Sentences with phrase «former curator of exhibitions»

She is the former Curator of Exhibitions and Projects at Modern Art Oxford where she curated exhibitions by Barbara Kruger, Josh Kline, Lynn Hershman Leeson and Christian Boltanski, among many others.

Xandra Eden, Executive Director & Chief Curator, DiverseWorks (former Curator of Exhibitions, Weatherspoon Art Museum)

Not exact matches

Automotive journalist and museum consultant Ken Gross, former director of the Petersen Automotive Museum, is the exhibition curator, and Barbara Wiedemann of the NCMA is managing curator.

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

ABOUT THE EXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that conEXHIBITION Guest curated by Robert Storr, professor and dean of the Yale University School of Art and former senior curator of painting and sculpture at the Museum of Modern Art, the exhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that conexhibition and an accompanying catalogue will bring fresh perspective to these artists and examine the figurative impulses that connect them.

A two volume exhibition catalogue documents both exhibitions and features contributions by Hamza Walker, LAXART Executive Director and former Director of Education and Associate Curator at the Renaissance Society, and Michael Rooks, Wieland Family Curator of Modern and Contemporary Art at the High Museum of Art.

The programme included an international video exhibition, Fireflies in the Night (22 - 24 June), organised by critic Robert Storr, former Dean of the Yale School of Art, with curators Barbara London, Kalliopi Minioudaki and Francesca Pietropaolo.

The joint exhibitions will be accompanied by a significant three - volume catalogue with texts by Margit Rowell, a former curator at The Museum of Modern Art, Centre Georges Pompidou, Centro de arte Reina Sofia and the Solomon R. Guggenheim Museum, on Miró's Constellations, and art historian and author Mildred Glimcher on Calder's Constellations.

She was the focus of a Museum of Modern Art Focus exhibition curated by former Senior Curator of Painting and Sculpture Robert Storr.

Organized by former National Gallery of Art curator Ruth Fine, in cooperation with PAFA's Robert Cozzolino and Michael Rosenfeld Gallery, the exhibition reveals the range and power of his abstraction through nearly 100 paintings and works on paper made between the early 1930s through the 1970s.

Pace will publish a catalogue to accompany the exhibition, with an essay by Marla Prather, former curator at the National Gallery of Art, the Whitney Museum of American Art, Tate Modern, and most recently Senior Consultant at the Metropolitan Museum of Art.

Enrique Juncosa, former curator of the Irish Museum of Modern Art and Miquel Barceló's solo exhibition at the Venice Biennale, describes Barceló as «one of the few contemporary artists who feels comfortable working in a rural idiom.

Find all our upcoming shows on our website: http://westside.pilotenkueche.net/?p=11377 — «UNHEIMLICH» / international group exhibition Opening: 09.02.18, 19:00 hOpen from: 10.02 - 01.03.18 Finissage: 02.03.18, 19:00 hLocation: Alte Handelsschule, Gießerstraße 75, 04229 Leipzig Find this event on Facebook: https://www.facebook.com/events/238067913399668/ International residentsAlexander Hulphers (Painting; Oroville, USA) Alma Vissher (Installation, Textile; Edmonton, Canada) Elsa Henderson (Painting; Los Angeles, California, USA) Hannah Naify (Painting; Brooklyn, New York, USA) Ilil Kenaan (Performance, Theatre; Tel Aviv, Israel) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Lucas Recchione (Painting, Sculpture, Video; New York, USA) Malda Alajlani (Painting; Damascus, Syria) Maria Barros (Sculpture; Santiago, Chile) Mirel Torun (Photography, Drawing; Izmir, Turkey) Rory Harron (Sculpture, Installation; Redcastle, Donegal, Ireland) Stephanie Morissette (Installation, Video; Québec, Canada) Viktor Witkowski (Painting, Video; Norwich, USA) Local ParticipantsAnja Heymann (Mixed Media; Leipzig, Germany) René Schäffer (Photography; Halle, Germany) CuratorsMaria Stadirani (Curator; Rome, Italy) AssistantsPaula Blower (Mixed Media, Video, Installation, Performance; Rio de Janeiro, Brazil) Kay Lotte Pommer (Leipzig, Germany) Further Exhibitions «Kaleidoscope GmbH» / international group exhibition Opening: 08.02.18, 19:00 h Open: 09 - 11.02.18, 15:00 - 20:00 hLocation: PING PONG, Helmholtzstraße 1, 04177 Leipzig, Germany Find this event on Facebook: https://www.facebook.com/events/666373870492573/ Artists Alma Vissher (Installation, Textile; Edmonton, Canada) Jing Yu (Sound Installation, Performance; Brooklyn, New York, USA) Maria Barros (Sculpture; Santiago, Chile) Stephanie Morissette (Installation, Video; Québec, Canada) René Schäffer (Photography; Halle, Germany) «LOOK, CAN I START A GROUP LIKE YOU» / international group exhibition Opening: 10.02.18, 19:00 h Open: 11.02 - 14.04.18 Location: LS43, Lübecker Strasse 43, Berlin, Germany Follow LS43 Find this event on Facebook: https://www.facebook.com/events/909424109214442/ CuratorJos Diegel (Mixed Media, Video, Installation; Frankfurt, Berlin, Germany) A selection of former residents video works will be presented.

The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Kong.

The exhibition is curated by Allegra Pesenti, curator at large, Menil Drawing Institute and former curator of the Grunwald Center for the Graphic Arts, with Leslie Cozzi, curatorial associate.

As former curator of Thread Waxing Space, NY, her exhibitions, screenings, and performances include Spectacular Optical (1998), Luther Price: Imitation of Life (1999), The Life Casts of Cynthia Plaster Caster: 1968 - 2000 (2000), Børre Sæthre: Module for Mood (2000) and Sigalit Landau (2001).

The Vernissage of the exhibition will be honored by the presence of Emily Braun, curator of the New York Guggenheim Museum, on October 15 that will give a talk «Sandro Chia and Transavanguardia» in the former Church of the Annunciation.

Pritikin is the former Chief Curator of the Yerba Buena Center for the Arts in San Francisco, and was responsible for McGee's first major solo exhibition at YBCA in the late 1990s.

Basquiat: The Unknown Notebooks is organized by the Brooklyn Museum and is curated by Dieter Buchhart, guest curator, with Tricia Laughlin Bloom, former Associate Curator of Exhibitions, Brooklyn curator, with Tricia Laughlin Bloom, former Associate Curator of Exhibitions, Brooklyn Curator of Exhibitions, Brooklyn Museum.

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

The exhibition will have a companion catalog titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by writer Denise Frazier, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, Deborah Willis and Joan Mitchell Center Program Associate Tara Foster.

With the push for recognizing heretofore undervalued black artists animating museums these days, this exhibition — organized by Ruth Fine, a former curator at the National Gallery of Art, in Washington — offers an excellent occasion not only to assess the significance of Mr. Lewis and his art.

Each exhibition will be organized by curators with specific expertise in the area of focus, with WhiteBox artistic Director Juan Puntes curating the China - focus exhibition, independent curator Kyoko Sato for Japan, WhiteBox Curatorial Advisors Blanca de la Torre and Raúl Zamudio for Mexico and Latin America, and the former Yugoslavia portion curated by WhiteBox Director of International Programming Lara Pan, in collaboration with museum curators from across the region.

The exhibition is co-organized by Terrie Sultan, Director of the Parrish Art Museum, Long Island, NY, and Colin Westerbeck, an internationally acclaimed author, independent curator, and former curator of photography at the Art Institute of Chicago.

Its authors include David Anfam, author of the seminal book Abstract Expressionism (1990); Susan Davidson, Senior Curator, Collections and Exhibitions, at the Solomon R. Guggenheim Museum, New York; Edith Devaney, Contemporary Projects Curator, Royal Academy of Arts; Jeremy Lewison, former Director of Collections at the Tate; Carter Ratcliff, author of Fate of a Gesture: Jackson Pollock and Postwar American Art (1996); and Christian Wurst, researcher for The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming).

The exhibition is the result of a four - year collaboration between Piper and Christophe Cherix, Chief Curator in the Museum's Department of Drawings and Prints, Connie Butler, Chief Curator at the Hammer Museum, Los Angeles, and David Platzker, former Curator in the Museum's Department of Drawings and Prints, with Tessa Ferreyros, Curatorial Assistant in the Museum's Department of Drawings and Prints.

Co-curated by Thelma Golden and former Associate Curator Christine Y. Kim, there are no prevailing themes in this exhibition, except perhaps an overwhelming sense of individuality.

The exhibition was curated by Heidi Zuckerman Jacobson, former Phyllis Wattis MATRIX Curator and now director and chief curator of the Aspen Art Curator and now director and chief curator of the Aspen Art curator of the Aspen Art Museum.

James Crump, former Chief Curator of the Cincinnati Art Museum who organized the exhibition, contributes an extensive introductory essay.

Beeler Gallery's new Director of Exhibitions Jo - ey Tang will speak with his predecessors Dr. Natalie Marsh (Director and Chief Curator of the Gund Gallery, Kenyon College), Michael Goodson (Senior Curator, Wexner Center for the Arts) and James Voorhies (Dean of Fine Arts, California College of the Arts), as well as Assistant Director of Exhibitions and former Interim Director of Exhibitions Ian Ruffino about the unique role of galleries within an art school context, the evolution of Beeler Gallery, and what it means to «take over» a space from a predecessor.

The exhibition is a portrait of a giant of modernist abstraction from a particularly intimate and revealing point of view,» said Karen Wilkin, who served as guest curator along with Marcelle Polednik, MOCA's former executive director.

The exhibition is accompanied by a monograph — the first scholarly publication about the art collective — that features an artist project and includes writings by Cesar Garcia, curator, writer, and founding director of The Mistake Room in Los Angeles; former Blaffer Art Museum director and chief curator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art Ccurator, writer, and founding director of The Mistake Room in Los Angeles; former Blaffer Art Museum director and chief curator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art Ccurator Claudia Schmuckli, Curator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art CCurator - in - Charge, Contemporary Art and Programming, Fine Arts Museums of San Francisco; and Naomi Beckwith, Marilyn and Larry Fields Curator, Museum of Contemporary Art CCurator, Museum of Contemporary Art Chicago.

Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.

The exhibition is accompanied by a fully illustrated catalogue, which includes essays by Miranda Lash; Eleanor Heartney, critic for Art in America; Patricia C. Phillips, Associate Provost at the Rhode Island School of Design; Patricia Covo Johnson, former critic for the Houston Chronicle; and Herb Tam, Curator and Director of Exhibitions at the Museum of Chinese in America; and poet Andrei Codrescu.

According to Kristina Van Dyke, former curator for collections and research at the Menil Collection and now the director of The Pulitzer Foundation for the Arts, one of the points of origin of the three - part exhibition - and the inspiration for its title - is a body of sculptural installations by Stephen Friedman Gallery artist Yinka Shonibare (born 1962) based on paintings by Jean - Honoré Fragonard.

The exhibition is organized by Christophe Cherix, The Robert Lehman Foundation Chief Curator of Drawings and Prints, The Museum of Modern Art; Connie Butler, chief curator, Hammer Museum, Los Angeles; and David Platzker, former curator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, curatorial assistant, Department of Drawings and Prints, The Museum of ModeCurator of Drawings and Prints, The Museum of Modern Art; Connie Butler, chief curator, Hammer Museum, Los Angeles; and David Platzker, former curator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, curatorial assistant, Department of Drawings and Prints, The Museum of Modecurator, Hammer Museum, Los Angeles; and David Platzker, former curator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, curatorial assistant, Department of Drawings and Prints, The Museum of Modecurator, The Department of Drawings and Prints, The Museum of Modern Art; with Tessa Ferreyros, curatorial assistant, Department of Drawings and Prints, The Museum of Modern Art.

The exhibitions program are part of a strategic initiative introduced by the new director of the Glass House, Henry Urbach, who is leading efforts to rededicate the site as a lively, creative cultural center consistent with the spirit and values of its former occupants, renowned architect Philip Johnson and independent curator David Whitney.

As a gratifying collection of new work by a vast range of Chicago - based artists, this exhibition aims to create «a contemporary sense of semiotic flexibility as a whole while allowing for individual experiences,» according to the catalogue essay by curator Britton Bertran, former director of the city's Gallery 40,000.

The exhibition is curated by Olga Viso, executive director, Walker Art Center and Jeffrey Grove, former senior curator of special projects & research, Dallas Museum of Art.

Join us for 2 tours of the exhibition, led by Jeffrey Grove, former senior curator of special projects & research, Dallas Museum of Art.

The exhibition is co-curated by Lisa Chalif, Curator of The Heckscher Museum of Art, and Franklin Hill Perrell, Heckscher Museum Trustee and former Chief Curator of the Nassau County Museum of Art.

Kirsty Ogg On the opening night of British New Contemporaries at the Institute of Contemporary Art, we spoke to the competition's director and former curator at the Whitechapel Gallery, Kirsty Ogg, about curating this year's exhibition in London, the selection process and how BNC acts as a barometer for contemporary art.

And the exhibition, organized by Catherine Morris of the museum's Elizabeth A. Sackler Center for Feminist Art and Rujeko Hockley, a former curator at the Brooklyn Museum now at the Whitney Museum of American Art, at least encourages us to learn.

The exhibition is co-curated by deCordova Curator, Dina Deitsch and Independent Curator and former owner / director of the Judi Rotenberg Gallery, Boston, MA, Abigail Ross Goodman.

The events programme at Somerset House is curated by William Ewing, distinguished curator and writer on photography, former Director of Musée de l'Elysée and Director of Exhibitions at the International Center of Photography in New York.

Celebrating his life as an artist, this expansive exhibition (organized by Douglas Fogle, former chief curator at the Hammer Museum in Los Angeles) presents a selection of Mr. Melotti's work, featuring his early, somewhat - surreal figurative ceramics and his later abstract, brass sculptures, which portray political and theatrical subjects.

Former guest curators have included: Laurie Simmons, artist; Liam Gillick, artist; Daniel Birnbaum, Director of the Städelschule Art Academy and Portikus Gallery, Frankfurt, Germany; Douglas Gordon, artist; Jens Hoffmann, Director of Exhibitions Institute of Contemporary Art, London, England; Nathan Carter, artist.

The exhibition was organized by Stijn Alsteens, curator of prints and drawings at the Metropolitan Museum of Art, and Adam Eaker, assistant curator of Northern Baroque paintings at the Met, a former Frick Collection guest curator.

The sketchbooks were taken apart by the artist and framed in 1983 for an exhibition of his drawings at the Visual Arts Museum of the School of Visual Arts in New York, curated by Diane Waldman, a former curator at the Guggenheim Museum.

A catalog was produced on the occasion of the exhibition, titled «Convergence», featuring the artwork of the ten NOLA Studio Program artists, along with essays by Joan Mitchell Center Director Gia Hamilton, curator Deborah Willis, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, writer Denise Frazier, and Joan Mitchell Center Program Associate Tara curator Deborah Willis, former New Orleans Museum of Art (NOMA) Curator of Modern and Contemporary Art Miranda Lash, writer Denise Frazier, and Joan Mitchell Center Program Associate Tara Curator of Modern and Contemporary Art Miranda Lash, writer Denise Frazier, and Joan Mitchell Center Program Associate Tara Foster.