Sentences with phrase «format works on canvas»

The show includes a selection of intimate drawings and texts by the artist executed on notebook paper as well as three large format works on canvas which were created in reaction to a real - time performance of Bill T. Jones at The Kitchen in New York 1982.

Comprised of twelve medium - format works on canvas, the show will be on view from July 22nd through August 15th, 2017.

Not exact matches

It present works in different media and formats that used found objects and geometric shapes, before she began making her visionary pencilled grids on large, square canvases.

Concurrent with his continuing development of large format works on paper and on canvas, Il Lee has been at work on a printing press in his studio creating monoprints and limited - run etchings.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

Though Ward has traditionally worked on paper in a mixed media format of charcoal, oil pastels and graphite, this show will also introduce collaged works presented on canvas.

As his large scale works on canvas and on paper suggest at once the monumental and the fundamental dynamism of nature, these new prints convey scale and movement beyond the possibilities their modest formats suggest.

For his exhibition at the gallery, Zinsser will present a new set of oil and enamel paintings on stretched canvas, including several ambitious large - format works.

The show presents 15 large and medium - format figurative works on canvas by Enoc Perez, produced with a unique process akin to printmaking.

He started working on shaped canvases and opted for increasingly large formats.

In 1973 Saxon began making abstract work based on the grid format, initially using watercolor on paper and then industrial paint on raw canvas.

The New Scenario project was launched by Paul Barsch and Tilman Hornig as a time - based platform for performative exhibition formats taking place «outside the realm of the white cube», and the two founders team up to for the concept and curation of Jurassic Paint, described as having works on canvas and «live size (sic) dinos».

They are too obviously concerned with variations on thematic treatment of shapes tightly related to format — to vertical or horizontal canvases, and making simple shapes «work» in radical ways to achieve an unexpected forcefulness within these conventional formats.

By foraging for food in a supermarket with a bow and arrow (The Hunt, 1992), renovating an exhibition space under the auspices of a reality TV show format (The Perfect Gallery, 2010) or selling a souped - up speedboat as a work of art at an art fair (The Finest Art on Water, 2011), Jankowski proves that he is not frightened to turn the camera, canvas or microphone back on himself.

Rudolf Scharpff was thus able to acquire the first work on large - format canvases by graffiti art pioneers such as Phase 2, Mico, Futura 2000, and Rammellzee.

Working in a range of media and formats, from works on paper and canvas to large - scale wall installations Walker is particularly concerned with social and political issues with particular reference to history and cultural differences in contemporary life.

Besides working as a contributing editor at Art in America, Diehl has used words, numbers and symbols to record the events of her life on canvas in dense painterly formats that marry the literal with the abstract.

He works in a variety of formats that include Paintings on canvas, wood and wall hanging sculpture called» Definism», His images portray various differences in human nature, from life's everyday dramas to humankind's quest to under - standing self.

From the 1960s on a much freer approach to format became evident in some of the work of artists such as Frank Stella and Ellsworth Kelly and the shape of the canvas became an important element in the composition of the work.

This large - format, clothbound book measuring 9 1/2 x 12 1/2 inches (24 x 32 cm), 230 pages, includes 120 color plates of works on canvas, paper, and board.

In 1973, he began exclusively making abstract work based on the grid format, initially using watercolor on paper and then industrial paint on raw canvas.

Jeff Perrone's recent works, while not actually paintings, have been in painting format: striped abstractions on canvas, evoking formalist traditions but made eccentrically, in a mix of colored sands and sewn - on found buttons.

His works range from «drawings» made by printing letters and shapes on found book pages using word - processing software to «paintings» executed by running sheets of primed canvas through a large - format printer.

The works in the first group dating from the late 1960s are large, rectangular, stretched canvases hung on the wall — a format based on conventions challenged later in this exhibition — that elicit the mood of euphoria and optimism so prevalent in the late sixties.

The Lisson Gallery exhibition presents for the first time a new series of earth works of varied formats: table sculptures modelling micro and macro-landscapes, wall and floor sculptures evoking the natural forms of rock and coral, and works on canvas coated with pigments mined from the earth in a gritty take both on painterly traditions and on Kapoor's own earlier pigment sculptures and void forms.

Martin's works are all based on the same reduced format: a square canvas divided by horizontal lines and bands of color.

On a smaller scale, Lennon, Weinberg, Inc.'s recent gallery showing of a group of Joan Mitchell paintings from the 1950s, including some small - format canvases that have only lately come to market for the first time, also served as a reminder of the powerful punch the best abstract painting still packs, as did numerous works in Michael Rosenfeld Gallery's recent exhibition, Abstract Expressionism: Reloading the Canon.

Later I'll transfer those to a larger format on canvas in the studio, working with sense memories.