Sentences with phrase «former artistic director of»

Italian art expert, Francesco Manacorda former artistic director of the Tate Liverpool gallery has joined Moscow's V - A-C Foundation.

Hamish Jenkinson, Art Curator at Lights of Soho and former Artistic Director of the Old Vic Tunnels states: «With Soho changing at such a rapid rate, it's a great privilege to bring together so many fantastic artists, working together to ensure Soho's creative legacy is upheld long into the future.

The 2013 Award Jury is led by Carolyn Christov - Bakargiev, former Artistic Director of dOCUMENTA (13).

Not exact matches

And to try to counteract the accusation from Nigel Farage that In was a «group of yesterday's men and big corporate business», the campaign has also recruited Jude Kelly, the artistic director of the Southbank Centre, and Labour - supporting former T4 presenter June Sarpong.

But earlier this year, the Italian house acknowledged it was ready for a revamp: The 74 - year - old Cavalli stepped down in March, bringing in Peter Dundas — a former chief designer at Cavalli who'd served as artistic director of Emilio Pucci since 2008 — as creative director.

Elvis Mitchell, former NY Times and Fort Worth Star - Telegram Film Critic and newly appointed Artistic Director of the L.A. Film Festival, will serve as guest moderator for the evening.

The 46 - year - old former Grey's Anatomy star was joined by her co-star Jodie Comer, as well as creator Phoebe Waller - Bridge, French Minister of Culture and Communications Fleur Pellerin and husband Laurent Olléon, managing director of the festival Benoit Louvet, and festival artistic director Albin Lewi.

The issue has crossed the Atlantic, where the Old Vic Theatre has been rocked by allegations against former artistic director Kevin Spacey, and London police are investigating nine claims of sexual assault by Weinstein.

Curated by Dr Klaus Wolbert, the former director of Mathildenhöhe Institute in Germany, the selection reflects Botero's artistic exploration of the human experience, imbued with his characteristic socio - political insight and ironic wit.

The exhibition's development has been supported by a curatorial advisory committee which includes, Erika Balsom, Lecturer, Film and Liberal Arts, King's College London; Heather Corcoran, Former Executive Director, Rhizome; Ed Halter, Co-Director Light Industry, Assistant Professor, Bard College; and Sarah Perks, Artistic Director, Cornerhouse and HOME, and Professor at Manchester School of Art.

Rodrigo Moura, former Director of Art and Cultural Programmes at the Inhotim Institute, is the commissioner for this exhibition and has selected over 200 pieces that showcase the artistic tastes of the collector.

The exhibit will be accompanied by a limited edition catalog designed by Jessica Fleischman / Still Room and includes essays by cutting - edge visual and performance artist Alex Donis, historian Julia Bryan Wilson, Linda Burnham (former Editor of High Performance Magazine), Dorit Cypis (former Director of Foundation for Arts Resources), and Clayton Campbell (former Artistic Director o18th Street Arts Center).

The show was organized by Robert Storr, the artistic director of the biennale and a former curator at the Museum of Modern Art in New York.

HELEN TOOMER (New York, NY)-- Co-Founder / Artistic Director of Stoneleaf Retreat Artist Residency, Former Director of PULSE Contemporary Art Fair and Professor at Sotheby's New York

Each exhibition will be organized by curators with specific expertise in the area of focus, with WhiteBox artistic Director Juan Puntes curating the China - focus exhibition, independent curator Kyoko Sato for Japan, WhiteBox Curatorial Advisors Blanca de la Torre and Raúl Zamudio for Mexico and Latin America, and the former Yugoslavia portion curated by WhiteBox Director of International Programming Lara Pan, in collaboration with museum curators from across the region.

The former Venice Biennale curator and new artistic director of the Fondation Vincent van Gogh Arles shares her thoughts on trans - historical curating and the future of museums.

Penelope Curtis, the former director of Tate Britain, has described Flanagan as «a maverick figure, but a maverick who was absolutely central to the artistic conversations of the 60s and 70s».

One of Britain's most original and inventive sculptors, Penelope Curtis, former director of Tate Britain, has described Flanagan as «a maverick figure but a maverick who was absolutely central to the artistic conversation of the 1960s and 70s».2 One of the influential generation of artists studying at St Martin's School of Art in the early to mid-1960s, Flanagan reacted against the formal rigidity of sculpture at that time, challenging the nature of the medium and contributing to a new understanding of the practice.

The news comes one week after the departure of former artistic director Stuart Horodner, who is now director at the Art Museum of the University of Kentucky in Lexington.

The former Executive Director of the nationally acclaimed Colorado Dance Festival, she has also served as Artistic Director for theater programs at the Boulder Museum of Contemporary Art and Deputy Director of the Museum of Contemporary Art Denver.

Guest Lecturers: On Pilchuck and Printmaking Saturday, April 22, 2 p.m. Tina Aufiero and Pike Powers, Pilchuck Glass School's current and former Artistic Directors, discuss the process of vitreography and the innovations that PGS has witnessed over the past three decades of printmaking.

Co-Founder and Chief Editor of Parkett (since 1984); Independent Curator for various international art galleries, museums and exhibitions, including for the Centre Georges Pompidou in Paris (France), the Hayward Gallery in London (UK), the Guggenheim Museum in New York and the 54th Biennale di Venezia (Italy); Curator of the Kunsthaus Zürich (1993 - 2013); Editor of Tate Etc. magazine (since 2004); Former Member of the Federal Arts Council; Lecturer at Humboldt - Universität of Berlin (Germany)(2006 — 07); Artistic Director and Exhibition Curator of the Fondation Vincent van Gogh Arles (France)(since 2013).

Momus: The Podcast episode 2 features guests Daniel Baumann (director of Kunsthalle Zürich), Kristy Trinier (artist, curator, and former Banff Centre director), Aaron Cezar (founding director of Delfina Foundation), Michelle Grabner (artist, educator, and artistic director of Front International), and the co-directors of Beirut residency marra.tein, Jared McCormick and George Awde.

The Biennial launched on Monday with the March Meeting symposium, a platform for artistic debate, featuring high - profile speakers such as architect Rem Koolhaas, former Guggenheim Director Thomas Krens, as well as a number of prestigious art institutions such as the Townhouse Gallery, the Tashkent Biennial, Birzeit's University's Virtual Gallery and Ashkal Alwan for Contemporary Arts.

But The Contemporary Austin's fall exhibition lineup — the first wave of programming from executive director Louis Grachos and senior curator Heather Pesanti, both new arrivals from Buffalo's Albright - Knox Art Gallery — suggests that the former AMOA - Arthouse has taken the first steps in a promising new artistic direction.

Plymouth's # 4.2 million Ocean Studios, artistic development within 60,000 ft Grade I listed, former naval building, was officially launched yesterday (Thursday 30th July) by Sir Nicholas Serota, Director of the Tate, and Tudor Evans, Leader of Plymouth City Council.

The exhibition is curated by art historian Marina Pugliese, Adjunct Professor at the California College of the Arts in San Francisco and former Director of the Museum of 20th Century Art in Milan, conservator Barbara Ferriani, lecturer at the Centro di Conservazione e Restauro «La Venaria Reale» and at the University of Milan, and Vicente Todolí, Artistic Director of Pirelli HangarBicocca and previously Director of Tate Modern in London from 2003 - 10.

Stuart Horodner, artistic director of the Atlanta Contemporary Art Center and a former gallerist, can commiserate.

When former director Ira Goldberg recently resigned his position to move to Spain and paint full - time, Tim was asked to take over leadership of the institution whose alumni and faculty include artistic giants like Jackson Pollock, Norman Rockwell, Georgia O'Keeffe, Edward Hopper, Will Barnet, James Rosenquist, and Ai Weiwei.

Prior to this, Ms. Jagpal played an important role in the New North and South project, a three - year program celebrating artistic talent from across the north of England and South Asia initiated by Dr. Maria Balshaw, former director of the Whitworth Art Gallery in Manchester.

That larger survey was curated by Vicente Todolí, former director of London's Tate Modern and now artistic director of Hangar Bicocca, a contemporary art museum in Milan.

Launched in 2007, two years after Hurricane Katrina had devastated large areas of New Orleans and the Louisiana gulf region of the United States, Prospect New Orleans was conceived as an international biennial — by founder and former director Dan Cameron, who had curated the 8th Istanbul Biennial (2003) and 10th Taipei Biennial (2006)-- to exhibit contemporary artistic practices, while contributing to the city's cultural and economic recovery.

Veering from the path of the initial incarnations, which were organized by founder and former director Dan Cameron, the third Prospect New Orleans, curated by Los Angeles County Museum of Art chief curator and P. 3 artistic director Franklin Sirmans, features 58 national and international artists that explore ideas associated with a search to discover one's place in the world — sometimes related to the «Crescent City» and the South, while at other times evoking the place whence the artists came or imagine they might want to be.

incoming director of the Brooklyn Museum and former president and artistic director of Creative Time.

The former Director of the nationally acclaimed Colorado Dance Festival, she has also served as Artistic Director for theater programs at the Boulder Museum of Contemporary Art and Deputy Director of the Museum of Contemporary Art Denver.

The exhibition is organized by Rebecca McGrew, Pomona College Museum of Art senior curator, with the assistance of the «Prometheus 2017» research team — Terri Geis, former Pomona College Museum of Art curator of academic programs; Mary K. Coffey, Dartmouth College professor of art history; Daniel Garza Usabiaga, artistic director of Zona Maco in Mexico City; Nidhi Gandhi and Ian Byers - Gamber, Pomona College Museum of Art curatorial assistants; and Benjamin Kersten, former Pomona College Museum of Art curatorial assistant.

For the first time since the opening of its new building and the subsequent departure of its former director Russell Bowman, the Milwaukee Art Museum has hired someone to be responsible for the artistic direction of the museum, Mary Louise Schumacher reports in the Milwaukee Journal - Sentinel.

For the past 16 years the annual commission has been selected by former Serpentine Galleries director Julia Peyton - Jones, later with the help of artistic director Hans Ulrich Obrist.

For this alternative take on the intown artist residency, Atlanta artists Ben Coleman (of the band Judi Chicago) and Henry Detweiler (artistic director of MINT Gallery) committed themselves to living for three weeks in a former nightclub, severing themselves from outside influences: «human interaction, media, ritual — anything that routinely drives or blocks the artist's creativity and ability to work,» according to Dashboard's press release.

He was awarded third place by juror Ann Barlow, an experienced contemporary art curator and arts administrator, former director of Art in General in New York City, and current artistic director of Tate St Ives.

The post is responsible for setting the museum's general artistic agenda, which had been adrift at MOCA following a lengthy period of fiscal and board turmoil marked by the 2008 departure of former director Jeremy Strick and the tumultuous four - year tenure of New York art dealer Jeffrey Deitch.

This juried exhibition featured artwork by current and former Artspace artist members and was juried by Annah Lee, Director of Artistic Programs and Lia Newman, the Director and Curator of the Van Every / Smith Galleries at Davidson.