Sentences with phrase «former head curator»

Dr. Moniz has worked on engagement programs at the Museum of Latin American Art in Long Beach, California and is the former Head Curator at the California African American Museum in Exposition Park in Los Angeles.
I guess museum quality shows are what you'd expect from the former head curator at MoCA, but if it's a novelty I can't imagine it wearing off.

Not exact matches

It features 26 works chosen by seven «curators», among them the PM's wife Samantha Cameron, Deputy Prime Minister Nick Clegg, former Labour minister Lord Mandelson and the head of MI6 Sir John Sawers.
In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Institute.
The exhibition is co-curated by pre-eminent authorities Andrey Erofeev, a leading art critic and writer, and former head of the contemporary art department of the Tretyakov Gallery, Moscow; Marco Livingstone, an independent curator who has worked on numerous publications, retrospectives and Pop Art exhibitions that have toured throughout Europe, Japan and Canada; and Tsong - Zung Chang, a curator and guest professor of China Art Academy who co-founded the Asia Art Archive and the well - established Hanart TZ Gallery in Hong Kong.
Co-curated by Dr. Mitchell Merling, Paul Mellon Curator and Head of European Art, VMFA, and Dr. Heather MacDonald, Program Officer, Getty Foundation (former Lillian and James H. Clark Associate Curator of European Art, Dallas Museum of Art).
Elizabeth L. O'Leary is Associate Curator of American Art at the Virginia Museum of Fine Arts; Sylvia Yount is VMFA's Louise B. and Harwood Cochrane Curator of American Art and department head; Susan Jensen Rawles is Assistant Curator of Decorative Art at VMFA; and David Park Curry, former VMFA Curator of American Arts, is Senior Curator of Decorative Arts, American Painting, and Sculpture at the Baltimore Museum of Art.
Malcolm Daniel, longtime Curator and former Head of the Department of Photographs at The Metropolitan Museum of Art in New York, has been appointed to succeed her.
Speakers: Iwona Blazwick — Director, The Whitechapel Gallery; Sonia Boyce — Artist; Caroline Douglas — Director, Contemporary Art Society; Ann Gallagher — Curator and Head of Collections, Tate; Professor Hilary Robinson — Dean of Art and Design, Middlesex University and author of Feminist - Art - Theory: An Anthology 1968 - 2000; Vanessa Jackson — Artist, former Senior Tutor at The Royal Academy Schools; Elizabeth Neilson — Director of The Zabludowicz Collection and Jennifer Thatcher — Art Critic.
Hosley is a former curator of decorative arts and Americana at the Wadsworth Atheneum, former director of the New Haven Museum, and former head of Connecticut Landmarks, a statewide historical organization.
The Institute also will award honorary degrees to Martin Friedman, former director of the Walker Art Center, and Mildred Friedman, former curator of design and architecture at the Walker Art Center; Tim Hawkinson, artist; Raymond McGuire, Citi head of global banking; and Janette Sadik - Khan, commissioner of the New York City Department of Transportation.
Simon Wilson is an author, art historian and former Head of Education and Curator of Interpretation at Tate.
Sirmans, former curator of modern and contemporary art at the Menil Collection in Houston and curatorial advisor at P.S. 1 Contemporary Art Center in New York, is coming to the Los Angeles County Museum of Art beginning Jan. 1; he will be department head and curator of contemporary art, succeeding Lynn Zelevansky, who left in July to direct the Carnegie Museum of Art in Pittsburgh.
Former Falmouth Student Nominated for Turner Prize [Edition 3] West Briton, The; May 2, 2013; 330 words A FORMER Falmouth University student... nominated for the Turner Prize.Lynette Yiadom... Head of art at Falmouth, Virginia Button... curator of the Turner Prize and author of The Turner Prize: Twenty Years... outstanding student at Falmouth and richly deserFormer Falmouth Student Nominated for Turner Prize [Edition 3] West Briton, The; May 2, 2013; 330 words A FORMER Falmouth University student... nominated for the Turner Prize.Lynette Yiadom... Head of art at Falmouth, Virginia Button... curator of the Turner Prize and author of The Turner Prize: Twenty Years... outstanding student at Falmouth and richly deserFORMER Falmouth University student... nominated for the Turner Prize.Lynette Yiadom... Head of art at Falmouth, Virginia Button... curator of the Turner Prize and author of The Turner Prize: Twenty Years... outstanding student at Falmouth and richly deserves...
Melissa Messina curated solo exhibitions for such artists as Nick Cave, Whitfield Lovell, Rafael Lozano - Hemmer and Shinique Smith, and the photography exhibition Room In My Head: Staging Psychological Spaces, among others as the former Senior Curator at the Savannah College of Art and Design.
The conference was the last hurrah for organizer Clara Kim, former gallery director and curator of REDCAT, before heading off to duties at Walker Art Center.
Sirmans, a former Menil curator who now heads the Los Angeles County Museum of Art's contemporary art department, compares it to Robert Rauschenberg's combine paintings, which incorporate myriad found objects into the surfaces of painted canvases.
While he was at the Morgan, the institution expanded its drawings department and added a focus on photography, bringing in former Princeton University Art Museum photography curator Joel Smith to head the department.
In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a work James Rosenquist created for one of the magazine's issues.
Royal Academician David Remfry, former Vogue picture editor - turned - curator Robin Muir and the Tate's Head of Learning, Programme and Resources Fiona Kingsman lead this year's judging panel.
Also on the art committee were Jeff Shankman, former president of Enron Global Markets and a decorative and fine arts collector; Enron executive Mike McConnell; Ned Rifkin, former director of the Menil Collection and now head of the Hirshhorn Museum and Sculpture Garden in Washington, D.C.; and Barry Walker, a curator at the Museum of Fine Arts in Houston.
Amongst the speakers taking part are: Catherine Lampert, Curator and Leading Specialist advisor on Freud's work and former Director of the Whitechapel Gallery, London; Elena Crippa, Curator, Modern and Contemporary British Art, Tate Britain; Brian Dillon, writer, critic, and UK editor of Cabinet magazine and Head of Programme, Critical Writing in Art & Design, Royal College London; Daphne Wright, Artist and curator of The Ethics of Scrutiny; Angela Griffith, (TRIARC) TCD; as well as contemporary artists taking part on the IMMA Freud ResCurator and Leading Specialist advisor on Freud's work and former Director of the Whitechapel Gallery, London; Elena Crippa, Curator, Modern and Contemporary British Art, Tate Britain; Brian Dillon, writer, critic, and UK editor of Cabinet magazine and Head of Programme, Critical Writing in Art & Design, Royal College London; Daphne Wright, Artist and curator of The Ethics of Scrutiny; Angela Griffith, (TRIARC) TCD; as well as contemporary artists taking part on the IMMA Freud ResCurator, Modern and Contemporary British Art, Tate Britain; Brian Dillon, writer, critic, and UK editor of Cabinet magazine and Head of Programme, Critical Writing in Art & Design, Royal College London; Daphne Wright, Artist and curator of The Ethics of Scrutiny; Angela Griffith, (TRIARC) TCD; as well as contemporary artists taking part on the IMMA Freud Rescurator of The Ethics of Scrutiny; Angela Griffith, (TRIARC) TCD; as well as contemporary artists taking part on the IMMA Freud Residency.
Campbell duly hired Sheena Wagstaff, the chief curator of Tate Modern and a graduate of the Whitney Independent Study Program, to head the newly renamed department of Modern and Contemporary Art, and two years ago the Met formally rolled out this new initiative with the mega-exhibition, «Unfinished: Thoughts Left Visible» in the Whitney Museum's former Marcel Breuer — designed headquarters on Madison Avenue, which the Met had leased for eight years.
The works were selected by Edwin Buijsen, Head of Collections at the Mauritshuis, and Colin B. Bailey, former Frick Deputy Director and Peter Jay Sharp Chief Curator.
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