of his photographs in a large - scale format for the first time.

This new volume is a smaller - format reprint that includes all material from the original book — exceptional color and black - and - white drawings and model photographs — and the original introduction by Ulrich Franzen, along with two new texts, a reintroduction by architectural historian and educator Alberto Pérez - Gómez, and an essay by Kim Shkapich, director of the Architecture Archive at The Cooper Union.

Also on view is a 2016 large format black - and - white photograph from Charriére's First Light series, which examines the long - term devastation of Bikini Atoll by American nuclear testing between 1946 and 1958.

The exhibition includes some 80 photograph of varied sizes and formats: color and black - and - white, digital and analog, as well as video works composed from stills, all photographed throughout Israel.

In the piece, now preserved in a simple black - and - white video format of the artist sitting at a desk, Wilson begins with the premise «Art making sucks identity from individuals who are close to it but not participating themselves and the only way to recover identity is to make art yourself» proceeding to ingest a photograph she took of her partner, a male artist, in attempt to recover her own identity becoming his equal in power and, in doing so, creating her own art.

The Gang is part of Opies» Girlfriends series, black - and - white square - format photographs she made in the 1980s and 90s documenting what she refers to as «these little moments of sexy desire and memory».

Made within the past year, the roughly fifteen photographs exhibited in The Outside World are large - format, black - and - white gelatin silver contact prints, made using the negative / positive process invented roughly 170 years ago by Englishman W. H. Fox Talbot.

Hannah Collins, born in London in 1956, made a name for herself during the 1980s with her large - format black - and - white photographs.

ARTIST ROOMS comprises over 70 black - and - white photographs from across Arbus's career, including both her earliest work in 35 mm and her characteristic square - format images, and ranging from her best - known portraits to rarely - seen images.

The exhibition will include new large - format color photographs by Beshty, a new wall sculpture by Lefcourt, a large charcoal drawing by McKenzie, color photographs by Moholy - Nagy, a black and white painting by Oehlen, two automatic paintings by Man Ray, two sculptures by Stockholder, and new photographs from Welling's Quadrilaterals series.

Comprising more than eighty mostly black - and - white medium - and large - format photographs and a ten - minute video (also shot in black - and - white), the show presented cityscapes and portraits taken by the New York — based fashion photographer when he visited the shrinking metropolis on assignments for W magazine in 2006, and for Shinola, the luxury Detroit watch manufacturer, in 2013.

In these crisp black and white photographs of the Great Plains, Deal drew upon 19th century survey photography, but used the horizon line and symmetry of square format to reframe our perception of the landscape as finite.

Using a large - format 8 x 10 — inch camera and black - and - white film, he has photographed Boston's changing landscape, porch life in the rural South, sick or dying people, and his own family.