Sentences with phrase «format painting structures»

Not exact matches

About the Artist Zhu Jingyi (China, b. 1975) reimagines classic shanshui landscapes in a three - dimensional format through the application of resin onto canvas and wire to create textured structures that enliven otherwise flat, ink painted works.
The collection also includes central works from her photographic series of urban spaces, her poster paintings and rubbish bins, as well as elements from larger installations, which shows how Kagge concentrates on collecting across time, formats, media and thematic structures.
Birks's large format paintings, which have been compared to topographic maps, are abstract explorations of organic structures.
Within the square format of «Maintenant» (1981), which is French for «now,» or the eternal and changing present, a steeple - like structure rises up from the painting's bottom edge, slowly distinguishing itself from the gray wall of paint.
The overall effect they give is of a layered beehive - like structure; all three paintings have a rigid format but, according to the particular character of the deformation effected by compression or stretching, different kinds of movement are suggested.
The repetition of format, color and materials are set of parameters through which Cullinane explores what constitutes a painting and coupled with extended improvisation establishes a structure in which each composition is resolved.
More significantly, Mitchell's paintings are unusual in their composition: unlike the all - over compositional format of Pollock, Hartigan, or Krasner, her paintings are often centralized, suggesting a traditional figure - ground structure.
The wild array of structures and formats take liberties with the medium of painting in ways that challenge its history and expand its future.
Secondly, and probably more importantly, he was responding to a real, pre-existing space, with its own formal structure and its own history, and not deciding on an arbitrary format and size for his painting surface.
Rhythmic and lyrical, with a combination of pre-ordained structure and improvisation inspired in part by his love of jazz, the square - format paintings arrange rectangles of vivid, single colors in a deliberately irregular grid, with the close - fitting, many - hued «bricks» or «tiles» stacked vertically and arrayed in horizontal bands.
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